Don’t overlook these 7 Bambu Studio features, they’re the key to better prints


Bambu Lab is very particular about its slicer, to the point where cloud connectivity must be disabled if you want to use something other than Bambu Studio. Despite the obvious concerns this limitation raises, Bambu Studio isn’t a bad choice.

Here are some features you shouldn’t overlook.

Measure

Measure tool in Bambu Studio.

When you download a model from the internet, the exact dimensions aren’t always clear from the author’s description. That’s where the measure tool comes in, allowing you to size up a model to make sure it meets your size expectations before you print it. It’s essential for any work you might do in the slicer, like scaling a model up or down to suit your specific use case.

You can also use the measure tool to figure out the angle between two planes. To get started, click on the object you want to measure and then find the ruler icon in the toolbar above the preview area. There are two ways to use this tool: either by laying down two points (for distance) or by clicking one face and then the other (for angle).

Measuring object length in Bambu Studio.

To lay two points, hold Shift and select a point on the model. While still holding shift, lay down another point. You should now see the distance between those two points. Hit Escape to cancel the operation. For angles, just click one face (which will appear blue) and then a second (which will appear pink).

Scale

Scale tool in Bambu Studio.

The scale tool allows you to make an object (or an entire build plate’s worth of objects) larger or smaller. Select the objects you want to change the size of, and then find the scale icon in the toolbar above the model preview.

By default, the “Uniform scale” checkbox will be enabled. This locks all axes so that the model will scale in a linear fashion. You can manipulate an object’s size by clicking and dragging the small rectangle icons that appear on the build plate, though this isn’t particularly accurate.

Scaling an object manually in Bambu Studio.

A better method is to change the values in the box in the toolbar. You can either do this by modifying the percentage or by changing the X, Y, or Z value to a specific size.

Cut

Cut object tool in Bambu Studio.

Cut allows you to make a precise cut in a single object or to create two separate objects. To use it, select a single item on the build plate and then find the cut icon in the toolbar. A plane will appear, which you can manipulate either using your mouse or by changing the values in the X, Y, and Z axis boxes.

There are two modes to choose from, starting with “Planar” which simply creates a flat cut at a point of your choosing. You can use this tool to cut out small sections of larger models to test if whatever is meant to fit inside needs adjustment before committing to the whole print.

Cutting an object in Planar mode in Bambu Studio.

The other option is the “Dovetail” cut, which is ideal for cutting objects down to size when they don’t fit on your build plate. This type of cut is designed to make the two resulting objects fit together once the print is complete, though you might need a dab of glue or similar to ensure a solid outcome.

Pick your mode, pick your point, and click “Perform cut” to slice away. Be mindful that Bambu Studio will reorient your objects as it sees best following a cut, and you might want to reorient these to suit the original printing profile.

Lay on Face

Lay on face tool in Bambu Studio.

Perhaps the most self-explanatory tool on the list, but it’s worth mentioning because of the way that print orientation can greatly affect object strength. Select an object, then click the tool in the toolbar and select a face. The object will now print on the face that you select. It’s as easy as that.

Seam Painting

Seam painting brush in Bambu Studio.

Seams are the point at which a layer stops before the printer moves on to another part of the model. All objects have seams; it’s just the nature of filament-based 3D printing. You can control where these seams appear, however, by using this painting tool.

First, use the “Slice plate” button to slice your print and make sure that the “Seams” box is checked in the small grey box that appears. You’ll notice the seams appear in white. If you’re not keen on the location, go back to the “Prepare” tab and select your object, then click the seam painting tool.

Painting seams in Bambu Studio.

You can now paint the seam in an area of your choosing. You can pick somewhere you won’t see, and even lock the brush to vertical strokes for clean lines.

Color Painting

Color painting tools in Bambu Studio.

Want to brighten up a model that’s a single solid color? Do this by selecting a single object and then clicking on the color painting (paint bucket) icon in the toolbar. There are several tools available to you when doing this.

“Circle” is a flat tool that paints on the outermost layer, while “Sphere” does a similar job but as a 3D object (ideal for getting into gaps). Since your model is divided into triangles, the “Triangle” paint mode applies color section-by-section. Then there’s the incredibly useful “Layer height range” tool, which lets you paint a section of layers along the Z axis. You also have a “Paint bucket fill” and “Gap filler.”

Coloring an object layer by layer in Bambu Studio.

Just remember that multi-color printing can be wasteful. Using the height range tool (and orienting your model to suit) is the least wasteful way to inject a bit of color variation, since this will keep filament changes to a minimum.

Text Shape

Text shape tool in Bambu Studio.

The other way to add a personal touch to an object is to add your own text. This doesn’t require that you modify the model in an app like Fusion of FreeCAD, but rather you can add text by selecting an object and using the text shape tool in the toolbar.

You can use the “Mode” drop-down to choose how the text behaves on various shapes. For example, “Surround surface” will wrap the text around the model when the angle changes, while “Surround+Horizontal” will maintain horizontal alignment on slopes.

Cut out text preview in Bambu Studio.-1

You can also choose several operations, including “Part” and “Cut,” which create protruding or cutout text, respectively. If you choose to create a “Modifier,” the model geometry won’t be affected, but a selectable area (that’s flush with the model) is created, which is perfect for different-colored text.


Poke around, and you’ll discover plenty of other tools in Bambu Studio, in addition to the many slicer default settings you might want to tweak from time to time.



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In short: Accel has raised $5 billion in new capital, comprising a $4 billion Leaders Fund V and a $650 million sidecar, targeting 20-25 late-stage AI investments at an average cheque size of $200 million. The raise follows standout returns from its Anthropic stake (invested at $183B, now valued near $800B) and Cursor (backed at $9.9B, now reportedly around $50B), and lands in a Q1 2026 venture market that deployed a record $297 billion.

Accel, the venture capital firm behind early bets on Facebook, Slack, and more recently Anthropic and Cursor, has raised $5 billion in new capital aimed squarely at AI. The raise, reported by Bloomberg, comprises $4 billion for its fifth Leaders Fund and a $650 million sidecar vehicle, positioning the firm to write average cheques of around $200 million into late-stage AI companies globally.

The fund lands in a venture capital market that has lost any pretence of restraint. Q1 2026 saw $297 billion flow into startups worldwide, 2.5 times the total from Q4 2025 and the most venture funding ever recorded in a three-month period. Andreessen Horowitz has raised $15 billion. Thrive Capital has closed more than $10 billion. Founders Fund is finishing a $6 billion raise. Accel’s $5 billion is substantial but not exceptional in a market where the biggest funds are measured in the tens of billions.

The portfolio that made the pitch

What distinguishes Accel’s fundraise is the portfolio it can point to. The firm invested in Anthropic during its Series G at a $183 billion valuation. Anthropic has since closed a round at $380 billion and is now attracting offers at roughly $800 billion, meaning Accel’s stake has more than quadrupled in value in a matter of months. Anthropic’s annualised revenue has hit $30 billion, a trajectory that no company in history has matched.

The firm’s bet on Cursor has been similarly well-timed. Accel backed the AI code editor in June 2025 at a $9.9 billion valuation. By November, Cursor had raised again at $29.3 billion. By March 2026, the company was reportedly in discussions at a valuation of around $50 billion. For a developer tool that barely existed two years ago, the appreciation is extraordinary.

Accel’s broader AI portfolio extends beyond these two headline positions. The firm has backed Vercel, the frontend deployment platform; n8n, an AI-powered automation tool; Recraft, a professional design platform; and Code Metal, which builds AI development tools for hardware and defence applications. In March 2026, Accel launched an Atoms AI programme in partnership with Google’s AI Futures Fund, selecting five early-stage companies from what it described as a global applicant pool focused on “white space” opportunities in enterprise AI.

The Leaders Fund model

Accel’s Leaders Fund series is designed for later-stage investments, the kind of large cheques that growth-stage AI companies now require. With an average investment size of $200 million and a target of 20 to 25 deals from the new $4 billion fund, the strategy is concentrated: a small number of high-conviction bets on companies that have already demonstrated product-market fit and are scaling revenue.

This is a different game from traditional venture capital. At $200 million per cheque, Accel is competing less with seed and Series A firms and more with the mega-funds, sovereign wealth funds, and corporate investors that have flooded into late-stage AI. The firm’s argument is that its early-stage relationships and technical evaluation capabilities give it an edge in identifying which companies deserve capital at scale, and in securing allocations in rounds that are massively oversubscribed.

Founded in 1983 by Arthur Patterson and Jim Swartz, Accel built its reputation on what the founders called the “prepared mind” approach, a philosophy of deep sector research before investments materialise. The firm’s most famous prepared-mind bet was its 2005 investment of $12.7 million for 10% of Facebook, a stake worth $6.6 billion at the company’s IPO seven years later. The question now is whether Accel’s AI bets will produce returns of comparable magnitude.

What the market is pricing

The sheer volume of capital flowing into AI venture funds reflects a market consensus that artificial intelligence will be the dominant technology platform of the next decade. The numbers are difficult to overstate. OpenAI raised $120 billion in 2026. Anthropic has raised more than $50 billion. xAI closed $20 billion. Waymo secured $16 billion. These are not venture-scale numbers; they are infrastructure-scale capital deployments that would have been unthinkable outside of telecommunications or energy a decade ago.

For limited partners, the investors who commit capital to venture funds, the logic is straightforward: the returns from AI’s winners will be so large that even paying premium valuations will generate exceptional multiples. Accel’s Anthropic position, where a single investment has appreciated several times over in months, is exactly the kind of outcome that makes LPs willing to commit $5 billion to a single firm’s next fund.

The risk is equally visible. Venture capital is a cyclical business, and the current fundraising boom has the characteristics of a cycle peak: record fund sizes, compressed deployment timelines, and a concentration of capital in a single sector. The last time venture capital raised this aggressively, during the 2021 ZIRP era, many of those investments were marked down significantly within two years. AI’s commercial traction is far stronger than the crypto and fintech bets that defined that earlier cycle, but the valuations being paid today leave little margin for error.

The concentration question

Accel’s fund also highlights a structural shift in venture capital. The industry is bifurcating into a small number of mega-firms that can write cheques of $100 million or more and a long tail of smaller funds that compete for earlier-stage deals. The middle ground, the traditional Series B and C investors, is being squeezed by mega-funds moving downstream and by AI companies that skip traditional funding stages entirely, going from seed round to billion-dollar valuations in 18 months.

For a firm like Accel, which operates across offices in Palo Alto, San Francisco, London, and India, the $5 billion raise is a bet that it can maintain its position in the top tier as fund sizes inflate and competition for the best deals intensifies. Its portfolio of 1,199 companies, 107 unicorns, and 46 IPOs provides a track record. But in a market where Anthropic alone could generate returns that justify an entire fund, the temptation to concentrate bets on a handful of AI winners is strong, and the consequences of getting those bets wrong are correspondingly severe.

The broader picture is that AI venture capital has entered a phase where the funds themselves are becoming as large as the companies they once backed. Accel’s $5 billion raise would have made it one of the most valuable startups in Europe just a few years ago. Now it is table stakes for a firm that wants to participate meaningfully in the rounds that matter. Whether this represents rational capital allocation or the peak of a cycle that will eventually correct is the question that every LP writing a cheque today is, implicitly or explicitly, answering in the affirmative.



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