3 excellent HBO Max shows to bring the laughs this week (July 14-19)


Not every week can be a banger of new material on HBO Max, but that’s OK. When your back catalog includes some of the best series ever out on television, a quiet week is just an invite to crack open the vault.

So, for suggestion seekers with an HBO Max subscription in the U.S., we’re digging into all things funny with a gleefully mean-spirited power struggle at the high-school level, a delightfully weird Spanish-language horror-comedy, and nearly four hours with a living legend, in honor of its Emmy nominations. They’re in ascending order from lowest Rotten Tomatoes score to highest.

3

Vice Principals

Two petty tyrants, one unholy alliance

Before they shone together on screen in one of HBO’s most hysterical comedy series, The Righteous Gemstones, Danny McBride and Walton Goggins first teamed up in Vice Principals, a dark comedy created by McBride and his Eastbound & Down partner, Jody Hill. The short and sweet series ran for only two seasons and 18 episodes on HBO from 2016 to 2017—enough to cover a single school year at North Jackson High, where one of the funniest shows you’ll ever see all goes down.

Introducing our dueling vice principals: McBride plays Neal Gamby, a foul-mouthed disciplinarian, while Walton Goggins (The White Lotus, Fallout) plays sweater-vest-wearing schemer Lee Russell, both vying for the principal’s office when the incumbent announces their retirement. But when they’re both shunned in favor of a newcomer, Dr. Belinda Brown (Kimberly Hébert Gregory), Gamby and Russell go from rivals to partners to take down Brown by any means necessary. And if you know McBride’s work, it gets hilariously ugly.

Vice Principals is McBride at his best, and, of course, Goggins shines in everything he’s in, so expect some incredible cringe-worthy chemistry from these two masters. The series has an 83% rating on Rotten Tomatoes.

2

Mel Brooks The 99 Year Old Man!

The incredible career of the Spaceballs mastermind

Congratulations to Mel Brooks: The 99 Year Old Man! The excellent two-part HBO Max docuseries, which I pegged as one of the best docs of the year so far, is fresh off its six Emmy nominations, including Outstanding Documentary or Nonfiction Special. Also congratulations to Brooks, who is now the 100-year-old man!

The living legend EGOT winner behind Blazing Saddles, Spaceballs, and Young Frankenstein gets a well-deserved royal treatment from Judd Apatow and Michael Bonfiglio, the duo responsible for the Emmy-winning doc George Carlin’s American Dream. If you’re a fan of Brooks, it’s now the definitive chronicle of his life and career.

The film charts Brooks’ journey chronologically from WWII to the Your Show of Shows writers’ room and the “2,000 Year Old Man” routine he created with Carl Reiner, through his ’70s spoof-movie dynasty and Broadway triumph with The Producers. Brooks is candid and razor-sharp throughout, joined by admirers such as Jerry Seinfeld, Nick Kroll, Ben Stiller, Dave Chappelle, and Sarah Silverman. The mini-series has a 100% on Rotten Tomatoes.

Quiz
8 Questions · Test Your Knowledge

Mel Brooks comedies and characters
Trivia challenge

From Blazing Saddles to Spaceballs — can you name the films and faces of Mel Brooks’s comedy universe?

CharactersMoviesQuotesCastingSpoofs

In which Mel Brooks film does a corrupt politician and a con-man producer scheme to make a guaranteed flop that accidentally becomes a massive hit?

Correct! The Producers (1967) launched Mel Brooks’s film career and won him an Academy Award for Best Original Screenplay. Zero Mostel and Gene Wilder played the scheming duo, and the show-within-a-film, Springtime for Hitler, became one of comedy’s most legendary set pieces.

Not quite — the answer is The Producers (1967). The story of Max Bialystock and Leo Bloom overselling shares in a doomed Broadway musical is the film that put Mel Brooks on the map and earned him an Oscar for Best Original Screenplay.

What is the name of the hunchbacked, scene-stealing assistant played by Marty Feldman in Young Frankenstein?

Correct! The character’s name is Igor, though the running gag is that Dr. Frankenstein keeps mispronouncing it as ‘Eye-gor’ and Igor keeps shifting his hump from shoulder to shoulder. Marty Feldman’s wild eyes and perfect comic timing made Igor one of the most beloved characters in the film.

Not quite — the character’s name is Igor. The joke is that Dr. Frankenstein insists on calling him ‘Eye-gor,’ and Igor plays along by constantly moving his hump. Marty Feldman’s unforgettable wide-eyed look made the role completely his own.

Spaceballs (1987) is primarily a parody of which famous science fiction franchise?

Correct! Spaceballs lovingly lampoons the Star Wars universe, with characters like Lone Starr (Han Solo), Princess Vespa (Princess Leia), and Dark Helmet (Darth Vader). Mel Brooks himself played both President Skroob and Yogurt, the latter being a direct spoof of Yoda.

Not quite — Spaceballs is a parody of Star Wars. From Dark Helmet’s comically oversized helmet to the merchandising joke (‘Spaceballs: The Flamethrower!’), nearly every gag targets George Lucas’s galaxy far, far away. Interestingly, Lucas gave Brooks his blessing to make the film.

Which actor played the lead role of Sheriff Bart in Mel Brooks’s Blazing Saddles (1974)?

Correct! Cleavon Little played Sheriff Bart with effortless cool and sharp comic timing. Richard Pryor was actually co-writer of the screenplay and was originally considered for the role, but Warner Bros. was unwilling to cast him as the lead. Little’s performance became iconic.

Not quite — Cleavon Little played Sheriff Bart. Richard Pryor is a common wrong answer because he co-wrote the screenplay and was a leading candidate for the role, but the studio ultimately chose Little. Pryor’s writing, however, was instrumental in shaping the film’s sharp racial satire.

In Blazing Saddles, which character delivers the famous line ‘Badges? We don’t need no stinking badges!’?

Correct! Taggart, the villainous henchman played by Slim Pickens, delivers the line as a parody of a similar quote from The Treasure of the Sierra Madre. The line has since become one of cinema’s most quoted and parodied moments, appearing in countless films and TV shows.

Not quite — it’s Taggart, played by Slim Pickens, who delivers that legendary line. It’s a spoof of a quote from the classic 1948 film The Treasure of the Sierra Madre. Mel Brooks used the moment to poke fun at classic Western movie conventions while creating a new classic of its own.

In which Mel Brooks film does he play both King Louis XVI of France and a stand-up philosopher named Comicus?

Correct! History of the World, Part I (1981) is a sprawling comedy anthology covering the Stone Age, ancient Rome, the Spanish Inquisition, and the French Revolution. Brooks played multiple roles throughout, including the stand-up philosopher Comicus performing at Caesar’s Palace — literally the palace of Caesar.

The answer is History of the World, Part I (1981). Mel Brooks played several roles in this episodic comedy spanning human history, including a stand-up philosopher in ancient Rome and a very distracted King Louis XVI. The film famously promised a Part II that never actually came — though a Hulu series eventually revisited the concept.

In Robin Hood: Men in Tights (1993), Mel Brooks plays a character named Rabbi Tuckman. What is his occupation beyond being a holy man?

Correct! Rabbi Tuckman is Mel Brooks’s twist on Friar Tuck — a mohel who travels the countryside offering circumcisions and peddling sacramental wine. It’s a classic Brooks move: taking a familiar character from legend and reimagining him through a very specific Jewish comedic lens.

Not quite — Rabbi Tuckman is a mohel who also sells sacramental wine, Mel Brooks’s hilarious reimagining of the classic Friar Tuck character. Brooks has long woven Jewish humor and identity into his films, and Rabbi Tuckman is one of his most memorable self-insert roles.

Which Mel Brooks film is a direct parody of Alfred Hitchcock’s thriller style, featuring a blind man, a wheelchair chase, and a climax at a museum?

Correct! High Anxiety (1977) is Mel Brooks’s loving tribute to Alfred Hitchcock, spoofing films like Vertigo, Psycho, The Birds, and Spellbound. Brooks also starred as Dr. Richard Thorndyke, a psychiatrist with a crippling fear of heights. He dedicated the film to Hitchcock, who reportedly enjoyed it.

The answer is High Anxiety (1977), Mel Brooks’s affectionate parody of Alfred Hitchcock’s body of work. Brooks starred as the anxiety-prone Dr. Thorndyke and packed the film with clever references to Vertigo, Psycho, and The Birds. Hitchcock himself was said to be a fan of the film.

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1

Los Espookys

A hilarious Spanish-language horror

If you love fast-paced, quirky, supernatural comedies, like What We Do in the Shadows, but with a feisty Spanish flair, then this perfect 100% Rotten Tomatoes series from 2019-2022 will totally scratch that itch. Los Espookys comes from incredible stock, having been created by SNL great Fred Armisen, Problemista‘s Julio Torres, and actress/writer/producer Ana Fabrega, who all star in the two-season show.

Set in a dreamy, unnamed Latin American country, Los Espookys follows a group of friends who turn their love of horror into a business, staging horror-movie-style situations—fake exorcisms, fake hauntings, fake sea monsters—and convincing people they’re real. The crew includes gore-obsessed leader Renaldo (Bernardo Velasco), chocolate-empire heir Andrés (Torres), the level-headed Úrsula (Cassandra Ciangherotti), her scatter-brained sister Tati (Fabrega), and super-supportive uncle Tico (Armisen).

The gang hilariously conjures up a fake sea monster to drive tourism to a failing town; they fake a solar eclipse to sway voters; and real horror sets in when they actually trap someone inside a cursed mirror. The Spanish language masterpiece is a quick and fun binge, with just a dozen 30-minute episodes you can easily handle in a few days or over a weekend.

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The funny comes this week

Petty high-school vengeance, fake hauntings, or a legend telling stories—hopefully one of the suggestions on this week’s list hits just right. For more picks across every service, check out our streaming recommendations.

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HBO Max is a subscription-based streaming service offering content from HBO, Warner Bros., DC, and more. In 2025, the service re-branded itself as HBO Max after having previously cut “HBO” from its name.




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TL;DR

India debates sovereign AI after the US forced Anthropic to kill Fable 5, with proposals for a $5B fund and calls to embrace open-source models.

When the US government ordered Anthropic to shut down Fable 5 and Mythos 5 on 12 June, the export control directive was aimed at restricting foreign nationals from accessing America’s most capable AI. In India, Anthropic’s second-largest market, it landed as a warning shot about what happens when your AI infrastructure runs on someone else’s politics.

The suspension cut off Indian developers and enterprises from Claude’s most advanced models overnight. India’s Claude run-rate revenue had doubled since October 2025, and Tata Consultancy Services had announced a partnership just one day earlier, on 11 June, to train 50,000 employees on Claude and build a dedicated Anthropic business unit. That deal is now in limbo.

The timing has turned what was already a simmering debate about AI sovereignty into a full strategic reckoning. Proposals that sounded ambitious a week ago now sound urgent.

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Mohandas Pai, former Infosys CFO and one of India’s most prominent tech investors, has called for a ₹50,000 crore (roughly $5 billion) annual sovereign AI fund. He has also proposed a ₹2 lakh crore (approximately $21 billion) credit guarantee to finance cloud infrastructure, hardware procurement, and semiconductor development. The figures dwarf the government’s existing commitment.

India approved its IndiaAI Mission in March 2024 with a budget of ₹10,372 crore, approximately $1.25 billion. The programme has deployed around 38,000 GPUs so far. Pai’s proposal would quadruple annual spending and add a credit backstop an order of magnitude larger.

Sridhar Vembu, the founder of Zoho, has gone further. He argued that India should embrace smaller and open-source models, including Chinese ones, rather than depend on American frontier systems that can be switched off by executive order. “Technology is the ultimate weapon,” Vembu said. “Globalization is dead and Bharat must find her own way ahead.

The argument has teeth because the suspension demonstrated exactly the vulnerability Vembu is describing. Amazon’s CEO reportedly triggered the government crackdown by telling Treasury Secretary Scott Bessent that researchers had used Fable 5 to obtain information that could be used in cyberattacks. Anthropic called the action disproportionate, but compliance was immediate and global.

Policy expert Prasanto Roy put it bluntly: “American AI models are bound to American geopolitics.” For Indian enterprises that had built workflows around Claude, the lesson was that access to frontier AI is a privilege that can be revoked without notice, without consultation, and without regard for the commercial relationships it disrupts.

The Indian startup ecosystem is already adapting. Sarvam, a Bengaluru-based AI company, released 30-billion and 105-billion parameter open-source models at the India AI Impact Summit in 2026. Krutrim, founded by Ola’s Bhavish Aggarwal, has pivoted from building foundational models to providing cloud and AI infrastructure services, reporting ₹3 billion in revenue for fiscal year 2026.

Neither company is close to matching the capabilities of Fable 5 or Mythos 5. But the argument for sovereign AI was never about matching frontier performance immediately. It is about ensuring that the floor does not fall out when Washington makes a unilateral decision about who gets to use which models.

Aakrit Vaish, founder of the AI startup Activate, said the suspension “completely changes things” for the sovereign AI debate. Vijay Rayapati, CEO of Atomicwork, raised concerns about what the precedent means for Indian companies with multi-country teams that depend on American AI providers. If the US can shut off model access to enforce export controls, any country that relies on American AI is one policy decision away from disruption.

Not everyone agrees that India needs to build its own frontier models. Hemant Mohapatra, a partner at Lightspeed Venture Partners, argued that talent and compute access matter more than capital for building competitive AI. India has the engineering workforce, but the compute gap is significant, and closing it requires either massive domestic investment or continued access to foreign cloud infrastructure.

Anthropic opened a Bengaluru office as part of its India expansion, and the TCS partnership was designed to be a cornerstone of its enterprise strategy in the country. Whether those plans survive the suspension intact depends on how quickly Anthropic can restore access and whether Indian enterprises still trust a provider whose most capable models can vanish overnight.

The broader pattern is unmistakable. The US has spent four years tightening controls on AI technology, from chip export restrictions to model-level interventions. Each escalation pushes more countries toward the conclusion that dependence on American AI infrastructure carries political risk. India, with its 1.4 billion people and rapidly growing technology sector, is now asking whether it can afford that risk, and what it would cost to eliminate it.

The Opendoor layoffs in June 2026, which shut the company’s India office and affected roughly 250 employees, added another dimension. CEO Kaz Nejatian cited AI-native teams as the reason, suggesting that some US companies are using AI to reduce their reliance on Indian engineering talent at the same time that India is debating its reliance on American AI. The relationship is becoming less complementary and more competitive.

For now, the sovereign AI proposals remain proposals. Pai’s fund has no legislative vehicle, Vembu’s call for open-source adoption has no coordinated policy framework, and the IndiaAI Mission’s GPU deployment is still in early stages.

But the Anthropic suspension has done something that years of policy papers and conference speeches could not: it has given the sovereign AI movement a concrete, recent, and viscerally felt example of why dependence on foreign AI is a strategic liability. The debate is no longer theoretical.



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