Microsoft’s MAI-Image-2 enters the top three AI image generators



The second version of Microsoft’s in-house image model lands at #3 on Arena.ai’s leaderboard, behind only Google and OpenAI, and begins rolling out across Copilot and Bing Image Creator today.


A year ago, Microsoft was generating images for Bing and Copilot almost entirely with OpenAI’s models. On Thursday, the company’s in-house team announced MAI-Image-2, a second-generation image model that has debuted at number three on the Arena.ai text-to-image leaderboard, placing Microsoft’s own technology directly behind Google’s Gemini 3.1 Flash and OpenAI’s GPT Image 1.5.

The announcement comes from the Microsoft AI Superintelligence team, the internal research group that Mustafa Suleyman formed in November 2025 and now leads full-time following a leadership reorganisation at Microsoft announced just two days ago.

Mustafa Suleyman stepped back from his broader CEO role at Microsoft AI on Monday to focus exclusively on that team and its frontier model ambitions. MAI-Image-2 is the first model to arrive publicly since that shift.

MAI-Image-1, the predecessor, launched in October 2025 and debuted in the top ten on LMArena, the same crowd-sourced preference leaderboard, then known by a slightly different name.

At the time, it was Microsoft’s first image generation model developed entirely in-house, and the company integrated it into Bing Image Creator and Copilot alongside DALL-E 3 and GPT-4o. MAI-Image-2 extends that trajectory: built with input from photographers, designers, and visual storytellers, and focused on three areas where creatives said the gap was largest.

The first is photorealism, natural light, accurate skin tones, environments with physical texture and wear. Microsoft says the model is designed to reduce the post-production work that currently sits between generation and usable output.

The second is in-image text: MAI-Image-2 is built to handle readable lettering within scenes, from signage to infographics to typographic layouts, a category where many image models still struggle to produce consistent, accurate characters.

The third is detailed scene generation: dense compositions, surreal concepts, cinematic framing, and the kind of imaginative work where precise prompting and high fidelity matter most.

Access is rolling out through multiple channels. The MAI Playground, Microsoft’s public model testing environment at playground.microsoft.ai, has the model available now. MAI-Image-2 is also beginning to roll out across Copilot and Bing Image Creator.

Enterprise customers can access the model via API today, and Microsoft says API access will open to any developer through Microsoft Foundry “soon”, though no specific date has been given for that broader availability. A commercial application form is available for organisations interested in large-scale image generation use.

The announcement also notes that the team’s next-generation GB200 compute cluster is now operational, a reference to NVIDIA’s Blackwell-architecture hardware. No details were provided on cluster scale. The infrastructure claim appears to be positioning context for the models the superintelligence team plans to release next, rather than a technically verifiable specification.

The pace is notable. Microsoft announced its first in-house voice model (MAI-Voice-1) and its first text model preview (MAI-1-preview) in August 2025. MAI-Image-1 followed in October. Now, five months later, the second image generation model is placing in the top three on the most widely cited crowd-sourced image leaderboard in the field.

That cadence suggests the superintelligence team is moving at a different pace from Microsoft’s historically slower consumer product cycles, and doing so with hardware and infrastructure it increasingly owns rather than rents from OpenAI.



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Recent Reviews


Spotify aims to provide a consistent listening experience that uses minimal data. As a result, your audio quality might be less than ideal, especially if you’re using a pair of high-fidelity headphones or high-end speakers. Here’s how to fix that.

Switch audio streaming quality to Very High or Lossless

The default audio streaming quality in both the mobile and desktop Spotify apps is set to Automatic, which usually keeps the audio quality at Normal, which is only 96 Kbps. Even though Spotify uses the Ogg Vorbis codec, which is superior to MP3, OGG files exhibit slight (but noticeable) digital noise, poor bass detail, dull treble, and a narrow soundstage at 96 Kbps.

Even worse, Spotify is aggressive about adjusting the automatic bitrate. Even though 4G is more than fast enough to stream high-quality OGG files, even with a weak signal, Spotify may still drop the quality to Low, which has a bitrate of just 24 Kb/s. You will notice such a sharp drop in quality, even on a pair of bottom-of-the-barrel headphones.

To rectify this, open the Spotify app, tap your user image, open “Settings and privacy,” and tap the “Media Quality” menu. Once there, set Wi-Fi streaming quality and cellular streaming quality to “Very high” or “Lossless.”

I recommend setting cellular streaming quality to Very high and reserving Lossless for Wi-Fi, since lossless streaming is very data-intensive. One hour of streaming lossless files can take up to 1GB of data, as well as a good chunk of your phone’s storage, because Spotify caches files you’re frequently streaming. Besides, you’ll struggle to notice the difference unless you’re listening to music on a wired pair of high-end headphones or speakers; wireless connection just doesn’t have the bandwidth needed to convey the full fidelity of Spotify lossless audio.

You might opt for High quality if you have a capped data plan, but I recommend doing so only if you stream hours upon hours’ worth of music every single day over a cellular network. For instance, I burn through about 8 GB of data per month on average while streaming about two hours of very high-quality music over a cellular network each day.

Illustration of a headphone with various music icons around.


How Audio Compression Works and Why It Can Affect Your Music Quality

Feeling the squeeze when listening to your favorite song?

Set audio download quality to Very high or Lossless

If you tend to download songs and albums for offline listening, you should also set the audio download quality to “Very high” or “Lossless.” This setting is located just under the audio streaming quality section.

The audio download quality menu in Spotify's mobile app.

If you’ve got enough free storage on your phone, opt for the latter, but if you’d rather save storage space, set it to Very high. You’ll hardly hear the difference, but lossless files are about five times larger than the 320 Kb/s OGG files Spotify offers at its Very high quality setting, and they can quickly fill up your phone’s storage.

Adjust video streaming quality at your discretion

The last section of the Media quality menu is Video streaming quality. This sets the quality of video podcasts and music videos available for certain songs. Since I care about neither, I set it to “Very high” on Wi-Fi and “Normal” on cellular, but you should tweak the two options at your discretion because songs sound notably better at higher video streaming quality levels.

If you often watch videos over cellular and have unlimited data, feel free to toggle video quality to very high.

Make sure Data Saver mode is disabled

Even if your audio quality is set to Very high or Lossless, Spotify will switch to low-quality streaming if the app’s Data saver mode is enabled. This option is located in the Data saving and offline menu. Open the menu, then set it to “Always off,” or choose “Automatic” to have Spotify’s Data Saver mode kick in alongside your phone’s Data Saver mode.

You can also enable volume normalization and play around with the built-in equalizer

Spotify logo in the center of the screen with an equalizer in front. Credit: Lucas Gouveia / How-To Geek

Last but not least, there are two additional features you can play with to improve your listening experience. The first is volume normalization, which sets the same loudness for every track you’re listening to. This can be handy because different albums are mastered at different loudness levels, with newer music usually being louder.

Since I’m an album-oriented listener, I keep the option disabled. I can just play an album and set the audio volume accordingly, and I don’t really mind louder songs when listening to playlists, artists, or song radios.

But if you can’t stand one song being quiet and the next rattling the windows, visit the Playback menu, enable “Volume normalization,” and set it to “Quiet” or “Normal.” The “Loud” option can digitally compress files, and neither Spotify nor I recommend using it. This also happens with “Quiet” and “Normal,” since both adjust the decibel level of the master recording for each song, but the compression level is much lower and extremely hard to notice.

Before I end this, I should also mention that you can access the equalizer directly from the Spotify app, where you can fine-tune your music listening experience or pick one of the available equalizer presets. If your phone has a built-in equalizer, Spotify will open it; if it doesn’t, you can use Spotify’s. On my phone (a Samsung Galaxy S21 FE), I can only use One UI’s built-in equalizer.

To open the equalizer, open “Playback,” then hit the “Equalizer” button. Now you can equalize your audio to your heart’s content.


Adjusting just a few settings can have a drastic impact on your Spotify listening experience. If you aren’t satisfied with Spotify’s sound quality, make sure to adjust the audio before jumping ship. You should also check the sound quality settings from time to time, as Spotify can reset them during app updates.​​​​​​​

Three phones with a Spotify screen and the logo in the center.


These 8 Spotify Features Are My Favorite Hidden Gems

Look for these now.



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