RogueDB introduces a simplified database platform designed to reduce infrastructure work for startups and IT teams



In early-stage companies, time often becomes the most constrained resource. Founders and engineering teams must move quickly to build products, reach customers, and refine their offerings. Yet a significant portion of that time can be spent on infrastructure tasks that sit behind the scenes. According to a report, application development accounted for just 16% of developers’ time, meaning the majority of their work was spent on operational and supporting tasks rather than writing code. Against that backdrop, database management has become one of the areas where engineering hours quietly accumulate.

Jacob Blankenship, founder of RogueDB, believes this is where many startups lose momentum. “When teams look back at how their engineers spend time, database management can take a surprising share of it,” he explains. “Our focus has been simple. If we can give those hours back, engineers can spend them building their products instead of maintaining infrastructure.

RogueDB is a fully managed database platform designed to handle the core responsibilities traditionally associated with data infrastructure. The system manages performance, scaling, and security within the platform itself, while allowing developers to interact with the database through a simplified API. According to Blankenship, the goal is to reduce the operational overhead that many development teams encounter as their applications grow.

The challenge, he explains, often begins with the way databases are typically deployed. Many teams either configure and maintain their own database infrastructure or adopt a managed platform that still requires ongoing tuning and configuration. Both paths can place a significant workload on engineering teams.

Blankenship notes that even experienced engineers may spend weeks or months configuring infrastructure and troubleshooting performance. “Setting up a database environment can take a considerable amount of time,” he says. “And even after the initial set-up, there are still ongoing responsibilities for maintaining the performance, security, and preparing the system for scale.

RogueDB attempts to simplify that process by removing several traditional steps. According to Blankenship, the platform operates through a purely API-driven architecture rather than relying on conventional SQL-based interaction. From his perspective, this approach reflects a shift in how modern applications integrate data systems.

There has been an assumption for decades that a serious database requires SQL and extensive configuration,” he says. “We designed RogueDB to show that a database can be integrated directly through an API with zero configuration and still deliver strong performance and security.

According to Blankenship, that design in practice means developers interact with the database through programmatic calls rather than managing configuration layers themselves. He explains that the platform is structured so that security and performance are embedded into the core design. “Our philosophy is there should only be one way to use the system: the secure way,” he says.

The platform’s development has also been shaped heavily by user feedback. During the first quarter of 2026, the company focused primarily on stabilizing the product and addressing issues reported by early adopters. Blankenship says those improvements were implemented quickly, within days rather than weeks or months.

When customers identified problems or asked for adjustments, we prioritized rapid fixes,” he says. That feedback-driven approach has influenced the product roadmap as well. The company is expanding the platform’s capabilities throughout 2026, including additional support for transactional workloads and analytical data processing. According to Blankenship, these features reflect common requests from organizations evaluating the platform.

Our roadmap is shaped by the conversations we have with users,” he says. “When teams tell us what capabilities they need to move forward, those insights help determine what we build next.

The company’s current audience consists primarily of startups, IT firms, and small to medium-sized businesses that prioritize speed and flexibility. These organizations often operate with small engineering teams where each hour of development time carries significant value.

Blankenship notes that database management can represent several hours of weekly work for each engineer. “Even conservative estimates suggest engineers can spend multiple hours a week managing database infrastructure,” he says. “If a platform can reduce that significantly, the benefit compounds quickly across a team.

By reclaiming that time, he argues, teams can focus on the activities that define their growth. “The real goal is not just a faster database,” Blankenship says. “It is giving engineers the ability to concentrate on building products and launching features instead of maintaining the plumbing behind them.”

As RogueDB continues to expand its capabilities and pursue additional compliance certifications, the company’s long-term vision remains centered on that same principle. In Blankenship’s view, reducing infrastructure complexity ultimately enables smaller teams to compete more effectively.

When you give people back their time, they can move faster and build better products,” he says. “For startups and growing businesses, that difference can shape everything from product development to how quickly they reach the market.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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