BMW slashes profit forecast as China squeezes Europe



TL;DR

BMW cut its car division’s expected operating margin to 1-3 per cent, down from 4-6 per cent, citing an accelerating decline in China and Middle East fallout. The warning highlights a two-front squeeze as Chinese carmakers erode European automakers’ profits in China while gaining nearly 10 per cent market share in Europe.

BMW on Tuesday cut its full-year profit forecast for the car business, lowering its expected automotive EBIT margin to a corridor of 1 to 3 per cent from prior guidance of 4 to 6 per cent. The company blamed an accelerating decline in the Chinese market and the widening economic fallout from the conflict in the Middle East.

BMW’s stock fell to its lowest level since 2020 on the news. Deliveries in China dropped 17.6 per cent in the first five months of the year as domestic brands including BYD, Xiaomi, and NIO undercut European premium pricing with comparable technology.

The vanishing China profit pool

BMW is not alone. European automakers have been progressively squeezed out of the Chinese market, where cheaper, domestically produced electric vehicles have gained share at the expense of the premium combustion-engined cars in which companies like BMW, Mercedes-Benz, and Volkswagen specialise.

Porsche, which has retreated from its all-electric strategy after a 93 per cent decline in operating profit last year, saw its China deliveries fall from 93,300 units in 2022 to roughly 41,900 in 2025. Citigroup analysts have noted that in peak years, the Chinese profit pool accounted for about half of the operating profit at both BMW and Mercedes-Benz.

Volkswagen’s operating profit from its Chinese joint ventures almost halved last year to €958 million, and the company has guided for just €200 million to €600 million from those ventures in 2026. The Chinese market itself is now shrinking as the economy sputters and subsidies are phased out, leaving domestic manufacturers with enormous spare capacity to export.

The European front

That spare capacity is landing in Europe. Chinese manufacturers have grown their market share on the continent from virtually nothing in 2021 to just under 10 per cent, according to industry data, and are approaching 16 per cent of the EV and plug-in hybrid segment.

Geely has already stopped building new factories and begun using Volvo’s European plants instead, a strategy that sidesteps EU tariffs while preserving Chinese cost advantages. BYD has begun trial production at a new facility in Hungary, with full-scale output expected this year.

European carmakers’ sales have revived modestly this year, helped by a slew of new lower-priced models and an EV sales surge driven by oil prices above $100 a barrel. But Europe is not a growth market, and aggressive new entrants cannot gain ground without shrinking incumbents’ sales.

The industry uses only about 70 per cent of its production capacity, according to S&P Global. That means it already bears outsized fixed costs relative to its revenue, and every additional shock, from US tariffs to disruption in the Middle East, hits margins disproportionately hard.

Some European carmakers are pivoting to defence contracts as EV demand fluctuates and military budgets soar. But those revenues remain a fraction of what the car business generates.

Protection and partnership

Brussels is responding with industrial policy. The EU’s proposed Industrial Accelerator Act would attach local content requirements to public procurement and subsidies, restricting access to vehicles assembled within the bloc with at least 70 per cent of non-battery components sourced from Europe.

At the same time, some European carmakers have started co-operating with their Chinese rivals rather than trying to outcompete them on cost. Stellantis and Dongfeng announced plans in May for a 51/49 European joint venture that could see Dongfeng’s electric vehicles built at Stellantis’s Rennes plant in France.

The logic is pragmatic. China’s manufacturing advantage is structural, not merely a product of subsidies, with BYD controlling its own battery supply chain, manufacturing its own semiconductors, and operating at volumes no European competitor approaches.

BMW’s profit warning is the latest confirmation that Europe’s auto industry faces a problem tariffs alone cannot solve. Chinese competition is eroding margins in China and gaining ground in Europe simultaneously, and the gap between what European carmakers charge and what Chinese rivals can deliver keeps widening.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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