Anthropic’s model dominated every benchmark, then the government pulled it



TL;DR

Fable 5 topped GPT 5.5 on every major benchmark but was pulled by the US government after three days, making GPT 5.5 the top model you can actually use.

Anthropic’s Fable 5 spent three days as the most capable AI model ever released to the public. It topped the Chatbot Arena leaderboard, crushed OpenAI’s GPT 5.5 on coding benchmarks by double-digit margins, and gave paying subscribers access to Mythos-class reasoning for the first time. Then, on June 12, the US government ordered Anthropic to shut it down.

The result is a strange moment in AI. The model that demonstrably outperforms everything else on the market is the one you cannot use. GPT 5.5, which OpenAI launched in late April under the internal codename “Spud,” is now the strongest model available to developers and consumers, not because it improved but because its only real competitor was removed.

The benchmark gap between the two is not close. On SWE-Bench Pro, which measures a model’s ability to resolve real software engineering issues across open-source codebases, Fable 5 scored 80.3% to GPT 5.5’s 58.6%, a 22-point difference. On SWE-Bench Verified, a curated subset of the same benchmark, Fable 5 reached 95.0%.

The coding benchmarks tell a similar story. Fable 5 leads the Code Arena by 98 Elo points, scoring 1,665 to GPT 5.5’s 1,501. On FrontierCode Diamond, a benchmark designed to test the most difficult programming tasks, Fable 5 scored 29.3% while GPT 5.5 managed 5.7%, and on the broader Chatbot Arena leaderboard Fable 5 sits at number one with GPT 5.5 in fourth.

GPT 5.5 does have one area of strength. On Terminal-Bench 2.0, which evaluates interactive terminal-based coding tasks rather than codebase-level issue resolution, GPT 5.5 scored 82.7% compared to Fable 5’s approximately 88.0%. The gap is narrower there, and the benchmark tests a different skill, executing commands and debugging in real time rather than reading and patching large repositories.

Pricing also favours OpenAI. GPT 5.5 costs $5 per million input tokens and $30 per million output tokens, half the price of Fable 5’s $10 and $50 respectively. For developers running high-volume applications where the performance difference is less critical than cost, GPT 5.5 is the more practical choice even when both models are available.

Fable 5 launched on June 9 as Anthropic’s first Mythos-class model made available to the general public. It offered a one-million-token context window and 128,000 output tokens. Anthropic made it available at no extra cost to Pro, Max, Team, and Enterprise subscribers until June 22, a promotional window that the government directive cut short after just three days.

The shutdown came via an export control directive issued on June 12. The government cited a jailbreak vulnerability as the reason for pulling both Fable 5 and the broader Mythos 5 model family. Anthropic has disputed the severity of the finding, saying the vulnerabilities identified are minor, publicly known, and achievable by GPT 5.5 without any bypass techniques, while reports indicate that Amazon CEO Andy Jassy played a role in triggering the government’s review.

The practical consequence is that developers and researchers who were evaluating Fable 5 for production use have had to revert to GPT 5.5 or Anthropic’s earlier Opus models. For coding-heavy workflows, the downgrade is significant. The 22-point gap on SWE-Bench Pro represents the difference between a model that can resolve four out of five real-world software issues and one that handles roughly three out of five.

Whether Fable 5 returns depends on Anthropic’s negotiations with the government over the export control classification. The company has publicly argued that the directive is disproportionate and that the cited vulnerabilities do not justify pulling the model entirely. Until that dispute is resolved, GPT 5.5 holds the top spot by default, the best model available not because it is the best model that exists.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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