A California city just approved $3.15M in police drones that respond to 911 calls in 30 seconds



TL;DR

Stockton approved $3.15M for Flock police drones that respond to 911 calls in 30 seconds. Council voted 7-0 despite major public opposition over surveillance.

Stockton, California, has approved a $3.15 million investment in police drones that can respond to 911 calls in as little as 30 seconds. The city council voted 7-0 to expand its contract with Flock Safety, adding a drone-as-first-responder platform to the automatic licence plate readers the company already supplies. The total contract value now exceeds $5.4 million over five years.

The drones will be stationed across the city and can cover more than 75% of Stockton’s area. They give police eyes on a scene before officers arrive, with response times ranging from 30 seconds to four minutes. “It’ll really enhance what we already have, in that we get quick deployments, real-time updates for officers on scene,” said Police Lt David Padula.

The vote was unanimous. The public opposition was not. More than an hour of testimony focused on privacy, immigration enforcement, and mass surveillance. Residents questioned not just how the drones would be used, but how the data they collect would be stored and shared.

It sends the wrong message,” said local activist group The Stockton Community Check-In Booth. “While our residents continue to struggle under the financial impacts of this administration and economy, Stockton continues to invest in militarisation and surveillance.

Republican congressional candidate John McBride called the programme “a total invasion of privacy.” He pointed out that Flock’s cameras are privately owned, meaning citizens cannot use freedom of information requests to find out what data the company holds about them. Flock says local agencies remain in control of the data and that drone flights are logged on a public dashboard.

Flock’s track record has fuelled the concerns. The company was found sharing licence plate reader data with US Customs and Border Protection in Colorado and Illinois, though it says those practices have stopped. In Texas, police used a Flock camera network to track the movements of a woman who had an abortion. In Mountain View, California, a Flock camera network was scrapped over concerns about unauthorised access.

Flock says it does not work with ICE and that federal agencies are blocked from discovering or requesting data held by Stockton. Stockton police will own 100% of the data they collect. But the gap between company policy and field practice is what worries critics. More than 100,000 Flock licence plate readers are already in use across the US.

Stockton joins a growing number of US cities deploying drone-based response systems, including Chula Vista, Fremont, and Louisville. Active programmes also exist in Texas, Indiana, and Connecticut. The technology is pitched as a way to improve officer safety and reduce response times. The question cities have not answered is what happens when the data from thousands of autonomous flights over residential neighbourhoods ends up in the wrong hands, as it already has elsewhere.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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