KPMG secretly accessed a whistleblower’s computer



KPMG secretly and repeatedly accessed a whistleblower’s work computer to extract documents detailing their allegations of data misuse, then shared the material with senior partners and the firm’s former chief executive, the Australian Financial Review has reported. The global accounting firm had the legal right to access an employee’s work laptop.

What makes it striking is the timing: it did so while the whistleblower was in a sensitive standoff with KPMG over their legal protections.

The covert retrieval, reportedly carried out by IT staff on instructions from the office of the firm’s general counsel over roughly two years, also sits awkwardly against management’s claim that it lacked enough detail to investigate.

“There seems to be a culture of abuse of legal professional privilege to cover up sins in the large partnerships,” said Senator Deborah O’Neill, who aired the allegations in parliament. “The cover-up over the cover-up over the cover-up is just killing them.”

The scandal underneath

The backdrop is one of Australia’s biggest corporate-governance stories. A former KPMG audit employee alleged that partners repeatedly shared clients’ confidential information internally to win lucrative audit contracts, including using board papers from Lendlease, an audit client, to pitch for work from Westpac, Dexus, and Macquarie.

The allegations, aired in parliament by Senator Deborah O’Neill, are contested. KPMG first called them “unsubstantiated”, then admitted its treatment of the whistleblower and its internal investigation “fell short” and were “not conducted with the necessary rigour”.

The fallout has been heavy. KPMG Australia’s chief executive Andrew Yates and its head of audit have resigned, the corporate regulator ASIC is formally investigating partners, the firm has lost its decades-long Lendlease audit, and governments are reviewing more than A$650m in contracts. A dozen current and former partners face a parliamentary inquiry on 19 June.

“If a company like KPMG can do that to Lendlease, they can do it to anyone,” O’Neill told the ABC.

The part that travels

For everyone outside Australian accounting, the laptop is the detail that generalises. Employers can already monitor staff far more than most realise, from keystroke logging to webcam checks, and the line between legitimate oversight and surveillance is thin and largely self-policed. TNW has covered how far workplace monitoring already reaches and why firms should be wary of it.

The KPMG case sharpens the question into its hardest form: what happens when an employer uses that legal access against the very person trying to expose it?

The irony sits awkwardly on a firm that has bet hard on technology, having just put Anthropic’s Claude in front of all 276,000 of its staff. The same systems that make work efficient also make employees more legible to their employers, and the rules for what bosses may do with that visibility are mostly written by the bosses.

Australia’s assistant treasurer has said the government will weigh new laws to better protect whistleblowers. The open question, well beyond KPMG, is whether “we were legally allowed to” stays a good enough answer when the device doing the watching is the one on every desk.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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