China tightens indium phosphide checks as AI demand climbs



The bottleneck in the AI buildout is turning out to be a metal most people have never heard of. China has tightened its scrutiny of exports of indium phosphide, a compound essential to the high-speed optical chips that move data inside AI data centres, in a move that threatens to slow the very infrastructure the technology depends on.

Indium phosphide, or InP, is not a household material, but it is becoming a strategic one. As data-centre operators shift from pushing electrical signals through copper to sending light through optical fibres, a technique known as photonics, InP has become the core material with no ready substitute.

The faster the AI industry wants to move data between chips, the more it needs the compound, and China sits at the chokepoint.

That position is a matter of geology and processing. China produces around 70% of the world’s indium, and since export controls on InP took effect in early 2025, Beijing has been slow to approve the licences that let the material leave the country.

The delays, rather than an outright ban, are the lever: a permit that does not arrive is as effective as a prohibition, and harder to challenge.

The market has felt it. The price of a six-inch InP wafer has climbed from roughly $1,400 to about $5,000 since the controls began, an increase of around 250%, as buyers compete for constrained supply.

Nvidia-backed chipmaker Coherent warned of a shortage earlier this year, and AXT, the world’s second-largest InP substrate producer, has described the export permits as the most significant challenge it currently faces.

The episode fits a now-familiar pattern in the US-China technology contest. Where Washington has restricted China’s access to advanced chips and chipmaking tools, Beijing has answered by leveraging its dominance over critical materials, having already deployed controls on gallium, germanium, and rare earths.

InP is the same weapon pointed at a different part of the supply chain, the optical layer rather than the logic layer.

What makes InP potent is precisely that it targets infrastructure rather than end products. The compound goes into the transceivers and optical components that knit together the thousands of accelerators in a modern AI cluster, so a squeeze on it does not stop any single chip from working; it slows the rate at which whole data centres can be built and wired. The constraint shows up as delayed construction, not failed silicon.

It also lands as the AI industry’s appetite for compute is at its most acute, with operators racing to build capacity faster than the supply chain can support.

The same pressure visible in the scramble for chips and components now extends to a niche material that few outside the industry tracked a year ago. China’s leverage over it has turned a specialist input into a geopolitical instrument.

The deeper worry for the AI industry is precedent. If a delay in InP permits can slow data-centre construction, the same lever can be applied to any of the specialised inputs where China holds a commanding share, turning a diversified supply chain into a series of single points of failure.

That fragility is now a strategic planning problem for Western governments and operators alike, part of the wider contest over technology supremacy in which materials have become as decisive as the chips they enable.

Substitution offers little near-term relief. Building InP production capacity outside China is possible but slow, requiring years of investment in refining and wafer fabrication that the current shortage does nothing to accelerate.

In the meantime, buyers are left managing allocation, paying the higher prices, and lobbying through diplomatic channels for the permits to move, a position of dependence that the controls were designed to exploit.

The InP controls were also raised directly with Beijing; Coherent’s chief executive brought the licensing delays up during a US business delegation’s visit to China, a sign of how seriously the buyers take the threat.

Whether the permits start flowing again, and on what terms, is now part of the broader negotiation between the two governments over technology and trade. For the AI buildout, the answer determines how fast the lights can go on.



Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four

Stream licensed and original programming with a monthly Netflix subscription.


Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


The Pixar Logo featured before their movies


Pixar’s best movie isn’t one of the old classics, it’s this blockbuster from 2017

I’m sorry, Toy Story, but a new winner has entered the chat

What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


A woman watching Netflix with two kids, a 'Kids' icon in the background, and the Netflix logo.


My Kids Love These 10 Netflix Shows—And Shockingly, So Do I

Are you a parent tired of watching awful kids’ shows? Give yourself a break with these Netflix series that will entertain both you and your children.


Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



Source link