This is why people choose OrcaSlicer over Bambu Studio


As a happy Bambu Studio user, I’ve long wondered why some users prefer to use OrcaSlicer for their 3D printing needs. So I did some digging, downloaded OrcaSlicer, and found out for myself.

Dial-in printer and filament settings

OrcaSlicer's calibration menu.

OrcaSlicer has an expansive set of tools for calibrating your printer, alongside a guide on how to put your findings to good use. You’ll find it in the “Calibration” menu either at the top of the window or menu bar at the top of the screen, depending on which operating system you are using.

This is a one-stop shop for all the important tests. You can run and customize tests for nozzle temperature, maximum flowrate, pressure advance, flow ratios, filament retraction, cornering, input shaping, and vertical fine artifacts (VFAs). Having all of these inside of your slicer means that you don’t need to hunt down models and print them manually.

Select a test, make sure that the parameters are within your chosen boundaries, and hit OK to generate a model. From here you can send the model to the printer and use OrcaSlicer’s guides to fine-tune your results.

More print settings to fiddle with

Bambu Studio aims for user-friendliness

OrcaSlicer running on macOS.

When I first started using my 3D printer (a Bambu Lab P2S), Bambu Studio felt somewhat overwhelming. There are a lot of settings staring you in the face when you’re slicing a model. I quickly learned that you don’t necessarily need to touch them (especially if the model author has already optimized the file), but now I feel quite comfortable tweaking things like seam positions, line widths, and supports.

If you thought Bambu Studio had a lot of options, OrcaSlicer managed to include even more. Both slicers have an “advanced” parameter toggle that you can use to hide many of these options, but with both modes enabled, OrcaSlicer seemingly lays everything bare.

Some of this comes down to the way that OrcaSlicer lays out the information, but there are some notable differences (like additional sparse infill patterns) to take advantage of.

A greater selection of recognized printers

One slicer for all of your printers

Prusa printers in OrcaSlicer.

While Bambu Studio is naturally associated with the 3D printing giant of the same name, OrcaSlicer takes a more platform-agnostic approach to 3D printing. Though OrcaSlicer is a fork of Bambu Studio, it has not been designed with only Bambu printers in mind.

Bambu Studio supports additional printers, but it doesn’t exactly go out of its way to add support for rival manufacturers. For example, the latest release still only has explicit support for the Prusa Mini and MK3S, with no Core One+ or MK4S in sight.

By comparison, OrcaSlicer supports a huge number of printers (so much so that the list takes a second to load when you try to add a new one). If you want to use a printer like Bambu Studio with a non-Bambu printer, it’s your best bet. It’s also the perfect choice for anyone who has printers from multiple manufacturers and is looking to use a single slicer for all their 3D printing needs.

Perceived print quality improvements with OrcaSlicer

It’s worth a shot, right?

I can’t verify this myself, since I’ve not noticed a huge difference in print quality between the two slicers, but some insist that OrcaSlicer yields improvements in print quality compared to Bambu Studio.

For example, one Reddit thread shows an improvement in how the slicer handles overhangs at default settings. Another shows a 19-hour Batman figure print where the figure’s hand fell off using Bambu Studio but printed perfectly in OrcaSlicer the first time.

You’ll probably also find users asserting the opposite too, so it’s worth taking these examples with a pinch of salt. But if you’re having issues getting something to print perfectly in Bambu Studio, you’ve got nothing to lose by trying to slice it in OrcaSlicer instead (it’s free, after all).

OrcaSlicer works with Bambu’s cloud services

Thanks to the network plug-in

Bambu Lab P2S in OrcaSlicer.

One reason many people were forced to ditch OrcaSlicer was Bambu Lab’s unpopular decision to lock cloud functionality behind its proprietary network plugin. This meant using your Bambu Lab printer in offline mode, and foregoing the Bambu Handy mobile app.

Thankfully, OrcaSlicer implemented Bambu Lab’s network plugin as an optional extra. This means that Bambu Lab users who want to use OrcaSlicer can choose to download the plugin, and anyone who just wants to use OrcaSlicer can still do so.


Why not both?

Personally, I’m keeping Bambu Studio and OrcaSlicer installed on my Mac. They both work using Bambu’s cloud services, and it’s nice to have options. New to the world of Bambu Studio? Check out seven features you might have missed.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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