Passthrough audio is finally on the way to Apple TV


We’ve confirmed at WWDC that tvOS 26 is getting passthrough audio, which could allow a higher quality listening experience by disabling audio preprocessing on the Apple TV hardware, before hand-off to a sound system.

The Apple TV family is a very capable processing device for a set-top box, but one bone of contention has been audio processing. Apple has so far avoided adding passthrough audio features to the Apple TV, but that is seemingly changing.

A reference on the Apple Developer documentation for AVFAudio has an enumeration case for AVAudioContentSource for “passthrough.”

Passthrough audio refers to a way that a device or operating system handles audio from a source. Normally, audio from an app, such as Netflix, is processed by the Apple TV, or iPhone before being played to the user.

In the case of a TV or home cinema equipment, they have the capability to actually process audio for themselves. However, since hardware like the Apple TV processes the audio upstream, the original, raw audio stream never gets processed by this hardware.

In effect, even if you have the best possible home cinema system that can handle any audio format or codec in existence, you’re going to be stuck hearing whatever the Apple TV has done to the audio.

We’ve confirmed with Apple that that by enabling the new passthrough audio when it’s available and supported by a streaming app, a high-quality audio stream could be left alone by the Apple TV. This allows for hardware after the Apple TV to process the audio, which could give a higher quality result to the listener.

Apple TV audio, and beyond

The main focus of the new Passthrough Audio is the Apple TV, since it is a device that directly interfaces with high-end audio equipment. As a device frequently used for streaming services, this makes it a feature that is mostly focused on improving the Apple TV experience.

However, it’s a feature that isn’t just limited to tvOS 26. The documentation says the enumeration case for passthrough also applies to iOS 26, iPadOS 26, macOS 26, visionOS 26, and watchOS 26.

Though it is a less useful feature for the Apple Watch, the inclusion on macOS is interesting. Macs are easily capable of being connected up to a TV or home cinema hardware, and can be used to play back media in the same way as Apple TV.

The inclusion of an enumeration case is a good sign that the audio feature has become a reality, but it’s still far from being useful. Developers now have to take advantage of the enumeration case so that it can work with their apps.

It may also require Apple to actually add a setting to enable passthrough or to force Apple TV to handle audio processing. A check of the first developer beta of tvOS 26 doesn’t include the option in the Settings app’s audio section.



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In the trailer for Mission: Impossible — The Final Reckoning, Tom Cruise as Ethan Hunt asks someone to trust him one last time. Judging by the first reactions on social media, Cruise is now asking the audience to trust him that he still delivered an action spectacle.

The social media embargo lifted for Mission: Impossible — The Final Reckoning on May 12. The initial reactions are mixed, which comes as a surprise considering how much praise the last few entries have received.

Erik Davis of Fandango and Rotten Tomatoes said Cruise takes The Final Reckoning to the next level. “It’s the biggest, wildest, and most consequential Mission movie yet,” Davis wrote on X.

Good Day’s Chicago Jake Hamilton called the plane sequence “one of cinema’s greatest stunts.” Hamilton wrote, “Mission: Impossible — The Final Reckoning is a love letter to fans who just rewatched the entire series.”

MISSION: IMPOSSIBLE – THE FINAL RECKONING is a love letter to fans who just rewatched the entire series.

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First time I’ve cried in the series.

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I loved it. pic.twitter.com/3HxWtsY3HY

— Jake Hamilton (@JakesTakes) May 13, 2025

Indiewire’s David Ehrlich had a more negative reaction, calling it “dull and dysfunctional.” Despite praising the set pieces, Ehrlich was ultimately disappointed by The Final Reckoning, calling it a “massive heartbreaker.”

Mission: Impossible — The Final Reckoning is dull and dysfunctional in a way i didn’t think this franchise was capable of. setpieces are obviously incredible, but as someone so supportive of Cruise’s crusade to save the movies and whatnot this was a massive heartbreaker.

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Griffin Schiller compared Final Reckoning to The Rise of Skywalker, saying it “plays like an egregious franchise greatest hits.”

While not as bad as TROS, FINAL RECKONING is undoubtedly cut from the same cloth. Plagued by insecurity, MISSION: IMPOSSIBLE 8 plays like an egregious franchise greatest hits. Scenes have no beginning or end, it’s scatterbrained nonsense – a constant flow of exposition &… pic.twitter.com/uCOclGGAsl

— Griffin Schiller (@griffschiller) May 13, 2025

Mission: Impossible is the gold standard for action franchises, so it’s disappointing to read about the mixed reactions. Cruise’s action sequences, including the death-defying plane stunt, will certainly be a highlight. However, the conflicting reception is not ideal, especially for a franchise that might have to disappear for the foreseeable future before Cruise returns or another actor steps in as the new lead.

Cruise headlines The Final Reckoning as Ethan Hun, the IMF agent who must race to find the Entity and destroy it before it gets into the wrong hands. The ensemble includes Hayley Atwell, Ving Rhames, Simon Pegg, Esai Morales, Pom Klementieff, Henry Czerny, Mariela Garriga, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Tramell Tillman, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Mark Gatiss, Rolf Saxon, Lucy Tulugarjuk and Angela Bassett.

Christopher McQuarrie directs from a screenplay he co-wrote with Erik Jendresen.

Mission: Impossible — The Final Reckoning opens in theaters on May 23.








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