Gemini could be better on Apple than Google


Analyst Ming-Chi Kuo says Apple will be trying to make greater use of Google Gemini than even its maker is, by how it employs this AI within iOS and Private Cloud Compute.

Apple confirmed in January 2026 that it will be using Google Gemini in its updating of Siri, and Google itself has made much of this. Now analyst Ming-Chi Kuo reports that Apple has an opportunity to deliver more with Apple Intelligence using Gemini on-device and through iCloud Private Compute, than the standalone AI platform can do.

Kuo is speculating, and in this case he is particularly focused on the impact to investors of what Apple is able to do. But he argues that over the long term, Apple should be a good bet for investors because of this ability to leverage Gemini across all of Apple Intelligence’s features.

“The key takeaway from WWDC26 will not be the short-term share-price reaction after the event,” he writes. “It will be whether Apple, using the same Gemini, can deliver better AI applications, agentic workflows, and on-device & cloud hybrid experiences than Google.

It’s because of this possibility that Kuo believes the general consensus is that Apple may have been behind on AI, but will come out the winner. However, he also says that if Apple is not able to do this, it will mean that Google Gemini “sets the ceiling for Apple’s AI experience.”

If Apple cannot do more with Gemini to make it a uniquely beneficial feature of its whole ecosystem, iPadOS, and macOS, then he believes Apple will lose out. “The ‘Apple will ultimately come out ahead’ narrative would start to face growing scrutiny,” he concludes.

Gemini is not taking over

Users will not see Google Gemini on their iPhones, iPads, or Macs, after WWDC’s updates are made public. It is not that Apple has replaced Siri with Gemini, nor that Google will now get to train its service on users’ data.

Instead, Apple is licensing a Google Gemini model to help improve its own Apple Foundation Models. So Apple Intelligence will continue to run on Apple’s own models, but those models will now be better.

This also means that the improved Siri will be here sooner than it might have been, since in June 2025, Apple admitted to having problems. The deal means Apple being able to build on the existing Gemini.

Gemini itself will not be running on-device and there will be no passing of user data back to Google. What there will be is a reported $1 billion annual fee from Apple to pay Google for this deal.

So presumably if anyone outside of Apple knows what the company’s aims are with Gemini, it’s Google. Separately, Google attempted to steal some thunder from Apple by making promises for the future of its own Gemini Intelligence in May 2026.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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