3 exciting Netflix thrillers to watch this week (May 18-24)


Netflix has a new animated champion in Swapped. The body-swap comedy starring Michael B. Jordan set the single-week viewing record for a Netflix animated original with 38.7 million views during the May 4-10 period. While it won’t reach the heights of KPop Demon Hunters, Swapped is a win for Netflix and its animated slate.

This week, our focus is on a trio of thrillers, with our top pick featuring the return of an Oscar-winning filmmaker. The other movies on our list include a sci-fi action movie featuring Megan Fox as a robot and a murder mystery set on a boat.

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The Woman in Cabin 10

Keira Knightley must solve a murder

The Woman in Cabin 10, aka the gaslit woman at sea, stars Keira Knightley as Lo Blacklock, a journalist who receives an invitation from a billionaire to stay on their luxury superyacht and cover a fundraising gala. One night, Lo believes she witnesses someone being thrown overboard. When she reports the incident, the crew says no such thing happened and that she must have been dreaming.

You can see why I called the movie “Gaslit Woman at Sea.” There’s clearly a bigger mystery at play, and Lo starts to investigate. However, someone does not want Lo to figure it out, and they constantly try to sabotage her, even going so far as to try and drown Lo.

Based on Ruth Ware’s 2016 novel, The Woman in Cabin 10 is directed by Simon Stone and also stars Guy Pearce, Art Malik, Gugu Mbatha-Raw, Kaya Scodelario, Daniel Ings, and Hannah Waddingham. At its core, this movie is a whodunnit — who threw someone overboard? Knightley, backed by her stoicism, is the ideal actress to headline this twisty thriller that will play well for fans looking for a riveting mystery.

2

Subservience

Megan Fox is an AI robot

If there’s anything Hollywood loves, it’s a template for success. If a movie works, Hollywood will double, triple, and quadruple down on the format. Look at how superhero movies have dominated pop culture over the last two decades. After M3GAN became a box office smash in 2022, you knew more thrillers with humanlike androids and killer toys would be on the way. Subservience is a product of M3GAN’s success.

Nick (Michele Morrone) is a construction foreman who struggles to balance his responsibilities as a worker, husband, and father. Nick’s wife, Maggie (Madeline Zima), is hospitalized with a heart condition, putting more pressure on Nick to deliver at home. The answer to his problems comes in the form of Alice (Megan Fox), a humanlike android and stand-in for Maggie.

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In cinema, when have robots ever remained loyal and obedient to their creators? Almost never. Alice immediately provides support to Nick and his children. However, she eventually becomes obsessed with taking care of the family and believes she could be the true matriarch of the house. Subservience has a great premise for a movie, especially one that deals with AI, a hot-button issue. M3GAN takes the cake when it comes to campiness. However, there are enough thrills in Subservience to keep you entertained in this B-movie.

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A House of Dynamite

Kathryn Bigelow’s return

Selfishly, I hate that Kathryn Bigelow has only made three movies since becoming the first female to win the Oscar for Best Director with 2009’s The Hurt Locker. Bigelow continued covering war in her films with 2012’s Zero Dark Thirty before pivoting to the Civil Rights movement with 2017’s Detroit. 2025’s A House of Dynamite is a return to the military-industrial complex that continues to be one of Bigelow’s fascinations.

A House of Dynamite tackles how the United States of America would respond when faced with the threat of nuclear war. After an unidentified missile is fired, the movie depicts how three different groups would handle the situation before the nuclear weapon hits Chicago. The first, and most effective, chapter centers around Captain Liv Walker (Rebecca Ferguson) and how the threat of an impending strike affects the Situation Room at the White House. The other two chapters revolve around the employees at the NSA and the President of the United States (Idris Elba).

The cast of A House of Dynamite is unfairly stacked with beloved actors and award winners, including Ferguson, Elba, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Greta Lee, and Jason Clarke. The existential dread is perfectly captured by Bigelow on camera. I’m unsure if people will walk away from this film believing this is how the U.S. would handle this situation. As an exercise in suspense, A House of Dynamite is a gripping movie with genuine scares.

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More Netflix movies and shows to stream

We’re always going to have plenty of recommendations for what to watch on Netflix. First, try streaming His & Hers or Missing You if you want a great miniseries to finish in one weekend. Also, try streaming a new show like Nemesis this week.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




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Recent Reviews


Modern displays are amazing when it comes to detail, brightness, color, and all the ingredients that make for an impressive picture—except motion clarity.

CRT screens are still the king of motion clarity, but plasma flat-panel screens hold a respectable second place, and in many ways I still miss my old 720p 51-inch plasma TV and the crisp motion I gave up by switching to a 4K LCD.

Plasma solved motion the “right” way

Plasma displays didn’t just show an image—they flashed it.

While they operate on different principles, CRTs and plasma TVs have a few things in common. First, the phosphors used by CRTs and plasma displays are the same. Second, because these phosphors fade quickly, they need to be continuously refreshed.

In a CRT, the electron beam scanning from the top to the bottom of the screen achieves this, and in a plasma, a high-speed electric pulse does the same. Because of this rapid pulse-and-fade, these screen technologies have crisp perceptual motion, since our brains tend to interpret moving images that don’t pulse as “smearing” across our retinas.

The pulsing nature of plasma technology isn’t the only reason for its better motion reproduction. These screens also have very low latency and very fast pixel response times. Combined, it’s not quite as good as CRT motion handling, but it’s significantly better than LCD and OLED technology, even today.

Modern TVs rely on sample-and-hold—and that’s the problem

Stand and deliver blurry images

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Modern LCD and OLED televisions are “sample and hold” technologies. They can hold each frame of video perfectly for the entire duration of that frame without deviating in brightness and then instantly snap to the next frame without any dipping to black in-between.

On paper, this sounds like a good thing, but your eyes don’t stay still when tracking motion. As they follow a moving object, the image being held on screen effectively drags across your retina, creating the perception of blur. Even if the panel itself is perfectly sharp.

You might not even realize how blurry motion is on modern displays if all you’ve ever seen with the naked eye is an LCD or plasma. However, if you see a CRT or plasma in person, the difference is quite striking.

The sample and hold issue means that no matter how much you increase the refresh rate, that type of blur persists. It’s why my 85Hz CRT monitor is clearly less blurry in motion than my 240Hz LCD monitor. It’s especially apparent when you’re playing 2D games that scroll the entire screen, with LCDs or OLEDs smearing the image in a way that gives me a bit of a headache if I’m being honest.

Playing Diablo 2 on a CRT. Credit: Sydney Louw Butler/Shutterstock.com

It creates this weird situation where a modern TV can be incredibly sharp in a freeze frame but somehow look softer than a lower-resolution display that isn’t sample and hold as soon as you press play.

Motion interpolation is a workaround, not a solution

It’s an abomination, that’s what it is

One of the “fixes” that TV makers came up with to reduce unwanted motion blur is a technology known as frame interpolation, or more commonly “motion smoothing.” Here an algorithm creates fake frames that guess at what the middle step of motion would look like if it were captured. This creates a high frame-rate video output, which we see as smoother and more crisp.

While this doesn’t take away sample-and-hold blur, it does improve motion clarity. Unfortunately, it also destroys the intended frame rate that shows and movies were meant to be seen at. It’s also useless for video games, because it introduces an enormous amount of input lag. NVIDIA’s DLSS technology is also frame interpolation, but it works for games because of several mitigations NVIDIA put into the technology. These measures don’t exist on TVs.

While some people think motion smoothing isn’t all bad, TV makers are no longer activating it by default as much anymore, and my advice is to always turn it off because the trade-offs are just not worth it.

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The 2025 model TCL QM6K Google TV delivers a stunningly clear and bright picture with a new Mini-LED panel, improved local dimming zones, Dolby Vision IQ, and a neat new Halo Control system for improved visuals. Get this TV and elevate your living room. 


Black frame insertion tries to recreate plasma—but comes with trade-offs

Who turned out the lights?

The other trick sample-and-hold screens have to mimic what CRTs and plasma TVs do naturally is called BFI, or Black Frame Insertion. As the name suggests, the display inserts a full black frame between every original frame. This provides an instant and dramatic increase in motion clarity. However, it also has a big impact on brightness. As much as half of the light is now gone, so the image is much dimmer. Pushing overall brightness to compensate makes things hotter and more energy-hungry.

Some BFI implementations cause visible flicker, for which I personally have no tolerance at all, but the biggest problem here is that BFI doesn’t have the smooth pulsing roll off of the phosphors used in CRTs and plasma.


The future might circle back—but we’re not there yet

That might be changing, however, because a new generation of LCDs can leverage the power of multi-zone backlight technology to strobe the backlight across the screen in a way that mimics a CRT scanline.

NVIDIA’s G-SYNC Pulsar has received rave reviews from the biggest motion blur haters, and I sincerely hope that a similar technology becomes standard in TVs going ahead, so we can go back to enjoying the crisp motion we used to have without all the compromises.



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