Apple’s first foldable iPhone, which could end up being called the iPhone Ultra, may have more going for it than a wider form factor. A fresh Weibo post from tipster Instant Digital (刹那数码) claims the phone could also be easier to open, repair, and take apart than other foldable phones.
Foldables are still notoriously difficult to fix because of their compact layouts, fragile displays, and complex cable routing. Even Google’s Pixel 9 Pro Fold, which is considered one of the more repairable foldables, only received a 4 out of 10 repairability score from iFixit. That should give you an idea of how challenging foldable repairs can be.
Could Apple make foldables easier to fix?
The new post claims Apple has designed a cleaner internal structure for the device, avoiding complicated cable routing in favor of a more modular layout. That could make repairs easier by reducing the risk of technicians pulling or damaging cables while opening the phone.
iPhone Fold CAD-based renderAI Visualization
To achieve this, Apple has reportedly placed the motherboard on the right side of the phone, routing the cables upward to connect with the volume controls. As many may remember, the tipster previously claimed that the volume control would be located on the top-right edge of the frame, similar to an iPad mini.
The power button with Touch ID and the camera control are also said to be on the right edge of the device, leaving the left side to house the display internals and the alleged biggest battery ever used in an iPhone.
Is repairability the iPhone Ultra’s biggest surprise?
In recent years, Apple has been taking steps to make iPhones more repairable, a shift that could be attributed to increasing regulatory pressure as well as the Right to Repair movement. Since the iPhone 16, battery removal has become much easier thanks to electrically induced adhesive debonding. If the latest leak is accurate, Apple’s first foldable iPhone could take that repairability push into a category where repairs are usually far more difficult.
With the start of April, Netflix is welcoming entertaining movies that will be available to stream for the foreseeable future. One of the new movies I’m ready to watch is Thrash, a new shark movie where the Jaws-like creatures wreak havoc on a coastal town during a hurricane. It might only be spring, but I’ll watch this type of survival thriller any time of the year.
Speaking of thrillers, there are several prominent movies featured on the genre page. My top pick for thrillers this week is a gritty punk-rock film, now streaming on Netflix in the U.S. The other two thrillers we want to spotlight are a twisty crime tale from the 1990s and an allegorical dystopian mystery set in prison.
3
The Platform
Maybe don’t watch on a full stomach
Read what I wrote under the title again. The Platformis not for viewers with queasy stomachs. I have a strong stomach, and yet there are several moments when certain prisoners chow down where I wanted to look away. Between that and the violence, watching before dinner might be the move.
In a dystopian future, there is a prison called the Vertical Self-Management Center. Two prisoners are stationed on each floor, and there is a giant hole in the center. Every day, a platform filled with food lowers to the floor. Prisoners can have as much food as they want when the platform is on their level. However, they can no longer eat when the platform lowers to the next floor. The higher you are in the building, the more food you’ll have at your disposal. The lower floors are left to eat the scraps.
The Platform has much to say about social inequality and greed. I did not expect the Spanish thriller to be as gory as it was. This movie reflects how society treats the rich and the poor, so I should have expected a few uprisings. Overall, it’s a surprisingly effective thriller.
2
Wild Things
A steamy thriller from the 1990s
The following phrase is meant as a compliment: Wild Thingsis sexy trash. It is unapologetically lustful. It’s like playing Mad Libs with an erotic thriller. Plus, its attractive cast—Matt Dillon, Neve Campbell, Denise Richards, Daphne Rubin-Vega, and Kevin Bacon—adds to the appeal.
In Miami, high school counselor Sam Lombardo (Dillon) is accused of raping popular student Kelly Van Ryan (Richards) and outcast Suzie Toller (Campbell). Sam then hires sleazy lawyer Kenneth Bowden (Murray) to defend him at trial. As the case progresses, Detective Duquette (Bacon) remains suspicious of the girls’ motives and questions whether Sam is innocent.
I’m being intentionally vague in my synopsis because of the significant twists this movie takes. Even if you guess one of the twists, more will follow. It approaches parody with how ridiculous it is, but I’m a sucker for this movie. It’s a soap opera with scandal, murder, and sexual longing. Wild Things is a scripted version of your favorite reality TV show.
1
Caught Stealing
Austin Butler races around New York City
Austin Butler has the “it factor.” Ever since Elvis, Hollywood has been pushing Butler as one of its future stars. The 34-year-old has the looks and skills of an A-list talent. He has good taste, as evidenced by the directors he works with, a list that includes Quentin Tarantino, Jeff Nichols, Denis Villeneuve, Ari Aster, and Darren Aronofsky.
Butler headlined Aronofsky’s 2025 crime thriller Caught Stealing. In the late 1990s, Hank (Butler) is a bartender living in New York City. Hank had aspirations of playing in the MLB, but a car accident derailed his opportunity. One day, Hank’s neighbor Russ (Matt Smith) asks him to look after his cat. That small task somehow leads to Hank going on the run from Russian mobsters.
Butler is the perfect actor for this star-making performance that would have taken him to new heights had it come out in the 1990s. Caught Stealing was considered a box office flop—$32 million on an estimated budget of $40 million. I don’t necessarily blame Butler for the poor box office. I think the August 29 release date played a role in its poor performance. Butler’s inclusion in a project might not lead to significant financial gains. However, I appreciate that he made a grimy mid-budget crime thriller that has seemingly disappeared from today’s movie landscape. If Butler’s down to make more crime capers with breakneck action and frenetic pacing, sign me up.
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