Gigaton raises $26M to rip out the control software running heavy industry



A cement kiln is one of the least forgiving machines in industry. It runs at fourteen hundred degrees, it cannot easily be stopped, and the software deciding its fuel mix and oxygen levels is often older than the engineers tending it. Gigaton wants to throw that software out and let an AI run the kiln instead. On 3 June, it raised $26M to do it at scale.


The Series A is led by Plural, with 2150, Semapa Next and existing backers including Planet A Ventures, Cambridge Enterprise Ventures, the UCL Technology Fund managed by AlbionVC, and the Clean Growth Fund.

It brings the company’s total funding past $35M and will fund a fivefold increase in headcount and expansion beyond cement into steel, glass and chemicals.

Gigaton was known as Carbon Re, but rebranded in late May. The original spun out in 2020 as the first joint venture from University College London and the University of Cambridge, founded by Daniel Summerbell, Buffy Price, Sherif Elsayed-Ali and Aidan O’Sullivan. Josh Vernon, who previously co-founded the Australian fintech Earnd, joined as chief executive in early 2024. The renaming signals the wider ambition: not carbon reduction as a feature, but control of the plant itself.

That distinction is the company’s whole pitch. Most AI sold into heavy industry sits on top of the existing control stack, offering recommendations a human operator can take or ignore. Gigaton says it spent five years inside control rooms learning why those systems fail, and built its technology to replace the control stack rather than advise it.

Its software simulates process behaviour, forecasts the effect of each action before taking it, and then autonomously adjusts parameters like fuel mix, kiln speed and oxygen, retraining continuously on live plant data as conditions shift.

The case for letting an AI take the controls rests on numbers the company supplies. Deployments with Mannok, Adani Cement, Heidelberg Materials and Holcim deliver $1M to $3M in annual operational savings and around 30,000 tonnes of avoided CO2 per plant, Gigaton says, scaling toward $100M or more across large multi-site customers.

Those are company figures rather than independently audited results, and the comparison to 11,000 UK households’ emissions is a framing device, but the named customers are real and substantial, and a venture investor has put money behind the readings.

The competitive anxiety the company is selling against is geographic. China is already building “dark factories”, plants that run without on-site operators, and Gigaton frames the rest of the world as falling behind.

There is real pressure underneath the pitch. Energy costs have climbed, market volatility has grown, and the shift to alternative fuels has made plants harder to run, not easier.

Kevin Lunney, operations director at Mannok, put that last point concretely. Moving to solid recovered fuel instead of coal, he said, is “genuinely harder to operate with,” varying in calorific value and moisture in ways coal does not, and the real challenge is making operators in the control room comfortable with being asked to do something so different.

That is the unglamorous reality of decarbonising heavy industry: the carbon and cost benefits are large, but the operational transition is where projects succeed or stall.

The harder question is the one any autonomous-control pitch raises. Handing a fourteen-hundred-degree kiln to software that retrains itself on live data demands a level of operator trust that recommendation tools never required, and the failure modes are physical, not just financial.

Gigaton’s answer is that operators see precisely why each action is taken. Whether that transparency is enough to make plant managers cede the controls is the thing the next phase, dozens of sites, will actually test.



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Recent Reviews


I consider myself part of many fandoms. Some are from my childhood, others from college, and now, as a young adult, but they all mean something to me on some level. One of those just happens to be Star Wars.

For years, I have adored the Star Wars franchise, mainly because I grew up on those movies. But I must admit, the best Star Wars film isn’t one of the classics from the 1970s and 1980s. No, it’s actually a rather new one—and it’s time you gave it the praise it deserves.

Rogue One is the best Star Wars movie by far

It simply can’t be beaten

Jyn Erso in Rogue One: A Star Wars Story speaking to someone. Credit: Lucasfilm

So hear me out.

What are my credentials to say this? Really, none except for the fact that I grew up watching the entire franchise, as I’m sure most people reading this article did. I am a fan whose brother was obsessed with Luke Skywalker and Han Solo and whose father would meticulously quote Yoda as if he were real. I was raised on Star Wars, both the Star Wars movies and TV shows.

So I must admit that I’ve watched the first movies a few times, the prequel films many times, and, of course, the sequel movies. And they’re all great. Trust me. They are. But to me, Rogue One, otherwise known as Rogue One: A Star Wars Story, is the best film in the series.


Star Wars logo.


8 Classic Star Wars Games Every Fan Should Play At Least Once

Enjoy these games, you will.

You can’t really surpass some of the iconic moments that have cemented themselves into movie history from the originals, such as the legendary reveal of Darth Vader being Luke’s father, Han and Leia’s love exchange, and, of course, the epic lightsaber fights that happen in both the original films and the prequels.

But I think what makes Rogue One the best Star Wars film is that it’s the perfect movie set in the Star Wars universe, with a plot that matters without trying to be anything else. It doesn’t aim to become bigger than it originally was—a story about a group of rebels who begin the entire story of A New Hope thanks to what they did.

The characters make it so much more enthralling

My favorite ones come from here!

I think what really stands out in Rogue One is the memorable characters. One was so memorable and beloved that Disney created a critically acclaimed TV show about the character. That’s how you know they were good.

But they weren’t just well-written characters with complex backstories and interesting comedic bits. They were likable. I feel like a lot of Star Wars characters fall into an unlikable trap.

There are plenty of characters who are likable and memorable, but I’m not entirely sure their stories are as fleshed out, so we see their flaws much more easily. I honestly think a big reason fans didn’t like Rey as much was that her story didn’t feel as well-told. They tried to make her bigger than she needed to be—her original story, of just being a random girl with the Force who had no connection to anything else, felt a lot more original than her being a granddaughter of Palpatine.

That’s what makes Jyn Erso (played by Felicity Jones), the main protagonist of Rogue One, so good. Yes, she is the daughter of an Imperial scientist, but she doesn’t have any powers, secret abilities, or anything like that. She’s a rebel who aims to help and is very human and flawed but does her best. Those traits are carried out throughout every character we meet in Rogue One, including Cassian Andor (Diego Luna).​​​​​​​

The action and special effects are top-tier

The BEST blaster fights

A ship explodes from bombs in Rogue One: A Star Wars Story. Credit: Lucasfilm

I know for a fact that the sequel films fell into a bad rhythm with their action. It didn’t feel as well-choreographed or as well-executed as the special effects in previous films. But with Rogue One? It never feels like that.

I honestly believe it’s because the movie is more grounded in war than in epic space battles and moving things with the force all the time. It’s about a group of humans and droids who are trying to work together to bring an end to the Empire. Most of them don’t really have powers, and that leads to some really well-done sequences that feel real in ways where even we could relate to them.

Of course, there’s that epic final scene of Darth Vader basically destroying and killing everyone with his skills and the force, but that doesn’t feel pushed into the story. That feels authentically woven into the storyline and done in a way that shows his power and how it connects to the overall story. That’s an effective way to use that kind of power.

War-focused action with a little hint of those special effects made this so much better.

The original films are still great, but just not my favorite

Jyn and Cassian have my heart

I’m not saying I don’t love the original Star Wars movies because that is not the case. I love the originals and the sequels with a heavy passion. There’s a reason why most Star Wars board and card games are centered around those characters—we love them because we grew up with them.

From a theatrical perspective, with its compelling story, well-developed characters, and impressive effects, Rogue One stands out as the supreme leader of the series. I genuinely cannot find a fault in this film within the grand timeline of the Star Wars universe, and honestly, I wish we got more of movies like this.

Grounded Star Wars feels so much more relatable, and I think that’s a big reason why Rogue One is successful. As much as we love the powers and the Force and epic lightsaber fights, we would all most likely be like Jyn or Cassian, rebels trying to fight for the greater good. And I think that’s beautiful.

Either way, we’ll still be getting plenty of new Star Wars content soon, including a Darth Maul show, apparently. Maybe something new will surpass Rogue One. But for now, I doubt it. And if you haven’t seen Rogue One, you should check it out on Disney+.

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