Iran war costs $20-25M monthly in ad revenue, Perplexity $400M deal ends, 16% workforce cut as AR glasses bet intensifies


TL;DR

Snap’s Q1 revenue grew 12 per cent to 1.53 billion dollars but the stock fell four per cent after the company disclosed that the Iran war cost it 20 to 25 million dollars in advertising revenue in March alone and confirmed it has ended its 400 million dollar AI partnership with Perplexity. The company is cutting 16 per cent of its workforce while protecting its AR glasses subsidiary.

Snap reported first-quarter earnings on Tuesday that should have been unremarkable: revenue up 12 per cent to 1.53 billion dollars, adjusted EBITDA more than doubled to 233 million dollars, free cash flow nearly tripled to 286 million dollars. The stock fell four per cent. The reason was not in the numbers Snap reported but in the numbers it projected and the partnerships it lost. Second-quarter revenue guidance of 1.52 to 1.55 billion dollars was in line with analysts’ expectations, which on Wall Street is another way of saying the company offered no upside surprise. Geopolitical headwinds from the war in Iran cost Snap between 20 and 25 million dollars in advertising revenue in March alone. And the company confirmed that it has officially ended its artificial intelligence partnership with Perplexity AI, a deal announced last November that was expected to bring in roughly 400 million dollars in revenue. Snap’s stock has fallen 24 per cent this year to 6.11 dollars. The company that once defined mobile social media for a generation is now fighting a war on three fronts: a geopolitical conflict it cannot control, an AI strategy it has failed to execute, and a hardware bet that will determine whether Snapchat survives as more than a messaging app.

The war

The Middle East advertising headwind is not unique to Snap, but Snap is more exposed to it than most. The company generates a disproportionate share of its revenue from brand advertising, which is more sensitive to geopolitical uncertainty than the direct-response advertising that dominates Meta’s and Google’s revenue mix. When advertisers pull budgets during periods of conflict, they tend to cut brand campaigns first and performance campaigns last. Snap’s disclosure that the Iran conflict cost it 20 to 25 million dollars in a single month suggests that the annualised impact, if the conflict continues, could exceed 200 million dollars, a figure that represents roughly three per cent of the company’s projected 2026 revenue but a much larger share of its operating profit.

The big technology platforms reported Q1 2026 earnings that demonstrated the widening gap between companies whose advertising businesses are insulated by scale and diversification and those that are not. Meta’s advertising revenue grew 33 per cent to more than 56 billion dollars in the quarter despite internet disruptions in Iran reducing its user base there. Alphabet’s cloud and search businesses beat estimates across every division. Snap’s advertising revenue grew three per cent. The comparison is not just a matter of scale. It is a matter of product: Meta and Google have invested billions in AI-powered advertising tools that allow advertisers to optimise campaigns in real time, reducing the impact of macro headwinds by improving the return on every dollar spent. Snap’s AI advertising tools are newer and less proven, and the Perplexity deal that was supposed to accelerate its AI capabilities has collapsed.

The deal

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The Perplexity partnership was announced in November 2025 to considerable fanfare. The deal would have embedded Perplexity’s AI search engine directly inside Snapchat’s chat interface, allowing the app’s 483 million daily active users to ask questions and receive real-time answers without leaving the platform. Perplexity was to pay Snap 400 million dollars in cash and equity, a substantial sum for a company with annual revenue of approximately six billion dollars. The integration was expected to generate 324 million dollars in revenue in 2026 alone and to position Snapchat as one of the first major social platforms with a native AI search engine.

The deal never launched. Snap’s management disclosed that disagreements over terms prevented the rollout, and the company confirmed in its shareholder letter that it “amicably ended the relationship in Q1” and that its guidance “assumes no contribution from Perplexity.” The collapse was not entirely surprising. Perplexity itself abandoned its advertising business in February 2026, concluding that sponsored placements risked undermining the trust on which its AI search engine depends. A company that decided ads were incompatible with its product was always going to be an awkward fit inside a platform that derives 90 per cent of its revenue from advertising. But the loss of the deal leaves Snap without a clear AI strategy at a moment when every competitor is embedding AI deeper into its core product.

The restructuring

Snap has not been passive. In April, the company laid off approximately 1,000 employees, roughly 16 per cent of its full-time workforce, and closed more than 300 open roles. CEO Evan Spiegel told employees that the cuts, which are expected to reduce the company’s annualised cost base by more than 500 million dollars by the second half of 2026, were enabled by advances in artificial intelligence that allow smaller teams to do the work previously done by larger ones. The pattern of converting payroll into AI capital expenditure has defined the technology sector’s 2026 restructuring wave, with Meta cutting 8,000 employees and Microsoft offering its first-ever buyouts as the industry shifts investment from human workers to AI infrastructure.

The layoffs at Snap were explicitly designed to protect one part of the business: Specs Inc., the wholly owned subsidiary created in January 2026 to house Snap’s augmented reality glasses programme. Specs Inc. was not affected by the cuts and is currently hiring for nearly 100 roles. The AR glasses, which are expected to launch later this year with a Qualcomm Snapdragon XR chipset and integrations with OpenAI and Google Gemini, represent Spiegel’s bet that Snapchat’s future lies not in competing with Meta and TikTok for advertising dollars on phone screens but in building the first consumer-grade AR platform. Meta has launched prescription Ray-Ban smart glasses targeting the 223 billion dollar eyewear market, but those are camera-equipped sunglasses with audio capabilities, not the full AR display that Snap’s Specs promise. Whether the distinction matters to consumers will determine whether Snap’s hardware bet pays off or joins the long list of ambitious consumer electronics that failed to find a market.

The arithmetic

The financial picture that emerges from the quarter is a company that is becoming more efficient and less relevant simultaneously. Adjusted EBITDA of 233 million dollars, more than double the 108 million dollars a year ago, reflects genuine operational improvement. Free cash flow of 286 million dollars provides the financial runway to fund the Specs launch. But revenue growth of 12 per cent and advertising revenue growth of three per cent in a quarter when Meta grew advertising 33 per cent suggest that Snap is losing share of a digital advertising market that is growing rapidly for companies with scale and AI-powered targeting, and barely growing for those without.

Daily active users reached 483 million, up five per cent year on year. Monthly active users hit 956 million. Meta’s simultaneous layoffs and $145 billion AI spending programme illustrate the challenge Snap faces: the same AI tools that Meta is using to improve ad targeting and content recommendations are the tools Snap needs but lacks the scale to develop independently. The Perplexity deal was supposed to be a shortcut, a way to embed AI capability without building it from scratch. Its collapse means Snap must either build its own AI stack, find another partner, or accept that its advertising product will fall further behind the platforms that are investing tens of billions of dollars in the technology.

The ethical questions surrounding smart glasses and AI surveillance have not slowed the industry’s momentum, but they add complexity to the market Snap is entering with Specs. Snap’s stock, at 6.11 dollars, is down more than 80 per cent from its all-time high. The market capitalisation is roughly ten billion dollars. The company has 4.8 billion dollars in cash. The AR glasses are coming. The AI strategy is not. And the war in Iran is costing it 20 million dollars a month in advertising revenue that, for a company Snap’s size, is not a rounding error. It is the margin between a company that can fund its future and one that cannot.



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Recent Reviews


With the start of April, Netflix is welcoming entertaining movies that will be available to stream for the foreseeable future. One of the new movies I’m ready to watch is Thrash, a new shark movie where the Jaws-like creatures wreak havoc on a coastal town during a hurricane. It might only be spring, but I’ll watch this type of survival thriller any time of the year.

Speaking of thrillers, there are several prominent movies featured on the genre page. My top pick for thrillers this week is a gritty punk-rock film, now streaming on Netflix in the U.S. The other two thrillers we want to spotlight are a twisty crime tale from the 1990s and an allegorical dystopian mystery set in prison.

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The Platform

Maybe don’t watch on a full stomach

Read what I wrote under the title again. The Platform is not for viewers with queasy stomachs. I have a strong stomach, and yet there are several moments when certain prisoners chow down where I wanted to look away. Between that and the violence, watching before dinner might be the move.

In a dystopian future, there is a prison called the Vertical Self-Management Center. Two prisoners are stationed on each floor, and there is a giant hole in the center. Every day, a platform filled with food lowers to the floor. Prisoners can have as much food as they want when the platform is on their level. However, they can no longer eat when the platform lowers to the next floor. The higher you are in the building, the more food you’ll have at your disposal. The lower floors are left to eat the scraps.

The Platform has much to say about social inequality and greed. I did not expect the Spanish thriller to be as gory as it was. This movie reflects how society treats the rich and the poor, so I should have expected a few uprisings. Overall, it’s a surprisingly effective thriller.​​​​​​​

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A steamy thriller from the 1990s

The following phrase is meant as a compliment: Wild Things is sexy trash. It is unapologetically lustful. It’s like playing Mad Libs with an erotic thriller. Plus, its attractive cast—Matt Dillon, Neve Campbell, Denise Richards, Daphne Rubin-Vega, and Kevin Bacon—adds to the appeal.

In Miami, high school counselor Sam Lombardo (Dillon) is accused of raping popular student Kelly Van Ryan (Richards) and outcast Suzie Toller (Campbell). Sam then hires sleazy lawyer Kenneth Bowden (Murray) to defend him at trial. As the case progresses, Detective Duquette (Bacon) remains suspicious of the girls’ motives and questions whether Sam is innocent.

I’m being intentionally vague in my synopsis because of the significant twists this movie takes. Even if you guess one of the twists, more will follow. It approaches parody with how ridiculous it is, but I’m a sucker for this movie. It’s a soap opera with scandal, murder, and sexual longing. Wild Things is a scripted version of your favorite reality TV show.​​​​​​​

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Caught Stealing

Austin Butler races around New York City

Austin Butler has the “it factor.” Ever since Elvis, Hollywood has been pushing Butler as one of its future stars. The 34-year-old has the looks and skills of an A-list talent. He has good taste, as evidenced by the directors he works with, a list that includes Quentin Tarantino, Jeff Nichols, Denis Villeneuve, Ari Aster, and Darren Aronofsky.

Butler headlined Aronofsky’s 2025 crime thriller Caught Stealing. In the late 1990s, Hank (Butler) is a bartender living in New York City. Hank had aspirations of playing in the MLB, but a car accident derailed his opportunity. One day, Hank’s neighbor Russ (Matt Smith) asks him to look after his cat. That small task somehow leads to Hank going on the run from Russian mobsters.

Butler is the perfect actor for this star-making performance that would have taken him to new heights had it come out in the 1990s. Caught Stealing was considered a box office flop—$32 million on an estimated budget of $40 million. I don’t necessarily blame Butler for the poor box office. I think the August 29 release date played a role in its poor performance. Butler’s inclusion in a project might not lead to significant financial gains. However, I appreciate that he made a grimy mid-budget crime thriller that has seemingly disappeared from today’s movie landscape. If Butler’s down to make more crime capers with breakneck action and frenetic pacing, sign me up.


More movies and shows to stream on Netflix

Netflix users in the United States, you got it made. There are thousands of movies and TV shows to stream with the push of a button. For some family-friendly content with Dwayne Johnson and Jack Black, Jumanji: Welcome to the Jungle is now on Netflix. If you want something more adult-focused, give some serials like Black Mirror a chance.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




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