I’m weirdly excited about Android 17’s upcoming anti-doomscrolling feature


I have spoken before about how doomscrolling has completely changed the way I consume short-form content. What used to feel like a quick break to watch a couple of YouTube Shorts or Instagram Reels somehow turned into an automatic habit I barely even notice anymore. I pick up my phone for one thing, open a social media app just for a minute, and suddenly I am trapped in an endless vertical stream of videos I did not even plan to watch. And the frustrating part is that I am fully aware of it while it is happening.

I have tried almost everything to change the habit — screen time limits, app timers, turning notifications off, hiding apps from my home screen, and even forcing myself to keep the phone away while working. Some of those tricks help for a while, but the muscle memory always creeps back in. Even during work hours, I still catch myself unlocking my phone without thinking and instantly falling back into the same doomscrolling spiral. That is why one particular announcement during the Android Show 2026 genuinely caught my attention. Buried between all the announcements was an Android 17 feature that actually feels useful. And I am weirdly excited for it to arrive on my Google Pixel 10a.

My thumb has become smarter than my brain, and I hate that

The strange thing about doomscrolling is that it barely feels intentional anymore. I do not consciously sit down and think, “Perfect. I would now love to spend the next 45 minutes watching strangers reorganize kitchen shelves, and listening to Reddit confession stories.” It just happens. That is what makes the habit feel so slippery.

At some point, opening apps like Instagram or X became pure reflex. I unlock my phone to reply to a Slack message during work, check an email, or quickly search for something important, and somehow my thumb automatically drifts toward a social app before my brain even catches up. Half the time, I do not even realize I have opened Instagram until I am already several reels deep into content I never planned to watch in the first place. And honestly, I think that is the most unsettling part of modern doomscrolling. 

That is exactly why Android 17’s new Pause Point feature instantly stood out to me during the Android Show 2026. Most digital wellbeing tools today rely on hard restrictions — timers, lockouts, warning screens, app limits — but the problem is that habitual scrolling usually happens before you even consciously process what you are doing. By the time the screen-time warning appears, you are already deep inside the scrolling spiral. Pause Point feels different because it seems designed to interrupt that autopilot behavior itself, and that tiny psychological shift is why I am far more excited about this feature than I expected to be.

Android is adding friction to apps designed to remove it

What makes Pause Point feel useful is that, instead of instantly throwing you into apps you personally marked as distracting, Android 17 deliberately creates a brief pause — a 10 second pause, before opening them. So if I tap Instagram or X out of habit, the app does not immediately throw me into an endless feed of reels, posts, and videos. Instead, I get a short breather first.

During that pause, Android can encourage you to do something else entirely. You can take a quick breathing break, set a timer so you do not accidentally scroll for an hour, look at favorite photos, or even jump into healthier alternatives like reading books, or something more productive.

Additionally, Google is deliberately making it difficult to disable the feature once you set it up. You apparently need to restart your phone to turn it off completely, which sounds slightly annoying, but I honestly think that is the point. Because if disabling it were easy, most of us would probably switch it off the first time we got impatient. I know I would.

Maybe the solution was never more discipline after all

Pause Point feels refreshing because it understands that doomscrolling is usually no longer a conscious decision. Most of the time, I am not actively choosing to spend half an hour watching reels during work. I unlock my phone for something completely unrelated, and suddenly, I am stuck in a loop I never intended to enter in the first place.

That is why this feature feels smarter than most digital wellbeing tools I have tried before. It aims to interrupt the habit before it fully takes hold. Even a small 10-second pause could be enough to make me question whether I actually want to open the app at that moment or whether I am just acting on autopilot again. And honestly, I think a lot of us need that interruption more than we realize.

Will Pause Point completely fix my doomscrolling habit overnight? Probably not. My brain and thumb still have years of social media muscle memory built into them. But if this feature can help me become even slightly more calculated about how often I open distracting apps throughout the day, that would already be a meaningful improvement. For the first time in a while, this feels like a digital wellbeing feature designed around real human behavior, and that alone makes me genuinely excited to try it.



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Another week has passed, and Apex is still the top thriller on Netflix and the No. 1 movie in the streamer’s current top 10. Audiences are loving the cat-and-mouse battle between Charlize Theron’s rock climber and Taron Egerton’s serial killer. It will be interesting to see what movie inevitably knocks it down to second place.

If you’re searching for more thrillers, then you’ve come to the right place. Our top recommendation is the fifth entry into one of Hollywood’s iconic horror series. The other movies on this list include a little-seen survival thriller with an A-plus cast and a feature film adaptation of a post-apocalyptic novel. Stream all three of these movies on Netflix in the U.S.

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Eden

Survival on the island

What the heck happened to Eden? The survival thriller premiered at the 2024 Toronto International Film Festival and entered limbo immediately after due to its lack of distribution. Nearly a year passed before Vertical finally released Eden in theaters on August 22, 2025. You would think that this movie had an easy sell—recognizable actors stuck on an island, with chaos ensuing. I’m still baffled as to why a major studio didn’t pick it up in the United States.

Eden is inspired by true events surrounding the residents of Floreana Island in the 1930s. Dr. Friedrich Ritter (Jude Law) leaves Germany and moves to Floreana Island with Dore Strauch (Vanessa Kirby). They are eventually joined by Margret Wittmer (Sydney Sweeny), Heinz Wittmer (Daniel Brühl), and Eloise Bosquet de Wagner Wehrhorn (Ana de Armas). Tensions rise as the competing families vie for control of the island, resulting in fatal decisions that lead to multiple tragedies. Eden certainly has some Lord of the Flies elements in its story.

Again, I’m shocked this movie was dumped in August instead of receiving a traditional rollout from a popular studio. Admittedly, Eden has its flaws and heavily leans into melodrama much to its detriment. Still, it’s an entertaining thriller supported by a stacked cast that is much better than it’s given credit for.​​​​​​​

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Leave the World Behind

Technology becomes the villain

What would happen if the collapse of technology led to the end of the world? That’s part of the premise of Leave the World Behind, Sam Esmail’s 2023 psychological thriller for Netflix. The movie is based on Rumaan Alam’s novel of the same name. Right when an oil tanker crashes on the shore, something is not right in Leave the World Behind.

Amanda Sandford (Julia Roberts) is on vacation with her husband Clay (Ethan Hawke) and two children when inexplicable occurrences, like the oil tanker crash, begin happening. The root of the issue is a nationwide blackout that has caused widespread panic. Amanda and Clay are forced to grapple with their trust issues after the arrival of the vacation home’s owner, George H. “G.H.” Scott (Mahershala Ali), and his daughter, Ruth (Myha’la).

Some may view Leave the World Behind as a warning to humanity, which feels ill-equipped to handle a devastating cyberattack. Others might watch strictly for its entertainment purposes. I fell somewhere in the middle. There are some relevant messages about the apocalypse, social inequality, and societal standards. It’s also a great cast of talented performers who elevate the source material. I don’t think the film depicts what actually would happen in a disaster, but it’s certainly fun (and scary) to predict the future. ​​​​​​​

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Scream

I would like to play another game

To clarify, I’m referring to 2022’s Scream, informally known as Scream V. It’s a nightmare scenario for anyone like myself, who has to write an article about the fifth Scream installment. For bookkeeping purposes, I’m calling it Scream V. Part of the reason for the similar title to the first movie is because Scream V restarted the franchise after an 11-year hiatus. It’s not a reboot or a remake, but a continuation of the series.

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​​​​​​​

I was surprisingly impressed with Radio Silence’s take on Scream. These reboots are typically cash grabs and a way for studios to exploit the IP of a popular entity. Scream V plays the hits—close calls, gory kills, and a propensity for dark humor. For me, it works as one of the franchise’s best entries. I thought Scream was done following Scream 4. Now, you’re probably going to get Scream VIII in a few years.


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Two new Netflix movies, My Dearest Assassin and Remarkably Bright Creatures, arrive at week’s end just in time for the weekend. You can also stream classic Oscar-winning movies, including Roma and Glory. No matter what you choose, chances are you’ll be occupied for the foreseeable future with Netflix content.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




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