The Download: protesting AI, and what’s floating in space


This is today’s edition of The Download, our weekday newsletter that provides a daily dose of what’s going on in the world of technology.

I checked out one of the biggest anti-AI protests ever

Pull the plug! Pull the plug! Stop the slop! Stop the slop! For a few hours this Saturday, February 28, I watched as a couple hundred anti-AI protesters marched through London’s King’s Cross tech hub, home to the UK headquarters of OpenAI, Meta and Google DeepMind, chanting slogans and waving signs. The march was organized by a coalition of two separate activist groups, Pause AI and Pull the Plug, who billed it as the largest protest of its kind yet.

This is all familiar stuff. Researchers have been calling out the harms, both real and hypothetical, caused by generative AI— especially models such as OpenAI’s ChatGPT and Google DeepMind’s Gemini—for years. What’s changed is that those concerns are now being taken up by protest movements that can rally significant crowds of people to take to the streets and shout about it. Read the full story.

—Will Douglas Heaven

We’re putting more stuff into space than ever. Here’s what’s up there.

Earth’s a medium-size rock with some water on top, enveloped by gases that keep everything that lives here alive. Just at the edge of that envelope begins a thin but dense layer of human-built, high-tech stuff.

People started putting gear up there in 1957, and now it’s a real habit. Telescopes look up and out at the wild universe. Humans live in an orbiting metal bubble. In the last five years, the number of active satellites in space has increased from barely 3,000 to about 14,000—and climbing. And then there’s the garbage. Here’s a closer look at Earth’s ever-thickening shell of human-made matter—the anthroposphere.

—Jonathan O’Callaghan

This story is from the latest print issue of MIT Technology Review magazine. If you haven’t already, subscribe now to receive future issues once they land. 

MIT Technology Review is a 2026 ASME finalist in reporting

The American Society of Magazine Editors has named MIT Technology Review as a finalist for a 2026 National Magazine Award in the reporting category. 

The shortlisted story—“We did the math on AI’s energy footprint. Here’s the story you haven’t heard”—is part of our Power Hungry package on AI’s energy burden. 

In a rigorous investigation, senior AI reporter James O’Donnell and senior climate reporter Casey Crownhart spent six months digging through hundreds of pages of reports, interviewing experts, and crunching the numbers. Read more about what they found out.

What comes after the LLMs?

The AI industry is organized around LLMs: tools, products, and business models. Yet many researchers believe the next breakthroughs may not look like language models at all. Join us for a LinkedIn Live discussion at 12.30pm ET on Tuesday March 3 to dive into the emerging directions that could define AI’s next era. Register here!

The must-reads

I’ve combed the internet to find you today’s most fun/important/scary/fascinating stories about technology.

1 The Pentagon wanted Anthropic to analyze bulk data collected from Americans 
It proved the sticking point in talks as OpenAI swooped in to ink a new deal. (The Atlantic $)+ Anthropic has vowed to legally challenge its “security risk” label. (FT $)
+ Here’s a blow-by-blow look at how negotiations fell apart. (NYT $)
+ Downloads of Claude are on the up. (TechCrunch)

2 Iranian apps and websites were hacked in the wake of the US-Israeli strikes
News sites and a religious app were co-opted to display anti-military messages. (Reuters)
+ They urged personnel to abandon the regime and to liberate the country. (WSJ $)
+ Unsurprisingly, X is rife with disinformation about the attacks. (Wired $)
+ The campaign has disrupted online delivery orders across the Middle East. (Bloomberg $)

3 DeepSeek is poised to release a new AI model this week
The multimodal V4 is being released ahead of China’s annual parliamentary meetings. (FT $)

4 The UK is trialing a social media ban for under-16s
Hundreds of teens will test overnight digital curfews and screen time limits. (The Guardian)
+ What it’s like to attend a phone addiction meeting. (Boston Globe $)

5 Celebrities are winning huge sums playing on this major crypto casino’s slots
In fact, their lucky wins appear to spike while they’re livestreaming. (Bloomberg $)

6 America is desperate to steal China’s critical mineral lead
The victor essentially controls global computing, aerospace and defense. (Economist $)
+ This rare earth metal shows us the future of our planet’s resources. (MIT Technology Review)

7 How lasers became the military’s weapon of choice
From Ukraine to the US, soldiers are deploying laser guns. But why? (The Atlantic $)
+ They’re a key part of America’s arsenal in manning the southern border. (New Yorker $)
+ This giant microwave may change the future of war. (MIT Technology Review)

8 How quantum entanglement became big business
It promises unhackable communication—but is it too good to be true? (New Scientist $)
+ Useful quantum computing is inevitable—and increasingly imminent. (MIT Technology Review)

9 The iPod is proving a hit among Gen Z
Even though Apple discontinued the music player four years ago. (NYT $)

10 Chinese parents are joining matchmaking apps in their droves
In a bid to marry off their adult children as soon as humanly possible. (Nikkei Asia)

Quote of the day

“Day to day it just feels untenable…Some managers know this is the case, but executives just keep pointing to some bigger AI picture.”

—An anonymous Amazon employee describes the stresses of trying to increase productivity amid the company’s commitment to reducing headcount to the Financial Times.

One more thing

The iPad was meant to revolutionize accessibility. What happened?

On April 3, 2010, Steve Jobs debuted the iPad. What for most people was basically a more convenient form factor was something far more consequential for non-speakers: a life-­changing revolution in access to a portable, powerful communication device for just a few hundred dollars.

But a piece of hardware, however impressively designed and engineered, is only as valuable as what a person can do with it. After the iPad’s release, the flood of new, easy-to-use augmentative and alternative communication apps that users were in desperate need of never came.

Today, there are only around half a dozen apps, each retailing for $200 to $300, that ask users to select from menus of crudely drawn icons to produce text and synthesized speech. It’s a depressingly slow pace of development for such an essential human function. Read the full story.

—Julie Kim

We can still have nice things

A place for comfort, fun and distraction to brighten up your day. (Got any ideas? Drop me a line or skeet ’em at me.)

+ Neanderthal by name, not by nature—these prehistoric men were surprisingly romantic, thank you very much.
+ If you’re lucky enough to live in Boston, make sure you swing by these beautiful bars.
+ Hmm, this sticky hoisin sausage traybake sounds intriguing.
+ George Takei, you are an absolute maverick.



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Recent Reviews


Spotify aims to provide a consistent listening experience that uses minimal data. As a result, your audio quality might be less than ideal, especially if you’re using a pair of high-fidelity headphones or high-end speakers. Here’s how to fix that.

Switch audio streaming quality to Very High or Lossless

The default audio streaming quality in both the mobile and desktop Spotify apps is set to Automatic, which usually keeps the audio quality at Normal, which is only 96 Kbps. Even though Spotify uses the Ogg Vorbis codec, which is superior to MP3, OGG files exhibit slight (but noticeable) digital noise, poor bass detail, dull treble, and a narrow soundstage at 96 Kbps.

Even worse, Spotify is aggressive about adjusting the automatic bitrate. Even though 4G is more than fast enough to stream high-quality OGG files, even with a weak signal, Spotify may still drop the quality to Low, which has a bitrate of just 24 Kb/s. You will notice such a sharp drop in quality, even on a pair of bottom-of-the-barrel headphones.

To rectify this, open the Spotify app, tap your user image, open “Settings and privacy,” and tap the “Media Quality” menu. Once there, set Wi-Fi streaming quality and cellular streaming quality to “Very high” or “Lossless.”

I recommend setting cellular streaming quality to Very high and reserving Lossless for Wi-Fi, since lossless streaming is very data-intensive. One hour of streaming lossless files can take up to 1GB of data, as well as a good chunk of your phone’s storage, because Spotify caches files you’re frequently streaming. Besides, you’ll struggle to notice the difference unless you’re listening to music on a wired pair of high-end headphones or speakers; wireless connection just doesn’t have the bandwidth needed to convey the full fidelity of Spotify lossless audio.

You might opt for High quality if you have a capped data plan, but I recommend doing so only if you stream hours upon hours’ worth of music every single day over a cellular network. For instance, I burn through about 8 GB of data per month on average while streaming about two hours of very high-quality music over a cellular network each day.

Illustration of a headphone with various music icons around.


How Audio Compression Works and Why It Can Affect Your Music Quality

Feeling the squeeze when listening to your favorite song?

Set audio download quality to Very high or Lossless

If you tend to download songs and albums for offline listening, you should also set the audio download quality to “Very high” or “Lossless.” This setting is located just under the audio streaming quality section.

The audio download quality menu in Spotify's mobile app.

If you’ve got enough free storage on your phone, opt for the latter, but if you’d rather save storage space, set it to Very high. You’ll hardly hear the difference, but lossless files are about five times larger than the 320 Kb/s OGG files Spotify offers at its Very high quality setting, and they can quickly fill up your phone’s storage.

Adjust video streaming quality at your discretion

The last section of the Media quality menu is Video streaming quality. This sets the quality of video podcasts and music videos available for certain songs. Since I care about neither, I set it to “Very high” on Wi-Fi and “Normal” on cellular, but you should tweak the two options at your discretion because songs sound notably better at higher video streaming quality levels.

If you often watch videos over cellular and have unlimited data, feel free to toggle video quality to very high.

Make sure Data Saver mode is disabled

Even if your audio quality is set to Very high or Lossless, Spotify will switch to low-quality streaming if the app’s Data saver mode is enabled. This option is located in the Data saving and offline menu. Open the menu, then set it to “Always off,” or choose “Automatic” to have Spotify’s Data Saver mode kick in alongside your phone’s Data Saver mode.

You can also enable volume normalization and play around with the built-in equalizer

Spotify logo in the center of the screen with an equalizer in front. Credit: Lucas Gouveia / How-To Geek

Last but not least, there are two additional features you can play with to improve your listening experience. The first is volume normalization, which sets the same loudness for every track you’re listening to. This can be handy because different albums are mastered at different loudness levels, with newer music usually being louder.

Since I’m an album-oriented listener, I keep the option disabled. I can just play an album and set the audio volume accordingly, and I don’t really mind louder songs when listening to playlists, artists, or song radios.

But if you can’t stand one song being quiet and the next rattling the windows, visit the Playback menu, enable “Volume normalization,” and set it to “Quiet” or “Normal.” The “Loud” option can digitally compress files, and neither Spotify nor I recommend using it. This also happens with “Quiet” and “Normal,” since both adjust the decibel level of the master recording for each song, but the compression level is much lower and extremely hard to notice.

Before I end this, I should also mention that you can access the equalizer directly from the Spotify app, where you can fine-tune your music listening experience or pick one of the available equalizer presets. If your phone has a built-in equalizer, Spotify will open it; if it doesn’t, you can use Spotify’s. On my phone (a Samsung Galaxy S21 FE), I can only use One UI’s built-in equalizer.

To open the equalizer, open “Playback,” then hit the “Equalizer” button. Now you can equalize your audio to your heart’s content.


Adjusting just a few settings can have a drastic impact on your Spotify listening experience. If you aren’t satisfied with Spotify’s sound quality, make sure to adjust the audio before jumping ship. You should also check the sound quality settings from time to time, as Spotify can reset them during app updates.​​​​​​​

Three phones with a Spotify screen and the logo in the center.


These 8 Spotify Features Are My Favorite Hidden Gems

Look for these now.



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