Are You Really Part of the Problem?


Long ago, when people had to watch a documentary or go to a library to read about vibrant cities, beautiful mountain trails, or strange places around the world, tourism felt perfect. That was a time when we could truly consider ourselves lucky to have been able to discover the wonders of this world. But not anymore. Somewhere between cheap flights, inexpensive cruises, and viral photos, discovery degenerated into overtourism.

Overtourism in Verona
Overtourism in Verona

How Did We Get Here?

Before you cry “elitism,” let me explain. This is not about saving travel for those with money or privilege. It is about the fact that travel used to ask something of you. You had to be curious enough to seek a place out. You had to read about it, dream about it, make a little effort before you ever showed up. That effort was a filter. Not a filter of money, but of effort.

Back then, travel wasn’t just a matter of money. Plenty of people had the means to go, but not the drive to find out what a destination was really about. With no internet and far fewer guidebooks, simply discovering interesting places took real effort: time in libraries, hunting down documentaries, asking around, and planning carefully. So the ones who ended up traveling were those prepared to do that work, not just those who could afford a ticket.

Sadly, that filter is now lost. And the reason is not the ticket price, but the cost of indifference. Once a place becomes effortless to reach, it fills not only with curious travelers but with indifferent ones as well. With those who couldn’t name the building they’re photographing, who want a selfie in front of the Louvre not because it means anything to them, but because back home it proves they have been there.

Here’s what nobody admits. Travel turned into a status symbol. The old trophies: the watch, the car, the big house, got replaced by a list of stamps in a passport. People don’t go to see the place anymore. They go so everyone knows they went.There’s a new crowd now, and you can spot them by one thing: the place doesn’t matter to them. Paris, Bali, Santorini, it’s all the same photo. They didn’t come to see the place. They came because they heard it’s beautiful, so they had to come too.

No, this is not about gatekeeping the world for the lucky few. It’s about something simpler and harder to argue with: a destination deserves visitors who give a damn. And that’s exactly why the curious, prepared traveler is the last person who should be apologizing, even though they are the one being made to feel guilty these days.

The Main Culprits Behind Overtourism

Let’s stop pretending the answer is a mystery. The crowds choking Venice, Barcelona, and Dubrovnik didn’t form by accident, and they didn’t form one curious traveler at a time. They were delivered in bulk. By an industry that figured out how to turn living cities into drive-through attractions. And by people who are perfectly happy to be processed like cargo, as long as they get the photo.

The Cruise Ships

Let’s start with the cruise ships. A single floating tower parks itself in a fragile old harbor like Mykonos, or Santorini, and unloads several thousand people in the space of a morning. No, let me rephrase that: several floating towers park themselves in that same fragile harbor. Because that’s the reality I witnessed with my own eyes.

On a peak summer day, as many as 17,000 cruise passengers are poured into these small Greek islands. All of them funneled through the same three streets in the same midday heat, while shopkeepers watch from their doorways. They photograph the same cathedral, buy a fridge magnet stamped “Made in China,” eat nothing, sleep nothing, and are vacuumed back on board by late afternoon. The ships leave with their money. The towns keep their garbage. Multiply that across a whole season and you no longer have tourism. You have a daily invasion with a return ticket!

The Tour Buses

Then come the buses. Forty-odd passengers dumped onto a curb, herded behind a guide holding an umbrella, given ninety minutes to “see” a place that deserves a week, then loads them back up for the next box to tick. They don’t stay the night, don’t sit at a local table and they don’t learn a single name. They just came to collect the destination, not to experience it.

The Rest of the Culprits

But the cruise ships and tour buses don’t act alone. The truth is that overtourism is a whole machine that has been fed for years by several other hands.

  • Budget airlines tore down the last barrier to mass travel. The cheap ticket is the problem. When a flight to Paris costs less than a dinner out, people don’t go because Paris means something to them. They go because it’s cheap, because why not. The low fare didn’t just open the world. It taught us to treat a city like a coffee break, easy to grab, easy to forget.
  • Airbnb might be the deepest cut of all. A family home turns into a tourist rental, then another, then the whole street, and before you know it the rent has climbed so high that the locals can’t afford to live there anymore. A cruise crowd may be gone by sundown, but this kind of damage stays.
  • Governments and tourist boards. Here’s the part that really gets me. They pour millions into marketing, chase record tourism numbers like a trophy, and look the other way on regulation, then act shocked at the crowds they personally invited.
  • And then there’s social media. Oh, don’t even get me started on this one! Somebody sees their so-called friends posting selfies from some beautiful spot and suddenly they have to go stand in the exact same place and take the exact same photo. That’s not travel. That’s keeping up with the neighbors. Except the whole world is the neighborhood now.

Who Actually Pays the Price?

The problem is that someone always ends up paying for overtourism. And it’s never the people who caused it.

First, the locals. The people who were born in these places are quietly being squeezed out of their own streets. Their apartment becomes an Airbnb because landlords would rather turn these investment buildings into Airbnbs than rent them to locals for less. The rent triples, the noise never stops, and one day people realize the city they love no longer has room for them in it. They became extras on the set of someone else’s vacation, props in the background of a stranger’s selfie. That’s not a side effect of overtourism. That’s the whole tragedy of it.

But here is the part nobody wants to admit, and the part that hits closest to home for me. The locals aren’t the only ones paying.

Overtourism in Europe
Overtourism in Europe

What about us, the travelers who did everything right? For months we researched the place, read its history, even learned a few phrases in the local language. The place itself captivated us, so we came. And then we arrived, only to find we couldn’t even move, or hear ourselves talk. The landmark we crossed the world to see? We couldn’t get near it, because hundreds of people who couldn’t even name it were standing in front of it taking selfies.

So we lose too. The locals lose their home, and we, the independent travelers, lose the very thing we came to find. And the maddening part? Neither of us – not the locals, not us – caused this. We are just victims of overtourism.

What Overtourism Looks Like Up Close

Honestly, it keeps getting worse. Twenty years ago, Budapest was an undiscovered jewel, as charming as Paris but without the crowds and at a fraction of the price. I loved it so much that I talked my husband, who is Hungarian, into buying an apartment there, so we could come back every year. 

Then, over the past ten years, we watched Budapest turn into a kind of circus, the same as Paris. Street vendors, pickpockets working the tourist areas, prices that climbed and climbed. Now you can’t even visit the Parliament building anymore, except by appointment. As for the famous thermal baths, you can forget them. They look like a tin of sardines, no matter what season or day of the week you go.

Szechenyi Baths in Budapest on a regular week day
Szechenyi Baths in Budapest on a regular week day

Then there was last summer in Verona, when we went to see Juliet’s house and her balcony. Forget that we stood in line for an hour in the heat just to get into the courtyard, but getting inside the house itself was simply impossible. I wanted at the very least to take a photo of the balcony, or of Juliet’s statue down in the yard. But that was out of the question as well. The balcony stayed packed with people the whole time, and the statue was being hugged or touched by a line of tourists taking selfies with it.

Crowds in the courtyard of Juliet's House in Verona
Crowds in the courtyard of Juliet’s House in Verona

For me, as a travel writer, not being able to photograph an important place I came to see is especially frustrating. Without the photo, I have nothing to show my readers.

What Big Crowds Leaves Behind

And here is the real problem with overtourism. It does not just bring more people, it brings the wrong kind of people. When travelers actually appreciate what they are looking at, they show respect. Respect for the locals, for the place, and for the other people standing beside them.

What I saw in Rome the last time we visited, and honestly almost everywhere now, is the opposite. People who do not care about any of it. If someone finds the best spot for a photo, they plant themselves there and will not move, no matter how many others are waiting their turn. The place stops being something to experience and becomes a backdrop for selfies.

Inconsiderate tourists crowding Fontana di Trevi in Roma
Inconsiderate tourists crowding Fontana di Trevi in Rome

And it’s not only the experience that suffers. Mass tourism wears these places down until they have to be roped off for good. At Chichén Itzá for instance, you could once climb the great Pyramid of Kukulkán. We did, decades ago, and it was a wonderful experience I’ll never forget. But not anymore. Today you can only see it only from behind a rope, looking up from the ground. Tulum is the same, watch can only watch the ruins them from behind a barrier.

And it is not only Mexico. Even Lascaux, the prehistoric painted cave in France, had to close its doors to the public, Today you can only see a replica of the cave. That is what we are doing. We are loving these places to death, one rope, one closure at a time.

It has gotten so bad that cities now fight back. Venice, drowning in day-trippers, started charging visitors a fee just to set foot in the old city on its busiest days, a price of admission to a living city, as if it were a museum.

The Crowds I Helped Create

But if I am honest, I have to point the finger back at me too. I am a travel writer. My whole job is to make people fall in love with a place, to describe a city so well that they go book the flight. Every article I have written was, in its own small way, an invitation, one more push toward the mass tourism I now complain about. Come see this. Come here too. So who am I to complain about the crowds? I am one of the people who sent them.

Blogs and social media promote destinations which in turn attracts overtourism
Blogs and social media promote destinations which in turn attracts overtourism

And I cannot pretend I did not know. I have watched the places I wrote about fill up, year after year, and I kept writing. I told myself I was sharing something beautiful. Maybe I was. But sharing a place with the world is also how you lose it. The more I love a place out loud, the faster the crowds arrive to love it the same way.

What Is There to Do?

For years, writers have been preaching eco-tourism, telling people how to travel the right way. I am not a fan. I do not like being told what to do, and I do not think my readers are fools who need a lecture on common sense.

Here is the truth. People are not going to stop traveling. The masses just discovered the joy of it, and they are not ready to give it up simply because we believe the beautiful destinations are overwhelmed. So blaming the tourist is a waste of breath.

The real problem with mass tourism sits higher up. It is the tour boards and the local governments who decide how many cruise ships and tour buses to let in each day. Even a city the size of Barcelona cannot breathe when three or four ships unload at once. The people filling their pockets know exactly what they are doing. You know who they are.

As for me and my husband, we do what we can. We travel in the off-season, weak up early in the morning to visit the places of interest, and choose the destinations not too many people write about yet. But to be honest, it is only half an answer. Sooner or later the buses and the ships find every beautiful place. And then there is nowhere left to hide.



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Recent Reviews


It’s the first of the month, which means Netflix has added a substantial number of new movies and shows. Some of the highlights include the Creed movies, Friday Night Lights, The Karate Kid franchise, and the first five seasons of Hawaii Five-0. Keep an eye on the new movies coming later this month, including Office Romance and Little Brother.

As for the thriller section, there are several movies to check out this week. My top pick is a recent crime thriller from an Academy Award-nominated director. My other two movies are total opposites. One is a disturbing psychological thriller featuring two familiar faces, while the other is a notable book-to-screen adaptation.

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The Girl on the Train

Based on the bestselling novel

The Girl on the Train walked so that It Ends with Us could run. What do I mean? It’s not like The Girl on the Train was the first movie to be based on a book. I’m more focused on the style of thriller — a beach read that is predominantly aimed toward women. Hoover’s books continue to become box-office hits. In 2016, The Girl on the Train proved that there is an audience for this type of thriller.

Based on the novel by Paula Hawkins, The Girl on the Train stars Emily Blunt as Rachel Watson, an alcoholic divorcée who recently lost her job. To pass the time, Rachel rides the train and imagines the new life of her ex-husband, Tom (Justin Theroux), and his new wife, Anna (Rebecca Ferguson). One day, Rachel witnesses a troubling event in the backyard belonging to Scott (Luke Evans) and Megan Hipwell (Haley Bennett). The authorities don’t believe her due to her alcoholism, so Rachel will need more proof than her word.

The Girl on the Train has all the staples of a page-turning thriller. There are several twists that will make you question what is true and what is a lie. It’s a story of deceit and obsession that mixes sexual tension and disturbing violence into its storyline. Blunt gives a convincing performance as an alcoholic searching for answers in the case and in her personal life. At just under two hours, The Girl on the Train certainly delivers everything you want out of an entertaining thriller.

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The Good Son

Kevin McCallister breaks bad

If your children enjoy the Home Alone franchise, then do not let them watch The Good Son. Speaking from experience, this movie should be consumed by teenagers and adults who are at least 17 years old. I watched this movie as a kid, and it shook me to my core. I would still recommend it because it’s genuinely one of the most shocking performances from an actor who you would never expect to take on this role.

After the death of his mother, 10-year-old Mark Evans (Elijah Wood) is sent to spend winter break with his Uncle Wallace (Daniel Hugh Kelly) and Aunt Susan (Wendy Crewson). Mark also reunited with his two young cousins, Henry (Macaulay Culkin) and Connie (Quinn Culkin). Mark quickly discovers that Henry might be the devil stuck inside a 10-year-old’s body. Henry is fascinated by death and facilitates several evil acts, including a massive car pileup. When Henry sets his sights on his own family, it’s up to Mark to stop it before it leads to tragedy.

Home Alone 2 is my favorite Christmas movie. Imagine being a kid and watching Kevin McCallister in The Good Son trying to kill his sister. Frankly, it’s disturbing. You can’t unsee what Culkin did as the devil’s child. I’ll let you judge it for yourself; my guess is you’ll agree with me.

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Dead Man’s Wire

Inspired by a real standoff

Gus Van Sant is too talented to be sitting on the sidelines for a long period of time. Van Sant, who helmed Good Will Hunting and Milk, last made a film in 2018 called Don’t Worry, He Won’t Get Far on Foot. He did not make another film until Dead Man’s Wire, which had a festival premiere in 2025 before releasing in theaters in January 2026. That’s an unacceptable amount of time without a Van Sant movie. Be better, Hollywood.

Dead Man’s Wire is inspired by the true story of Tony Kiritsis, played by Bill Skarsgård. In February 1977, Tony takes mortgage broker Richard Hall (Dacre Montgomery) as his hostage after losing money on a deal brokered by Richard’s father. Tony points a sawed-off shotgun at Richard to serve as a dead man’s switch. The ensuing standoff makes headlines, as Tony tries to convince the public of what led to his breaking point.

The movie is based on a true story, so it could follow a blueprint of real-life events. However, it’s a genius idea for a thriller — a mentally unstable person seeks revenge against the corporation that wronged him. You might even find sympathy toward Tony, a credit to Skarsgård’s captivating performance.


More movies to watch this week

Thrillers are not the only genre to explore on Netflix. If you’re a fan of rom-coms, one of Netflix’s newest movies is Office Romance, a charming romantic adventure starring Jennifer Lopez and Brett Goldstein. Office Romance hits Netflix on June 5. Plus, Netflix users can stream the first six movies in the Rocky franchise.

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