Mistral’s sovereignty bet is finally paying off, with caveats



On Wednesday, Arthur Mensch took his seat at a G7 working lunch in Evian alongside Sam Altman, Demis Hassabis, and Dario Amodei. Days earlier, the US government had ordered Amodei’s company to cut foreign nationals off from its most capable models, and Anthropic had pulled them worldwide.

For the one European founder at the table, the timing could hardly have been better.

Mensch, the chief executive of Mistral, has spent two years warning that this exact thing could happen. Now it has, and the internet has turned his argument into a joke about a very large cat.

The fat cat that ate the discourse

The joke is ‘Le Chaton Fat’, a fictional Mistral ‘frontier model’ that tech circles cannot stop posting about. It does not exist. As the French outlet Numerama confirmed, it is an elaborate running gag that started on Mistral’s subreddit after the company rebranded its Le Chat chatbot as Vibe, a name change users hated.

From there it spiralled: fake benchmark charts showing the cat crushing OpenAI and Anthropic, a mock EU notice barring it for being ‘too heavy to regulate’, and a stated spec of ‘1000 meows per second’ and ‘maximum chonk’. Wharton’s Ethan Mollick joked he expected to be asked about ‘Mistral’s new ginormous cat model’ by corporate clients.

Replit’s Amjad Masad chimed in. Mensch himself replied: ‘It’s actually le gros chaton.’

It is silly, and it is also revealing. The meme caught precisely because it dressed up a real sentiment: that with American models suddenly switchable-off, a European alternative that nobody can revoke is the punchline everyone reached for.

The argument the meme is really making

Mensch made that case long before it was funny. At London Tech Week in 2025, he warned about US firms ‘having the keys’ to their models. ‘At some point, you need to be able to turn it off or turn it on, and you don’t want to leave it to another country,’ he said.

Last month, at France’s National Assembly, he gave Europe ‘two years’ to build its own AI before becoming permanently dependent.

The Anthropic shutdown turned that abstraction into a live demonstration. Mistral’s pitch, open-weight models that customers can run on their own infrastructure and that no foreign government can switch off, stopped being a talking point and became a procurement argument.

Mensch sharpened it himself this week. Mistral exists, he wrote on LinkedIn, to keep AI ‘outside of centralized control exercised by states or corporations’, framing the stakes in the language of the last century’s defining resource: ‘AI, just like oil in the 20th century, is about to become the major source of leverage and power in the world.’

Europe’s institutions are listening. The European Commission called the episode ‘a further illustration of why Europe needs to strengthen its technological sovereignty’. France has gone furthest, dropping Palantir at its intelligence agency and pledging to give every civil servant a Mistral-powered assistant, while Mistral has signed a five-year deal to put AI into the country’s nuclear operations.

The money is following the narrative too: Mistral is reportedly in talks to raise around €3bn at a €20bn valuation, nearly double its worth nine months ago, with chip-tool giant ASML among its backers.

The talent is moving too.

This week Mistral named Brian Hall, a marketing executive who has run cloud marketing at both Amazon Web Services and Google Cloud, as its chief marketing officer. His framing of the jump was pointed: he thanked ‘Anthropic and the US government for laying out why Mistral is in such an interesting position’.

Sovereign is not the same as good

Here is the part the meme leaves out. Being the model nobody can switch off is not the same as being the best model, and Mistral is not the best model.

It still trails Anthropic and OpenAI on frontier capability, user numbers, and valuation, last priced near €11.7bn against Anthropic’s roughly $965bn. Mensch concedes it himself.

‘Today, we do not yet own the best language models,’ he wrote this week, though he said Mistral has ‘constantly reduced that gap’ and promised a new open-weight model this summer, with early access in July. Sovereignty, in other words, solves a control problem, not a quality one.

More awkward is a finding on safety. A study by Estonian researchers, reported by the Financial Times, found open-weight models are the weakest at filtering Russian disinformation, with Mistral’s top model ranking around 47th of 60 tested.

For a model France is about to wire into its civil service on sovereignty grounds, ‘harder for an ally to switch off’ and ‘better at resisting a hostile state’s propaganda’ turn out to be very different properties, and Mistral is doing well on the first while lagging on the second.

Loud talk, cautious table

The G7 lunch itself shows the gap between mood and action. For all the sovereignty rhetoric, EU leaders had no intention of confronting Donald Trump over the Anthropic order, according to Politico. The official agenda was AI for growth and resilience; the spat was the ‘elephant in the room’ nobody planned to name.

Brussels wants a ‘circle of trust’ with Washington, not a divorce.

That is the real state of play behind the cat. Mistral’s opening is genuine, the most credible it has ever had, and the political tailwind is strong. But a fat imaginary kitten cannot close a capability gap or a disinformation score, and Europe’s appetite for actually decoupling is smaller than its slideware suggests.

Mistral’s moment has arrived. Whether it can turn a meme and a geopolitical scare into a model that customers choose on merit, rather than on passport, is the question the laughter is talking over.



Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews


I am a recent convert to physical media — yet even as someone getting back into buying discs in 2026, I haven’t been buying Blu-rays. Like many Americans, I still pick up DVDs instead. These aren’t great times for the Blu-ray format, and don’t expect a turnaround in 2026.

Fewer new releases make their way to Blu-ray

More media is now released exclusively for streaming

Blu-ray has been around for two decades, but it never managed to fully replace, or even overtake, the DVD format it was designed to supersede. We still can’t take for granted that our favorite movies, let alone TV shows, will eventually see a Blu-ray release.

The movies most likely to come to Blu-ray are the ones that hit theaters, but a growing amount of cinema is designed exclusively with streaming platforms in mind. I recently rewatched Mississippi Masala, which led me to check in on what work Sarita Choudhury has done over the decades since. A film called Evil Eye released in 2020 caught my eye. Unfortunately, it’s only available via Prime Video. There’s no Blu-ray or even a DVD. In contrast, it’s easy to watch Michael B. Jordan in Sinners on Blu-ray, since that movie came to theaters last year.

You could say that it makes sense that a movie with a 4.8/10 rating on IMDb doesn’t see a physical release, but in the heyday of physical video, store shelves were stacked not only with just the big-budget bangers but plenty of straight-to-DVD movies as well. Now those films exist to pad out streaming catalogs instead.

Fewer big box stores stock their shelves with physical discs

Blu-ray discs have disappeared from some stores entirely

Best Buy store front
Best Buy

The format’s demise is striking. I frequent my local Best Buy quite often and don’t see any movies on display. That’s because the retailer stopped selling movies in stores several years ago. Walmart still sells them, but the selection is a fraction of what you could find ten or twenty years ago. The audience has been reduced down to the shrinking number of people whose internet at home can’t handle streaming and those who might think of themselves as collectors.

If you venture onto Reddit and visit r/Blu-ray, you will find more threads about thrift store hauls and older collections than excitement over the latest new release. Don’t get me wrong — I, too, am very excited about seeing what gems I can snag for only a couple bucks, but this shows the challenge retailers face. Increasingly, only enthusiasts are prepared to drop over $20 on a disc.

I’m not buying discs to stick them in a player

Phone on a stand playing a Netflix video Credit: Bertel King / How-To Geek

The simple truth is that most people don’t want to buy physical media. Discs don’t fit in phones, and the drives are no longer available in most laptops. Even desktop PCs lack a place to put a disk. I recently built a PC for the first time in part to digitize my media library, and I rely on an external DVD drive connected via USB. Yes, DVD, not Blu-ray. A smaller file size combined with upscaling is easier on my hard drive.

Retro nostalgia hasn’t helped Blu-ray in the same way it has aided vinyl. This is in part because most people simply don’t care all that much about video quality. Most are streaming video on Netflix and YouTube at middling settings on small screens, and many of us are acclimated to mid-range phone speakers, compared to which even the subpar built-in speakers on modern TVs sound like a huge step-up. It’s hard to convince large numbers of people to purchase an expensive version of a movie in a format that requires thousands of dollars of home media equipment to truly appreciate.

4K Ultra HD is in an even worse position

It’s been a decade, yet few people own these discs

The 4K Ultra HD Blu-ray format is an enhancement, rather than a replacement, of the Blu-ray discs that first appeared in 2006. Debuting in 2016, the 4K Ultra HD format supports the max resolution of a 4K TV.

4K TVs were still somewhat of a novelty ten years ago, but they’re cheap and commonplace today. Still, people aren’t demanding 4K-quality Blu-ray movies as a result. These discs are still less common than 1080p ones, which are themselves still outnumbered by DVDs.

This isn’t merely a matter of consumers preferring the cheaper option. Often, 4K simply isn’t a choice, or it’s one that arrives significantly later, like the Switch port of a PC title. Some recent films, like Exit 8, are slated to see a physical release over the summer yet will still be in 1080p when they do. Adoption of the newest format has been that slow.

The industry isn’t helping itself, either. 4K Ultra HD Blu-ray discs come with DRM and aren’t easy to play on a modern PC, further limiting potential growth. They do not want anyone pirating these super high-quality versions. When you consider that some of these 4K Blu-rays have an AI upscaling problem, you’re paying more for what may not even be the best version.​​​​​​​


Blu-ray is seeing fewer releases, is available in fewer places, and is less accessible in the ways many of us want to watch TV shows and movies in 2026. With our portable devices getting better and internet speeds getting faster, it’s hard to see physical video staging a turnaround, even if we’re still a long way off from it going away entirely.



Source link