Ramp buys Stockholm fintech Billhop


The $32 billion US spend management platform acquires a licensed payments provider to launch corporate cards and finance tools in the UK and EU this summer.


The corporate spend management market just shifted its centre of gravity. On 13 March 2026, Ramp, the New York-based financial operations platform valued at $32 billion, announced the acquisition of Billhop, a Stockholm and London payments firm licensed to operate across the European Economic Area and the UK.

The deal gives Ramp the regulatory infrastructure it needs to onboard European and British businesses directly, something it plans to begin doing this summer.

The timing is not subtle. In January, Capital One announced a $5.15 billion deal to acquire Brex, Ramp’s long-time US rival and once the defining name in startup corporate cards.

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That deal is expected to close in the second quarter of 2026. Ramp’s move into Europe lands while Brex is navigating an acquisition by a traditional bank, and while the question of what happens to Brex’s product roadmap and founder-friendly positioning under Capital One remains unanswered.

The acquisition of Billhop is primarily a licensing and infrastructure play. Billhop, founded in 2012 and headquartered in Stockholm, is a payments infrastructure provider that enables businesses to pay invoices by credit card, even to suppliers that do not ordinarily accept card payments.

It holds a Swedish Payment Institution licence from Finansinspektionen, Sweden’s financial regulator, and is separately authorised and regulated by the UK’s Financial Conduct Authority.

Those licences give Ramp what it could not quickly build itself: the regulatory standing to process payments across EEA member states and the UK as two distinct jurisdictions.

As part of the acquisition, Ramp will open its first international offices in London and Stockholm. The company currently serves nearly half its customers with some form of international payment capability, it supports transactions in over 180 countries and offers local currency cards in Canada, Australia, Japan, Mexico, and Singapore, but all of those customers are US-headquartered businesses.

The Billhop acquisition makes it possible, for the first time, to sign up companies based in the UK and EU as primary customers.

“We’ve spent years building Ramp into something the most ambitious US companies rely on. This summer, for the first time, companies headquartered in the UK and EU will be able to use Ramp directly. In their first year, the median Ramp customer saves 5% and grows revenue 16%. Europe is home to extraordinary companies. We can’t wait to get to work.”

That was Eric Glyman, Ramp’s co-founder and CEO, in the company’s announcement.

Niklas Bothén, CEO of Billhop,  who was appointed to the role in a planned leadership transition in late 2024, having joined the company as COO in 2020, framed the deal as a scale-up of Billhop’s core mission.

“Our mission at Billhop has always been to remove friction from B2B payments and make it easier for businesses to manage their spend. Joining Ramp allows us to realise that vision at a much larger scale.”

Ramp’s broader platform, which combines corporate cards, expense management, vendor payments, procurement, travel booking, and automated bookkeeping, processes over $100 billion in purchases annually and is used by more than 50,000 customers.

The company says its customers have collectively saved over $10 billion and 27.5 million hours since its founding in 2019. It raised a $312 million Series E round in November 2025, which brought its valuation to $32 billion.

The context for all of this is a market in transition. Brex, which was valued at $12.3 billion in 2022, agreed to sell to Capital One for $5.15 billion, less than half its peak valuation, in January 2026.

The markdown reflects a period in which Brex’s core customer base of venture-backed startups sharply reduced spending as funding dried up, while Ramp, with a broader customer mix and a stronger focus on cost savings and efficiency tools, continued to grow.

Ramp surpassed $1 billion in annualised recurring revenue in October 2025. Brex’s exit leaves Ramp as effectively the dominant independent spend management platform in the US market.

The European market Ramp is entering is materially different from the one it has built its US business on. Corporate card penetration in Europe is lower, B2B payment infrastructure is more fragmented across national markets, and the regulatory requirements for operating as a payment institution vary significantly by jurisdiction.

Billhop’s model, specifically designed to bridge the gap between card-paying buyers and non-card-accepting suppliers across European markets, addresses exactly the structural friction that has historically made it difficult for US-centric spend management platforms to gain traction in the region.

Financial terms of the Billhop acquisition were not disclosed. No acquisition price has been published by either party.



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Recent Reviews


Spotify aims to provide a consistent listening experience that uses minimal data. As a result, your audio quality might be less than ideal, especially if you’re using a pair of high-fidelity headphones or high-end speakers. Here’s how to fix that.

Switch audio streaming quality to Very High or Lossless

The default audio streaming quality in both the mobile and desktop Spotify apps is set to Automatic, which usually keeps the audio quality at Normal, which is only 96 Kbps. Even though Spotify uses the Ogg Vorbis codec, which is superior to MP3, OGG files exhibit slight (but noticeable) digital noise, poor bass detail, dull treble, and a narrow soundstage at 96 Kbps.

Even worse, Spotify is aggressive about adjusting the automatic bitrate. Even though 4G is more than fast enough to stream high-quality OGG files, even with a weak signal, Spotify may still drop the quality to Low, which has a bitrate of just 24 Kb/s. You will notice such a sharp drop in quality, even on a pair of bottom-of-the-barrel headphones.

To rectify this, open the Spotify app, tap your user image, open “Settings and privacy,” and tap the “Media Quality” menu. Once there, set Wi-Fi streaming quality and cellular streaming quality to “Very high” or “Lossless.”

I recommend setting cellular streaming quality to Very high and reserving Lossless for Wi-Fi, since lossless streaming is very data-intensive. One hour of streaming lossless files can take up to 1GB of data, as well as a good chunk of your phone’s storage, because Spotify caches files you’re frequently streaming. Besides, you’ll struggle to notice the difference unless you’re listening to music on a wired pair of high-end headphones or speakers; wireless connection just doesn’t have the bandwidth needed to convey the full fidelity of Spotify lossless audio.

You might opt for High quality if you have a capped data plan, but I recommend doing so only if you stream hours upon hours’ worth of music every single day over a cellular network. For instance, I burn through about 8 GB of data per month on average while streaming about two hours of very high-quality music over a cellular network each day.

Illustration of a headphone with various music icons around.


How Audio Compression Works and Why It Can Affect Your Music Quality

Feeling the squeeze when listening to your favorite song?

Set audio download quality to Very high or Lossless

If you tend to download songs and albums for offline listening, you should also set the audio download quality to “Very high” or “Lossless.” This setting is located just under the audio streaming quality section.

The audio download quality menu in Spotify's mobile app.

If you’ve got enough free storage on your phone, opt for the latter, but if you’d rather save storage space, set it to Very high. You’ll hardly hear the difference, but lossless files are about five times larger than the 320 Kb/s OGG files Spotify offers at its Very high quality setting, and they can quickly fill up your phone’s storage.

Adjust video streaming quality at your discretion

The last section of the Media quality menu is Video streaming quality. This sets the quality of video podcasts and music videos available for certain songs. Since I care about neither, I set it to “Very high” on Wi-Fi and “Normal” on cellular, but you should tweak the two options at your discretion because songs sound notably better at higher video streaming quality levels.

If you often watch videos over cellular and have unlimited data, feel free to toggle video quality to very high.

Make sure Data Saver mode is disabled

Even if your audio quality is set to Very high or Lossless, Spotify will switch to low-quality streaming if the app’s Data saver mode is enabled. This option is located in the Data saving and offline menu. Open the menu, then set it to “Always off,” or choose “Automatic” to have Spotify’s Data Saver mode kick in alongside your phone’s Data Saver mode.

You can also enable volume normalization and play around with the built-in equalizer

Spotify logo in the center of the screen with an equalizer in front. Credit: Lucas Gouveia / How-To Geek

Last but not least, there are two additional features you can play with to improve your listening experience. The first is volume normalization, which sets the same loudness for every track you’re listening to. This can be handy because different albums are mastered at different loudness levels, with newer music usually being louder.

Since I’m an album-oriented listener, I keep the option disabled. I can just play an album and set the audio volume accordingly, and I don’t really mind louder songs when listening to playlists, artists, or song radios.

But if you can’t stand one song being quiet and the next rattling the windows, visit the Playback menu, enable “Volume normalization,” and set it to “Quiet” or “Normal.” The “Loud” option can digitally compress files, and neither Spotify nor I recommend using it. This also happens with “Quiet” and “Normal,” since both adjust the decibel level of the master recording for each song, but the compression level is much lower and extremely hard to notice.

Before I end this, I should also mention that you can access the equalizer directly from the Spotify app, where you can fine-tune your music listening experience or pick one of the available equalizer presets. If your phone has a built-in equalizer, Spotify will open it; if it doesn’t, you can use Spotify’s. On my phone (a Samsung Galaxy S21 FE), I can only use One UI’s built-in equalizer.

To open the equalizer, open “Playback,” then hit the “Equalizer” button. Now you can equalize your audio to your heart’s content.


Adjusting just a few settings can have a drastic impact on your Spotify listening experience. If you aren’t satisfied with Spotify’s sound quality, make sure to adjust the audio before jumping ship. You should also check the sound quality settings from time to time, as Spotify can reset them during app updates.​​​​​​​

Three phones with a Spotify screen and the logo in the center.


These 8 Spotify Features Are My Favorite Hidden Gems

Look for these now.



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