Sci-fi got the gadgets right, but the vibes wrong


I was recently waiting for an Uber when the GPS decided to lie for sport. The car was somewhere nearby, I was somewhere nearby, and somehow both of us were trapped in that modern ritual of wrong pins, slow turns, vague waving, and “I’m here” messages that help absolutely no one.

That was when I had a very reasonable thought: this is exactly where a hologram of a giant arrow pointing at me would be useful.

Not “spatial computing.” Not a $3,499 headset. Not an AR demo that looks incredible only if you’re the person wearing the glasses. I mean an actual, visible, shared holographic arrow hovering above my head like a beacon for one mildly annoyed passenger.

Sci-fi spent decades training me to expect spectacle. Consumer tech, being consumer tech, looked at that dream and asked whether it could be turned into a screen, an app, a subscription, or a device with a charging case.

Sci-fi did get plenty right

The annoying thing is that sci-fi wasn’t exactly wrong. A lot of the gadgets did arrive, just in forms so ordinary they barely register anymore.

The Star Trek communicator became the smartphone. Pew says 91% of U.S. adults now own one, up from 35% in 2011, which is exactly the kind of miracle that becomes boring once everyone uses it to ignore unknown callers.

The glowing slab became the tablet. Video calls escaped mission control and became FaceTime, Zoom, and another reason to check whether the camera’s accidentally on.

Voice-controlled computers became smart speakers that can handle a kitchen timer and still misunderstand the word “lamp” with total confidence. Domestic robots became robot vacuums, which is impressive until one wages a quiet war against a sock.

The magic is still missing

Holograms are harder to shrug off because they still feel like the missing receipt. We have pieces of the idea, sure, but each one arrives with an asterisk.

Apple sells the Vision Pro, which puts spatial computing in front of your eyes if your face and wallet are ready for the commitment..

Meta’s Orion sounds closer to the fantasy, but Meta says the prototype is going to employees and select outside audiences while it works toward a consumer AR glasses line.

Looking Glass has pushed holographic displays closer to consumer territory with Musubi, a holographic photo and video frame. That’s genuinely neat. It is also very funny that the sci-fi future apparently starts as a desktop photo frame.

The boring version usually wins

That’s usually how tomorrow arrives. Not as the scene we imagined, but as the most shippable form of the idea. Even XR is drifting toward compromise. IDC says XR device shipments grew 44.4% in 2025, mostly because of smart glasses, while traditional VR and mixed reality headset shipments kept declining.

That doesn’t make the tech useless. The boring version often wins because it solves a real problem without needing to look good in a movie trailer. Phones beat holograms because rectangles are practical in a way floating avatars still aren’t. They fit in pockets, survive bad lighting, and don’t require everyone in the room to pretend this is a normal way to talk.

So yes, the future is here. It just got product-managed into something that needs a charger, an account, and three permissions.

Still, where are my damn holograms?



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Recent Reviews


As someone who finds multi-leveled amusement in things that are taboo and inappropriate, I love a good dark comedy. Through sharp, cynical wit, they highlight and critique the absurdities of life while also serving as bridges between comedies and tragedies, with intentional goals of provoking thought from discomfort while simultaneously providing a cathartic release.

As we slide into this special mid-April weekend, we’re doing so with three darkly hilarious shows on Amazon Prime Video—our top pick being a newly released series inspired by true events.

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Weeds

Illegal suburban activity with biting humor

The two-time Emmy Award-winning show Weeds is a darkly hilarious, must-see suburban satire that took a simple comedic premise to an unexpected place. Its complex narrative revolves around an upper-middle-class mother who turns to selling marijuana to support her family in the wake of her husband’s death. The Institute’s Mary-Louise Parker stars alongside Jeffrey Dean Morgan, Bob Odenkirk, Jennifer Jason Leigh, the late Kevin Nealon, and more.

When her husband dies, housewife Nancy Botwin (Parker) is buried under a mound of debt, with a family to support and an expensive lifestyle in an elite Southern California neighborhood. Needing money fast, she starts slinging weed on the DL with her brother-in-law’s friend, Conrad (The 40-Year-Old Virgin‘s Romany Malco), and his family. As the story unfolds, audiences get a fascinating look at how the maven of Mary Jane and her family engage with and push against the status quo and societal expectations of the time. It also explores immigration, privilege, body-shaming, religion, sexuality, and the war in Iraq.

Though the eight-part show is genuinely laugh-out-loud funny, contains an easy-to-root-for protagonist, and is riddled with the kinds of dramatic twists you’d see in a soap opera, we’re still unpacking all the ugly societal truths its narrative calls out, including the ways in which the suburbs push conformity on the middle class. You’ll love the biting satirical humor, dysfunctional family dynamics, and all the questionable moral decisions.

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The Horror of Dolores Roach

A comedic descent into becoming a serial killer

A dark comedy-horror series acting as a modern-day Sweeney Todd tale, The Horror of Dolores Roach is set in gentrified Washington Heights in New York City and is an urban legend created by Aaron Mark, who also developed the story into a one-woman off-Broadway play as well as a popular Spotify podcast. Fans of shows like Dexter and Hannibal will love it.

After 16 years in prison, former marijuana dealer Dolores (Justina Machado) seeks a new life upon her release, only to find everything about the life she knew destroyed. With nowhere to go, she lives and works as an unlicensed masseuse in the basement of a friend’s empanada shop. When her stability is threatened and her desperation for revenge and survival awakens, Dolores experiences outbursts of murderous rage. To help keep her safe, her friend Luis (New Amsterdam‘s Alejandro Hernandez) chops up her victims’ bodies and uses them as a secret ingredient in his empanada fillings.

These modern Sweeney Todd-like episodes are fast-paced with a 30-minute runtime and a campy, entertaining tone, so the one-season show makes for a quick, easy binge in its satirical take on gentrification and its thematic explorations of wrongful conviction and survival.

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Population: 11

Comedy meets thriller meets true crime

A very newly released comedy-crime series, Population: 11 is an Australian-based story about a man searching for his estranged, now-missing father in an extremely tiny Outback town with a population of 12 people. Though the premise is quirky, it is loosely inspired by true events and heavily influenced by the 2017 vanishing of a man and his dog without a trace from a small Australian Outback town with 11 residents, where local feuds made everyone a suspect.

American Andy Pruden (Superstore‘s Ben Feldman) travels to the remote, desolate Outback town to visit his estranged father. Upon his arrival, he learns his father has vanished into thin air. None of the town’s 11 residents, who all seem to harbor secrets and what Andy calls “murderer energy,” know his whereabouts. After meeting local podcaster Cassie (Gold Diggers’ Perry Mooney), the two decide, along with a “motley crew” of locals, to investigate what’s really going on.

The show does an excellent job of balancing tension with well-timed wit, and its peculiar blend of, at times, violent, dark comedy is rooted in an underlying foundation of oddball sweetness that keeps you engaged from start to finish. If you like peppy, quirky, fast-paced mysteries chock-full of cleverness and suspense, you’ll enjoy Population: 11, especially if you are a fan of shows like The Tourist. With just 12 half-hour episodes, you can binge this engaging series in one afternoon.


Though Prime Video recently increased its fees, don’t let that deter you from keeping your subscription, as there are variably priced options. Plus, with all the new content set to come our way soon, you don’t want to be left out on all the fun!

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