UK regulator imposes new rules on Google search, including an AI-training opt-out



Britain’s competition regulator has stopped consulting and started ordering. On Wednesday the Competition and Markets Authority imposed new conduct requirements on Google’s search services, the first concrete obligations to follow from its decision to designate the company as holding strategic market status.


Among them is a provision with sharp implications for the AI era: publishers will be able to opt out of having their content train Google’s AI models.

Google’s search results increasingly summarise the web rather than send users to it, and those summaries are built on content the company crawls for ranking. Publishers have argued they face a trap: refuse the crawl and vanish from search, allow it and feed the AI systems that reduce their traffic. The CMA’s rule is meant to break that bind by separating the two, letting a site appear in search without consenting to AI training.

The rest of the package is structural. The CMA’s requirements mandate fair ranking, transparency, proper content attribution, and default choice screens on Android and Chrome so users can pick rival search services rather than accept Google’s by default. Choice screens are familiar from a decade of EU antitrust enforcement; their inclusion here signals the CMA intends to use the practical levers that have moved the needle elsewhere.

The legal architecture is what makes this different from a one-off case. Under the UK’s Digital Markets, Competition and Consumers regime, the CMA can designate a firm with strategic market status in a digital activity and then impose tailored, ongoing conduct requirements, rather than litigating each abuse separately.

The CMA confirmed Google’s SMS designation in search in October 2025, opened a consultation on conduct requirements in January 2026, and has now moved to enforcement.

It is a different model from the American one. Where US antitrust against Google runs through the courts, with remedies argued case by case over years, the UK regime is regulatory and forward-looking: a designated firm operates under a standing set of obligations a regulator can adjust. The trade-off is familiar.

The regulatory approach is faster and more flexible; it also concentrates a great deal of discretion in the regulator, and Brussels has tended to write the rule before settling what enforcement actually looks like in practice.

For Google, the requirements arrive as its search business is already under pressure from a direction antitrust was not designed for. AI assistants and chat interfaces are emerging as alternatives to the ten blue links, and the CMA’s rules implicitly acknowledge that the competitive threat and the regulatory question now both run through AI. The opt-out provision in particular is less about classic search rivalry than about who controls the training data underneath the next interface.

Google has consistently argued that its services benefit users and that heavy-handed rules risk degrading them, a line it will presumably repeat here. The company has room to challenge specifics, and the detail of compliance, how the opt-out works technically, how choice screens are designed, tends to be where these regimes are won and lost.

What is settled is the direction. The UK has built a standing regulatory relationship with Google’s search business and has now used it for the first time. The immediate question is whether an AI-training opt-out can be made to work without pushing publishers out of search by other means. The CMA has written the rule. Enforcement is the part still being drafted.



Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews


It’s the first of the month, which means Netflix has added a substantial number of new movies and shows. Some of the highlights include the Creed movies, Friday Night Lights, The Karate Kid franchise, and the first five seasons of Hawaii Five-0. Keep an eye on the new movies coming later this month, including Office Romance and Little Brother.

As for the thriller section, there are several movies to check out this week. My top pick is a recent crime thriller from an Academy Award-nominated director. My other two movies are total opposites. One is a disturbing psychological thriller featuring two familiar faces, while the other is a notable book-to-screen adaptation.

3

The Girl on the Train

Based on the bestselling novel

The Girl on the Train walked so that It Ends with Us could run. What do I mean? It’s not like The Girl on the Train was the first movie to be based on a book. I’m more focused on the style of thriller — a beach read that is predominantly aimed toward women. Hoover’s books continue to become box-office hits. In 2016, The Girl on the Train proved that there is an audience for this type of thriller.

Based on the novel by Paula Hawkins, The Girl on the Train stars Emily Blunt as Rachel Watson, an alcoholic divorcée who recently lost her job. To pass the time, Rachel rides the train and imagines the new life of her ex-husband, Tom (Justin Theroux), and his new wife, Anna (Rebecca Ferguson). One day, Rachel witnesses a troubling event in the backyard belonging to Scott (Luke Evans) and Megan Hipwell (Haley Bennett). The authorities don’t believe her due to her alcoholism, so Rachel will need more proof than her word.

The Girl on the Train has all the staples of a page-turning thriller. There are several twists that will make you question what is true and what is a lie. It’s a story of deceit and obsession that mixes sexual tension and disturbing violence into its storyline. Blunt gives a convincing performance as an alcoholic searching for answers in the case and in her personal life. At just under two hours, The Girl on the Train certainly delivers everything you want out of an entertaining thriller.

2

The Good Son

Kevin McCallister breaks bad

If your children enjoy the Home Alone franchise, then do not let them watch The Good Son. Speaking from experience, this movie should be consumed by teenagers and adults who are at least 17 years old. I watched this movie as a kid, and it shook me to my core. I would still recommend it because it’s genuinely one of the most shocking performances from an actor who you would never expect to take on this role.

After the death of his mother, 10-year-old Mark Evans (Elijah Wood) is sent to spend winter break with his Uncle Wallace (Daniel Hugh Kelly) and Aunt Susan (Wendy Crewson). Mark also reunited with his two young cousins, Henry (Macaulay Culkin) and Connie (Quinn Culkin). Mark quickly discovers that Henry might be the devil stuck inside a 10-year-old’s body. Henry is fascinated by death and facilitates several evil acts, including a massive car pileup. When Henry sets his sights on his own family, it’s up to Mark to stop it before it leads to tragedy.

Home Alone 2 is my favorite Christmas movie. Imagine being a kid and watching Kevin McCallister in The Good Son trying to kill his sister. Frankly, it’s disturbing. You can’t unsee what Culkin did as the devil’s child. I’ll let you judge it for yourself; my guess is you’ll agree with me.

1

Dead Man’s Wire

Inspired by a real standoff

Gus Van Sant is too talented to be sitting on the sidelines for a long period of time. Van Sant, who helmed Good Will Hunting and Milk, last made a film in 2018 called Don’t Worry, He Won’t Get Far on Foot. He did not make another film until Dead Man’s Wire, which had a festival premiere in 2025 before releasing in theaters in January 2026. That’s an unacceptable amount of time without a Van Sant movie. Be better, Hollywood.

Dead Man’s Wire is inspired by the true story of Tony Kiritsis, played by Bill Skarsgård. In February 1977, Tony takes mortgage broker Richard Hall (Dacre Montgomery) as his hostage after losing money on a deal brokered by Richard’s father. Tony points a sawed-off shotgun at Richard to serve as a dead man’s switch. The ensuing standoff makes headlines, as Tony tries to convince the public of what led to his breaking point.

The movie is based on a true story, so it could follow a blueprint of real-life events. However, it’s a genius idea for a thriller — a mentally unstable person seeks revenge against the corporation that wronged him. You might even find sympathy toward Tony, a credit to Skarsgård’s captivating performance.


More movies to watch this week

Thrillers are not the only genre to explore on Netflix. If you’re a fan of rom-coms, one of Netflix’s newest movies is Office Romance, a charming romantic adventure starring Jennifer Lopez and Brett Goldstein. Office Romance hits Netflix on June 5. Plus, Netflix users can stream the first six movies in the Rocky franchise.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




Source link