Auto repair is one of the least digitised industries in America. AI is changing the economics of why.



TL;DR

280,000 US auto repair shops are largely undigitised. AI receptionists, predictive scheduling, and PE rollups are converging on a $3.4B software market.

North America has more than 280,000 independent auto repair shops. Most run on workflows a 1990s small business owner would recognise: phone-based scheduling, paper repair orders, manual parts ordering. The global auto repair software market is projected to grow from $3.4 billion in 2026 to $8.6 billion by 2033, a 14.2% CAGR, according to Persistence Market Research. Software is growing at two to three times the rate of the underlying automotive aftermarket.

The category has resisted digitisation for two decades, and the resistance was rational. Previous shop management software required the owner to enter the data. The system gave back reports. Most owners declined the trade. AI inverts that equation. Calls get transcribed. Inspections get categorised from photos. Estimates draft themselves from VIN lookups. Follow-ups send without human input.

The clearest near-term deployment is AI receptionists. Independent shops miss a structurally significant share of inbound calls, with industry surveys putting missed-call rates above 40%. Each missed call represents lost revenue. Voice AI products built for the vertical answer around the clock, book appointments directly into the shop’s calendar, route urgent calls to humans, and follow up with text confirmations. AI-enabled rollups of unglamorous vertical software businesses are already drawing hundreds of millions in venture capital, and auto repair is one of the largest untouched categories.

Predictive scheduling and automated customer follow-ups carry less narrative weight but better lifetime-value economics. Capacity planning is moving from an owner-in-the-head function to a forecasted output. Customer retention is moving from a task nobody gets around to into an automated cadence. Both raise average contract values as shops move up the stack from baseline management to AI-augmented operations.

The distribution challenge is the moat. Independent shop owners are not on LinkedIn, do not attend SaaS conferences, and do not respond to inbound marketing playbooks. The companies winning the category have built go-to-market motions that look closer to industrial sales: trade shows, parts supplier partnerships, content through aftermarket trade publications, and outbound teams hired from the industry rather than from tech.

Private equity rollups of independent repair shops have accelerated in the past 36 months. Sun Auto Tire, Driven Brands, and Caliber Collision have each scaled regional clusters into hundreds of locations. The post-acquisition playbook almost always includes putting acquired shops on a common software platform. That creates a second bet layered on top of the first: the software companies enabling digitisation and the rollup vehicles consolidating the digitised shops. AI-native enterprise spending surged 94% year on year as traditional SaaS stagnated, and auto repair is one of the cleanest illustrations of where vertical AI delivers outsized ROI, not because the technology is more advanced here, but because the prior baseline was so manual that even a modest AI layer produces dramatic returns for the operator.



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It’s the first of the month, which means Netflix has added a substantial number of new movies and shows. Some of the highlights include the Creed movies, Friday Night Lights, The Karate Kid franchise, and the first five seasons of Hawaii Five-0. Keep an eye on the new movies coming later this month, including Office Romance and Little Brother.

As for the thriller section, there are several movies to check out this week. My top pick is a recent crime thriller from an Academy Award-nominated director. My other two movies are total opposites. One is a disturbing psychological thriller featuring two familiar faces, while the other is a notable book-to-screen adaptation.

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The Girl on the Train

Based on the bestselling novel

The Girl on the Train walked so that It Ends with Us could run. What do I mean? It’s not like The Girl on the Train was the first movie to be based on a book. I’m more focused on the style of thriller — a beach read that is predominantly aimed toward women. Hoover’s books continue to become box-office hits. In 2016, The Girl on the Train proved that there is an audience for this type of thriller.

Based on the novel by Paula Hawkins, The Girl on the Train stars Emily Blunt as Rachel Watson, an alcoholic divorcée who recently lost her job. To pass the time, Rachel rides the train and imagines the new life of her ex-husband, Tom (Justin Theroux), and his new wife, Anna (Rebecca Ferguson). One day, Rachel witnesses a troubling event in the backyard belonging to Scott (Luke Evans) and Megan Hipwell (Haley Bennett). The authorities don’t believe her due to her alcoholism, so Rachel will need more proof than her word.

The Girl on the Train has all the staples of a page-turning thriller. There are several twists that will make you question what is true and what is a lie. It’s a story of deceit and obsession that mixes sexual tension and disturbing violence into its storyline. Blunt gives a convincing performance as an alcoholic searching for answers in the case and in her personal life. At just under two hours, The Girl on the Train certainly delivers everything you want out of an entertaining thriller.

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The Good Son

Kevin McCallister breaks bad

If your children enjoy the Home Alone franchise, then do not let them watch The Good Son. Speaking from experience, this movie should be consumed by teenagers and adults who are at least 17 years old. I watched this movie as a kid, and it shook me to my core. I would still recommend it because it’s genuinely one of the most shocking performances from an actor who you would never expect to take on this role.

After the death of his mother, 10-year-old Mark Evans (Elijah Wood) is sent to spend winter break with his Uncle Wallace (Daniel Hugh Kelly) and Aunt Susan (Wendy Crewson). Mark also reunited with his two young cousins, Henry (Macaulay Culkin) and Connie (Quinn Culkin). Mark quickly discovers that Henry might be the devil stuck inside a 10-year-old’s body. Henry is fascinated by death and facilitates several evil acts, including a massive car pileup. When Henry sets his sights on his own family, it’s up to Mark to stop it before it leads to tragedy.

Home Alone 2 is my favorite Christmas movie. Imagine being a kid and watching Kevin McCallister in The Good Son trying to kill his sister. Frankly, it’s disturbing. You can’t unsee what Culkin did as the devil’s child. I’ll let you judge it for yourself; my guess is you’ll agree with me.

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Dead Man’s Wire

Inspired by a real standoff

Gus Van Sant is too talented to be sitting on the sidelines for a long period of time. Van Sant, who helmed Good Will Hunting and Milk, last made a film in 2018 called Don’t Worry, He Won’t Get Far on Foot. He did not make another film until Dead Man’s Wire, which had a festival premiere in 2025 before releasing in theaters in January 2026. That’s an unacceptable amount of time without a Van Sant movie. Be better, Hollywood.

Dead Man’s Wire is inspired by the true story of Tony Kiritsis, played by Bill Skarsgård. In February 1977, Tony takes mortgage broker Richard Hall (Dacre Montgomery) as his hostage after losing money on a deal brokered by Richard’s father. Tony points a sawed-off shotgun at Richard to serve as a dead man’s switch. The ensuing standoff makes headlines, as Tony tries to convince the public of what led to his breaking point.

The movie is based on a true story, so it could follow a blueprint of real-life events. However, it’s a genius idea for a thriller — a mentally unstable person seeks revenge against the corporation that wronged him. You might even find sympathy toward Tony, a credit to Skarsgård’s captivating performance.


More movies to watch this week

Thrillers are not the only genre to explore on Netflix. If you’re a fan of rom-coms, one of Netflix’s newest movies is Office Romance, a charming romantic adventure starring Jennifer Lopez and Brett Goldstein. Office Romance hits Netflix on June 5. Plus, Netflix users can stream the first six movies in the Rocky franchise.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




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