The SuperDisk was a better floppy, but the world didn’t want a better floppy


The humble floppy disk in its various incarnations ruled the computer world for a long time. Too long, as it turns out. Eventually, the tiny capacity of floppy disks was a mismatch for growing hard drives and ballooning file sizes, so something new was needed.

Actually, replacing the floppy was easier said than done. In the end, the true successor to the floppy was the CD and USB thumb drives. It’s quite puzzling on the surface, because on paper Imation’s SuperDisks looked like the perfect floppy successor, despite the stiff competition.

The SuperDisk tried to be the “perfect” floppy upgrade

A drop-in replacement

There were quite a few “floppy killers” that tried to dethrone these ubiquitous plastic disks, but the LS-120 SuperDisk is the one that most closely resembles the thing it was trying to replace. Compare these LS-120 disks with standard 3.5-inch floppies and keep in mind that this is 1.44MB versus a whopping 120MB!

The overall dimensions and shape are similar. The only instant “tell” is the interesting design of the sliding disk protector, with the SuperDisk having a more intricate and futuristic look to it.

Backward compatibility wasn’t enough to change user habits

You could still copy that floppy

SuperDisks didn’t just look like the floppies they were trying to replace. If you swapped out your floppy drive for an LS-120 drive, you could keep using all your floppies. You didn’t need to fit two 3.5-inch drives, which most home PCs cases weren’t set up for anyway back then.

Beige desktop PC with dual floppy drives and a CRT monitor on a white desk. Credit: EUROSTOCK/Shutterstock.com

So, again, the SuperDisk was set up for success. There was no downside to switching on a technical level. You could use your own SuperDisks and floppy disks that anyone handed you. However, the LS-120 faced exactly the same chicken-and-egg problem in the face of the floppy’s entrenched position.

In fact, a part of the problem might well have been that, to the average person, SuperDisks didn’t seem all that different to floppies unless you took the time to read up about them.

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CDs didn’t care about compatibility—and that was the point

The future should look like the future

A CD-ROM in an open PC disc drive with a label on the CD reading Games for Windows and the title of the game Company of Heroes Tales of Valor. Credit: Jordan Gloor / How-To Geek

While 120MB is a lot more than 1.44MB, that’s nothing compared to 1.44MB versus 650MB! Before you could write files to a CD using a computer, it quickly became the preferred way to distribute software. Who would want to install Windows from several dozen floppies when you could pop in a single CD?

Maybe if software developers chose LS-120 as a way to distribute software, things could have been different. But, the disks were far more expensive than a CD, which cost mere cents per disc. Here we have the old chicken-and-egg situation again, but it favored CDs because you had a good reason to buy a CD-ROM drive. That’s where all the content was going.

In the meantime, regular floppies were still OK for small files, and the minute CD-R technology became affordable it was all over for floppies too.

Cost, speed, and reliability killed the SuperDisk

There’s a theme with these floppy killers

Just like the Zip, Jaz, and Click drives, the SuperDisk had technical issues. Relatively unreliable disks and drives, at least early on, didn’t give people confidence versus the mature floppy and later certainly not against mechanically simple and robust CDs.

Access times were a point of contention, since Imation’s “floptical” technology that used lasers to help with magnetic tracking was sluggish. Transfer speeds weren’t bad. Although the theoretical max speed was 1.2MB/s, in the real world it was closer to the speed of a 2x CD-ROM. So you can imagine how quickly CD-ROM drives blasted past that limit with 4x, 8x, 12x speed drives coming quickly.


A shifting idea of what “storage” even meant

CDs normalized cheap, disposable, distribution-focused media. Instead of reusing a handful of disks forever, people started burning archives, music collections, and software installers onto piles of inexpensive optical discs.

Soon after that, USB flash drives arrived and rendered both technologies obsolete for small personal removable storage by combining portability, rewritability, speed, and huge capacity in a tiny solid-state device.

The LS-120 is a great example of the “build a better mousetrap” problem. The idea was to make a floppy, but better. The thing is, the world didn’t need a better floppy. It needed fundamentally different solutions. If the LS-120 had arrived 10 years earlier, it could have been huge, but timing was not on its side.



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Recent Reviews


As someone who finds multi-leveled amusement in things that are taboo and inappropriate, I love a good dark comedy. Through sharp, cynical wit, they highlight and critique the absurdities of life while also serving as bridges between comedies and tragedies, with intentional goals of provoking thought from discomfort while simultaneously providing a cathartic release.

As we slide into this special mid-April weekend, we’re doing so with three darkly hilarious shows on Amazon Prime Video—our top pick being a newly released series inspired by true events.

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Weeds

Illegal suburban activity with biting humor

The two-time Emmy Award-winning show Weeds is a darkly hilarious, must-see suburban satire that took a simple comedic premise to an unexpected place. Its complex narrative revolves around an upper-middle-class mother who turns to selling marijuana to support her family in the wake of her husband’s death. The Institute’s Mary-Louise Parker stars alongside Jeffrey Dean Morgan, Bob Odenkirk, Jennifer Jason Leigh, the late Kevin Nealon, and more.

When her husband dies, housewife Nancy Botwin (Parker) is buried under a mound of debt, with a family to support and an expensive lifestyle in an elite Southern California neighborhood. Needing money fast, she starts slinging weed on the DL with her brother-in-law’s friend, Conrad (The 40-Year-Old Virgin‘s Romany Malco), and his family. As the story unfolds, audiences get a fascinating look at how the maven of Mary Jane and her family engage with and push against the status quo and societal expectations of the time. It also explores immigration, privilege, body-shaming, religion, sexuality, and the war in Iraq.

Though the eight-part show is genuinely laugh-out-loud funny, contains an easy-to-root-for protagonist, and is riddled with the kinds of dramatic twists you’d see in a soap opera, we’re still unpacking all the ugly societal truths its narrative calls out, including the ways in which the suburbs push conformity on the middle class. You’ll love the biting satirical humor, dysfunctional family dynamics, and all the questionable moral decisions.

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The Horror of Dolores Roach

A comedic descent into becoming a serial killer

A dark comedy-horror series acting as a modern-day Sweeney Todd tale, The Horror of Dolores Roach is set in gentrified Washington Heights in New York City and is an urban legend created by Aaron Mark, who also developed the story into a one-woman off-Broadway play as well as a popular Spotify podcast. Fans of shows like Dexter and Hannibal will love it.

After 16 years in prison, former marijuana dealer Dolores (Justina Machado) seeks a new life upon her release, only to find everything about the life she knew destroyed. With nowhere to go, she lives and works as an unlicensed masseuse in the basement of a friend’s empanada shop. When her stability is threatened and her desperation for revenge and survival awakens, Dolores experiences outbursts of murderous rage. To help keep her safe, her friend Luis (New Amsterdam‘s Alejandro Hernandez) chops up her victims’ bodies and uses them as a secret ingredient in his empanada fillings.

These modern Sweeney Todd-like episodes are fast-paced with a 30-minute runtime and a campy, entertaining tone, so the one-season show makes for a quick, easy binge in its satirical take on gentrification and its thematic explorations of wrongful conviction and survival.

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Population: 11

Comedy meets thriller meets true crime

A very newly released comedy-crime series, Population: 11 is an Australian-based story about a man searching for his estranged, now-missing father in an extremely tiny Outback town with a population of 12 people. Though the premise is quirky, it is loosely inspired by true events and heavily influenced by the 2017 vanishing of a man and his dog without a trace from a small Australian Outback town with 11 residents, where local feuds made everyone a suspect.

American Andy Pruden (Superstore‘s Ben Feldman) travels to the remote, desolate Outback town to visit his estranged father. Upon his arrival, he learns his father has vanished into thin air. None of the town’s 11 residents, who all seem to harbor secrets and what Andy calls “murderer energy,” know his whereabouts. After meeting local podcaster Cassie (Gold Diggers’ Perry Mooney), the two decide, along with a “motley crew” of locals, to investigate what’s really going on.

The show does an excellent job of balancing tension with well-timed wit, and its peculiar blend of, at times, violent, dark comedy is rooted in an underlying foundation of oddball sweetness that keeps you engaged from start to finish. If you like peppy, quirky, fast-paced mysteries chock-full of cleverness and suspense, you’ll enjoy Population: 11, especially if you are a fan of shows like The Tourist. With just 12 half-hour episodes, you can binge this engaging series in one afternoon.


Though Prime Video recently increased its fees, don’t let that deter you from keeping your subscription, as there are variably priced options. Plus, with all the new content set to come our way soon, you don’t want to be left out on all the fun!

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