Budget phones with a strong camera, a bright AMOLED display, and proper durability ratings are still uncommon. With the Moto G87, Motorola is trying to put all three into one affordable device.
A 200MP main camera, 5000-nit AMOLED screen, and IP69 rating make it one of the most ambitious Moto G phones in recent years. Its launch also comes alongside Motorola’s higher-end devices, including the Razr Ultra 2026 and the brand’s first book-style foldable.
Can a 200MP camera make the Moto G87 stand out?
Motorola
A 200MP main sensor leads the Moto G87’s camera setup, with optical image stabilization included. The sensor uses 16x pixel binning to improve low-light performance and supports 2x lossless zoom. An 8MP ultrawide camera handles wider shots, while a 32MP front camera covers selfies. Built-in Google Photos tools such as Magic Eraser, Photo Unblur, Reimagine, and Auto Frame add extra flexibility.
Budget phones with 200MP cameras are no longer rare, so the number alone does not make the Moto G87 special. Camera quality now depends just as much on image processing and software tuning as it does on sensor size or megapixel count. Motorola has made visible progress with its flagship camera experience, especially with Motorola Signature, so the question is whether some of that camera polish has carried over to the Moto G87.
What else does it offer?
The device uses a 6.78-inch AMOLED display with 1.5K resolution, 120Hz refresh rate, and peak brightness of up to 5000 nits. Durability plays a major role in the overall package, with Corning Gorilla Glass 7i protecting the display. Water and dust resistance is rated at IP66, IP68, and IP69, and the device is certified to handle drops of up to 1.2 meters.
Motorola
Moto G87 runs on the MediaTek Dimensity 6400, paired with 5G support and up to 12GB of RAM. RAM Boost can extend available memory up to 24GB when needed. A 5200mAh battery powers the device, supported by 30W fast charging.
Additional features include dual stereo speakers with Dolby Atmos, Hi-Res Audio support, Hello UX, Moto Secure, and more. Android 16 comes preinstalled, along with Gemini and Circle to Search. Availability is set for EMEA and LATAM markets in the coming weeks, with pricing starting at 399 euros. The phone is also listed on Motorola’s UK website for £349.99.
With the start of April, Netflix is welcoming entertaining movies that will be available to stream for the foreseeable future. One of the new movies I’m ready to watch is Thrash, a new shark movie where the Jaws-like creatures wreak havoc on a coastal town during a hurricane. It might only be spring, but I’ll watch this type of survival thriller any time of the year.
Speaking of thrillers, there are several prominent movies featured on the genre page. My top pick for thrillers this week is a gritty punk-rock film, now streaming on Netflix in the U.S. The other two thrillers we want to spotlight are a twisty crime tale from the 1990s and an allegorical dystopian mystery set in prison.
3
The Platform
Maybe don’t watch on a full stomach
Read what I wrote under the title again. The Platformis not for viewers with queasy stomachs. I have a strong stomach, and yet there are several moments when certain prisoners chow down where I wanted to look away. Between that and the violence, watching before dinner might be the move.
In a dystopian future, there is a prison called the Vertical Self-Management Center. Two prisoners are stationed on each floor, and there is a giant hole in the center. Every day, a platform filled with food lowers to the floor. Prisoners can have as much food as they want when the platform is on their level. However, they can no longer eat when the platform lowers to the next floor. The higher you are in the building, the more food you’ll have at your disposal. The lower floors are left to eat the scraps.
The Platform has much to say about social inequality and greed. I did not expect the Spanish thriller to be as gory as it was. This movie reflects how society treats the rich and the poor, so I should have expected a few uprisings. Overall, it’s a surprisingly effective thriller.
2
Wild Things
A steamy thriller from the 1990s
The following phrase is meant as a compliment: Wild Thingsis sexy trash. It is unapologetically lustful. It’s like playing Mad Libs with an erotic thriller. Plus, its attractive cast—Matt Dillon, Neve Campbell, Denise Richards, Daphne Rubin-Vega, and Kevin Bacon—adds to the appeal.
In Miami, high school counselor Sam Lombardo (Dillon) is accused of raping popular student Kelly Van Ryan (Richards) and outcast Suzie Toller (Campbell). Sam then hires sleazy lawyer Kenneth Bowden (Murray) to defend him at trial. As the case progresses, Detective Duquette (Bacon) remains suspicious of the girls’ motives and questions whether Sam is innocent.
I’m being intentionally vague in my synopsis because of the significant twists this movie takes. Even if you guess one of the twists, more will follow. It approaches parody with how ridiculous it is, but I’m a sucker for this movie. It’s a soap opera with scandal, murder, and sexual longing. Wild Things is a scripted version of your favorite reality TV show.
1
Caught Stealing
Austin Butler races around New York City
Austin Butler has the “it factor.” Ever since Elvis, Hollywood has been pushing Butler as one of its future stars. The 34-year-old has the looks and skills of an A-list talent. He has good taste, as evidenced by the directors he works with, a list that includes Quentin Tarantino, Jeff Nichols, Denis Villeneuve, Ari Aster, and Darren Aronofsky.
Butler headlined Aronofsky’s 2025 crime thriller Caught Stealing. In the late 1990s, Hank (Butler) is a bartender living in New York City. Hank had aspirations of playing in the MLB, but a car accident derailed his opportunity. One day, Hank’s neighbor Russ (Matt Smith) asks him to look after his cat. That small task somehow leads to Hank going on the run from Russian mobsters.
Butler is the perfect actor for this star-making performance that would have taken him to new heights had it come out in the 1990s. Caught Stealing was considered a box office flop—$32 million on an estimated budget of $40 million. I don’t necessarily blame Butler for the poor box office. I think the August 29 release date played a role in its poor performance. Butler’s inclusion in a project might not lead to significant financial gains. However, I appreciate that he made a grimy mid-budget crime thriller that has seemingly disappeared from today’s movie landscape. If Butler’s down to make more crime capers with breakneck action and frenetic pacing, sign me up.
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