France hosts the G7 with an AI pitch built on other people’s billions


France took over the G7 this week with Emmanuel Macron pressing artificial intelligence to the front of the agenda and, with it, a good deal of his own standing. The summit runs from 15 to 17 June, and the pitch is straightforward: position France as Europe’s AI powerhouse, running on the country’s plentiful nuclear electricity.

The catch, as Bloomberg framed it, is that much of what would make the case rests on money and infrastructure Macron does not himself command.

The headline number arrived ahead of the summit. SoftBank committed to develop and operate 5GW of AI data-centre capacity in France, an investment of up to €75bn, with a first phase of roughly €45bn delivering 3.1GW in the Hauts-de-France region.

It was the centrepiece of the Choose France summit, where companies pledged some €93bn across 71 projects, with the government putting the job figure above 15,600.

The 💜 of EU tech

The latest rumblings from the EU tech scene, a story from our wise ol’ founder Boris, and some questionable AI art. It’s free, every week, in your inbox. Sign up now!

SoftBank is not alone. Brookfield, the Canadian asset manager, is adding to its French data-centre spending, and Gulf money has been circling the same sector. Macron’s line, that the projects would make France “by far the leading country hosting data centres” and computing capacity in Europe, is the claim the pledges are meant to underwrite.

The vulnerability is in the verbs. These are commitments and plans, multi-year and conditional, and the gap between an announced €75bn and a built and running 5GW is where AI infrastructure promises tend to thin out.

Power connections, planning, and the shifting economics of the AI build-out can all slow a pledge or shrink it, which is the sense in which the legacy hangs on funding that is, in the framing of the reporting, fickle.

The nuclear argument is the part Macron can make on his own terms. France generates the bulk of its electricity from nuclear reactors, which gives it both abundant power and a low-carbon story to tell data-centre operators weighing where to build, at a moment when grid capacity is the binding constraint on the industry. It is the one structural advantage in the pitch that does not depend on a foreign balance sheet.

The convening power, at least, is real. Sam Altman is attending at Macron’s invitation, a sign of the access France can offer even where the capital is someone else’s.

Hosting the G7 hands him a stage, and the AI agenda lets him use it, but a summit communiqué and a built gigawatt are different things, and only one of them is in his gift.

Whether the summit converts attention into the built capacity Macron has promised is the thing the next few years, not the next few days, will decide. For now he has the pledges, the venue, and the electricity. The construction is what is still to come.



Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews


Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

Amazon Fire TV Stick 4K Max

Integrations

Alexa

Storage

16GB


When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


Subscription with ads

Yes, the Disney Basic plan

Simultaneous streams

Up to 4

Live TV

No

Price

Starting at $10/month

Family favorites, old classics, and exciting new TV all in one place.




Source link