3 stand-out Paramount+ movies to watch this week (June 29-July 5)


That’s it, stick a fork in June, it’s done. And while Paramount+ knocked out some solid hits, from Scream 7 and a new season of The Agency to Beavis and Butt-Head to, oh yeah, the UFC at the White House, there are still some solid movies in its formidable library to get you through the month’s final week.

For the week of June 29, I’ve lined up three films worth your time on the couch: a deep and cerebral sci-fi that asks some questions about how well we’d fare if visitors from beyond were to try to talk to us, gloriously goofy underdog story full of spandex and cool masks, and a classic ’80s war comedy with a late-great legend.

3

Arrival

Amy Adams navigates first contact with an alien species

One of the most haunting alien films to come out of the 2010s, Arrival does it all without the need for face-suckers or exploding chests, and instead teeters on more dramatic and existential lines. In the film, Dr. Louise Banks (Amy Adams) is going about her life as a linguistics professor when the Earth is visited by several large, menacing floating alien spacecraft that have set up shop in regions around the world. Banks is called upon by the U.S. government to try to decipher the alien’s language in hopes of learning why they’re here.

As panic sets in around the globe and world leaders begin to splinter from their united effort to understand if the visitors are friendly or hostile, Banks develops a deep connection with the extraterrestrials, and with the help of physicist Ian Donnelly (Jeremy Renner), she must make the world understand, too, before the hot-heads in the room decide to open fire.

A stunning visual masterpiece, the Deni Villeneuve-directed (Dune, Dune: Part Two) film delivers nail-biting drama with terrific performances by Renner and Adams, who earned a Screen Actors Guild nomination for Outstanding Performance by a Female Actor in a Leading Role. Arrival has a powerful 94% critics’ rating on Rotten Tomatoes.

2

Nacho Libre

Jack Black’s sweet Mexican friar has a masked secret

After watching Jack Black in High Fidelity recently, I suddenly had a craving to go back and watch him in this underrated (and critically-lambasted) goofy comedy while it’s still on Paramount+. Directed by Jared Hess (Napoleon Dynamite) and co-written by future White Lotus creator Mike White (who was no stranger to working with Black from School of Rock and Orange County), Nacho Libre stars Black in all his glory as Ignacio, a gentle, modest friar and cook at the Mexican monastery orphanage where he was raised.

Desperate to feed the kids something better than slop, he secretly moonlights as a masked luchador called “Nacho,” recruiting a scrawny street thief, Esqueleto (Héctor Jiménez), as his tag-team partner—all while pining for the lovely Sister Encarnación (Ana de la Reguera). The story is loosely inspired by Fray Tormenta (Friar Storm), a real-life Mexican priest who wrestled for decades to fund his orphanage.

A box-office hit greeted by mixed reviews, Nacho Libre has since become an endlessly quotable (“These are my recreation clothes”), and memeable cult favorite. Arriving on the heels of School of Rock and King Kong, it remains one of Black’s most beloved comic showcases, but pay no attention to its 39% RT score—pfft, what do they know?

1

Good Morning, Vietnam

Robin Williams turns wartime radio into comedy gold

In a role he was born to play (it scored him a Best Actor nod at the 1988 Oscars), in Good Morning, Vietnam, the late-great Robin Williams stars as Armed Forces Radio Service DJ Adrian Cronauer, an airman stationed in Saigon in 1965 during the Vietnam War. Cronauer’s loose and comedic broadcasts and rock music are a hit, and he quickly makes a name for himself with his colleague Edward Garlick (Forest Whitaker) and among the uplifted troops who tune in to his show, religiously.

But his controversial commentary on the war and sarcastic musings start to become a thorn in the side of his superiors, especially the buttoned-up and politically-charged Lieutenant Steven Hauk (Bruno Kirby) and Sergeant Major Phillip Dickerson (J.T. Walsh), who threaten to take him off the air, or worse.

When Cronauer falls for a local Vietnamese woman and befriends her brother, he begins looking at the war from different points of view, which he starts bringing to his broadcasts, threatening his job as well as his life. Still one of Williams’ most memorable performances, Good Morning, Vietnam arrives on Paramount+ on July 1st, and still has an incredible 90% rating on Rotten Tomatoes.


Summer sizzle continues

Stuck on what to stream this week? These Paramount+ movies deliver brainy sci-fi, big laughs, and an underdog worth rooting for. But if that’s not what you’re after, head to How-To Geek’s streaming section for more guides.

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Subscription with ads

Yes, $8/month

Simultaneous streams

3

Live TV

Select live sports (NFL on CBS & UEFA Champions League)

Price

Starting at $8/month or $60/year




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Recent Reviews


When the original Range Rover debuted in 1970, it introduced something the automotive world had not quite seen before: a vehicle as capable on a muddy trail as it was parked outside a five-star hotel. That unique combination of rugged capability and refined luxury few, if any, SUVs can pull off today. Yet, Land Rover has been doing it for five decades.

The current fifth-generation model, which arrived for 2022, extended that tradition with a cabin that let the quality of its materials speak for itself.

Now, the 2027 Audi Q9 is preparing to challenge it.

The Q9 makes its world debut on July 28th and is Audi’s first true full-size flagship SUV. While the exterior remains under wraps, Audi recently opened the doors for a first look at the interior. What’s inside reveals two very different philosophies about where traditional luxury is headed. Audi is betting on screens, sensors, and immersive technology, while Range Rover, in a notable move for 2027, is bringing physical knobs and controls back to the center console.

One brand is leaning forward. The other is going for a hint of nostalgia. Here is how they stack up.

Two cabins, unique two philosophies

Small details for discerning buyers

The Range Rover has long built its interior reputation on what it leaves out as much as what it puts in.

The current model is characterized by a clean and streamlined dashboard with minimal distractions. Premium materials include Windsor leather on the SE, semi-aniline leather on the SV, and sustainably sourced wood veneers across the lineup.

For 2027, the physical volume knob and Terrain Response selector are returning to the center console, reversing a decision made for the 2024 model year that moved those controls to the touchscreen. It is a small detail that some discerning buyers will appreciate. Although every new vehicle today has a touchscreen of some kind, the allure of a large screen has its limits.

Audi takes the opposite position with the Q9. The cabin moves away from the fingerprint-prone piano-black trim of earlier models, introducing matte and textured finishes alongside new materials. Q9 buyers will find Dinamica microfiber, Nappa leather, fine-grain ash inlays, and a carbon fiber weave with basalt gray accents. New colors, including Tamarind Brown and Stone Beige, complete the palette.


Audi Q9


Audi’s Q9 challenges the Mercedes GLS with 4D audio and a digital cabin for 10K less

The primary difference between these two flagship SUVs lies in their digital architecture.

Digital Stage vs. Pivi Pro

Three displays or one interface

Audi’s Digital Stage includes three displays across the Q9’s dashboard. The primary OLED touchscreen is front and center, while a driver’s instrument cluster is tucked just beyond the steering wheel.

The third screen is separate for passengers and sure to be enjoyed on long road trips by whoever is sitting there. Front-seat passengers can stream content from their own queue, whether that’s a YouTube video, a show on Netflix, or a podcast playlist, without interfering with anything on the driver’s side.

Range Rover’s Pivi Pro system uses a 13.1-inch central touchscreen as its primary interface, paired with a 12-inch interactive driver display. The system is quick, organized, and accessible within two taps from the home screen. There is no dedicated front passenger display, though 11.4-inch rear seat entertainment screens are available on the Autobiography trim and above.

The dedicated passenger screen may give the Audi Q9 an edge over the Range Rover and other competitors like the Lexus LX, which also does not offer a separate infotainment screen. However, both the Lexus LX and Range Rover offer rear-seat entertainment.

The Mercedes-Benz GLS and Cadillac Escalade, other prime competitors to the Audi Q9, also offer a rear-seat entertainment system, in addition to the separate passenger screen.

At the time of this writing, Audi has not confirmed the availability of a rear seat entertainment system for the Q9. Given the nature of its competitors, however, it seems in Audi’s best interest to include it as an option.

And finally, the return of physical knobs to the Range Rover for 2027 is the sharpest contrast to the Q9’s all-screen approach. Audi is presenting a cabin where most functions require screen interaction. Range Rover, after trying the same approach, concluded its buyers prefer not to hunt through sub-menus for simple volume and terrain controls.


Audi Q9


Audi’s Q9 aims to replace the Cadillac Escalade as the new standard of tech luxury

Audi enthusiasts may bristle. Cadillac loyalists might feel the same. But nonetheless, here we are.

Sound systems and the sensory experience

Meridian versus Bang & Olufsen 4D

The Bang & Olufsen 4D sound system in the Q9 includes physical actuators built into the front seats so occupants can feel low-end frequencies, not just hear them. Audi’s Dynamic Interaction Light, an LED strip at the base of the windshield, syncs its color and rhythm to the music, with the color scheme matched to the track’s cover art. Headrest speakers route phone calls and navigation prompts privately to the driver.

Range Rover has a bespoke Meridian Signature Sound System, standard on the Autobiography and above, tuned specifically to the cabin’s acoustics. The SV and SV Ultra models offer a more advanced Meridian configuration, albeit without the seat actuator sensations.

Meanwhile, the Audi Q9 has a seven-seat layout as standard, with an optional six-seat configuration with power-adjustable captain’s chairs in the second row. The outer second-row seat slides and tilts forward to ease third-row access without removing child car seats. Audi also introduces an aluminum rail system in the trunk for securing cargo in three dimensions, and includes roof-rail crossbars as standard.

Range Rover’s Long Wheelbase seven-seat layout has been available since the current generation launched, with semi-aniline heated leather across all three rows as standard on the LWB SE. The Autobiography and SV trims add the aforementioned rear seat entertainment screens, a front-center console refrigerator, and four-zone climate control.

Uniden R8 Transparent Background

Display Type

OLED

Radar Band Detection

X, K, Ka

The Uniden R8 is a dual-antenna radar detector with directional arrows, known for its long-range detection and false alert filtering capabilities. Comes preloaded with red light and speed camera locations and supports firmware updates for ongoing performance enhancements.  


Electric doors and adaptive headlights

Where the Q9 pulls ahead

Three Q9 features have no direct equivalent in the current Range Rover.

All four doors on the Q9 open electronically at the push of a button, up to 90 degrees, with sensors that detect approaching cyclists. Drivers close them by pressing the brake pedal or fastening their seatbelt. Range Rover offers power doors on the SV trims, but Audi makes them standard across the entire Q9 lineup.

The Q9’s panoramic sunroof spans approximately 16 square feet and uses nine individually controllable glass segments that dim electronically. An optional LED package adds 84 lights inside the roof in up to 30 colors, matched to the cabin’s ambient lighting.

The Q9 also brings Digital Matrix LED headlights to U.S. customers for the first time. Using front-facing cameras, the system detects oncoming traffic and selectively masks the light around those vehicles, keeping maximum illumination everywhere else on the road.

According to a recent AAA survey, six in ten U.S. drivers struggle with headlight glare. Range Rover’s Pixel LED headlights, standard on the Autobiography and above, are excellent, but Audi’s matrix approach represents a meaningful step forward in lighting technology for U.S. buyers.


2027 Audi Q9 coming soon

The 2027 Range Rover SE starts at $113,300, with the Autobiography beginning at $159,200. The SV lineup starts at $219,500 and climbs to $275,000 for the Long Wheelbase SV Ultra.

The 2027 Audi Q9 is expected to start around $80,000, with higher trims landing between $90,000 and $95,000.

Audi will reveal the full Q9 details on July 28th, with North American deliveries expected as early as November.



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