Half of young Europeans turn to AI to talk about intimate matters


Before we talk about the technology, we need to talk about what it is taking from us, or teaching us to give away.

As journalists and writers covering tech, our job is not only to report what is being built, funded, launched, or regulated. It is also to pay attention to what these systems are doing to the quieter parts of human life: our loneliness, our need for attention, our private rituals of grief, our dependence on being answered.


Two years ago, I was sitting with a friend in a small neighbourhood bar, the kind of place where the food is simple and nobody rushes you out. We had ordered something modest. I remember the table more than the meal. The small plates, the noise around us, the feeling that the conversation had quietly moved somewhere heavier.

She told me she had stopped texting her friends late at night when she could not sleep.

It was not a dramatic confession. She said it almost casually. But what she meant was that she had worn them out. Or maybe she had grown tired of hearing herself repeat the same fears. The same love story she could not quite leave behind. The same questions, asked at 2 a.m., when everything feels more urgent and less solvable.

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So she had started writing to a chatbot instead.

The chatbot did not get tired. It did not judge. It did not pause before answering, the way a friend does when she is trying to be kind but has heard the story before. It was there at 2 a.m., and at 3, and on all the nights when sleep did not come. At the time, it sounded strange, but not impossible. Now it sounds like an early sign of something much larger.

She was one person. Judging by the evidence published this week, she was not an exception.

An Ipsos BVA survey commissioned by France’s privacy regulator CNIL and the insurer Groupe VYV, released through Reuters on Tuesday, found that nearly one in two young Europeans aged 11 to 25 have used AI chatbots to discuss intimate or personal matters.

Roughly 90 per cent of those surveyed had used AI tools before. More than three in five described AI as a “life adviser” or a “confidant.” Fifty-one per cent said it was easy to discuss mental health and personal issues with a chatbot, comparable to talking to friends (68 per cent) or parents (61 per cent), and substantially easier than talking to a healthcare professional (49 per cent) or a psychologist (37 per cent). About 28 per cent met the threshold for suspected generalised anxiety disorder.

The survey is being read as a youth-trend story. It is closer to a public-health diagnosis of what the rest of the support system has stopped doing.

Start with the unglamorous numbers. An OECD analysis published last week put the cost of Europe’s mental-health crisis at roughly €76bn annually. Across EU member states, an estimated 67.5 per cent of people who need mental-health treatment do not have access to it.

England’s Children’s Commissioner reported that more than a quarter of a million children are still waiting for mental-health support, with average waits in the order of 35 days and tens of thousands of cases stretching past two years. The WHO European region has been quietly warning about a youth-mental-health gap, particularly in the post-pandemic cohort, that has not closed.

Inside that gap, what teenagers and young adults face is not a choice between a chatbot and a therapist. It is a choice between a chatbot and nothing.

By the time of the little story in the beggining my friend was seeing a therapist, yet she had been talking to the chatbot for four months. She told me, with a kind of half-laugh that landed badly, that the human therapist felt slow. The chatbot, she meant, was already up to speed.

This is not a story about chatbots being bad. It is a story about what happens when the most patient, most available, most non-judgemental presence in a person’s life is a system explicitly engineered to be those things, and engineered to be them in service of engagement metrics.

The chatbot does not get tired because tiredness is bad for retention. It does not push back because pushback is bad for retention. It is, on every relevant axis, optimised against the very frictions that make a real relationship therapeutic.

Researchers at Stanford have spent the last year looking at exactly this. Their work on AI companions and young people has documented that emotionally immersive systems, when used by users who are emotionally distressed or psychologically vulnerable, can reinforce rumination, emotional dysregulation, and compulsive use.

Brown University’s School of Public Health has, in a parallel survey of US teens, found that one in eight adolescents and young adults are now using chatbots for mental-health advice specifically. The ratio in Europe is, on Tuesday’s survey, an order of magnitude higher.

The mechanism is the same on both sides of the Atlantic. A young person feels something difficult. The friend is asleep, or saturated, or busy, or judging. The parent is unreachable for the same set of reasons. The therapist is two months out, if accessible at all.

The phone, however, is in the hand. The chatbot is one tap away. It says the kind, plausible thing. It says it again. It says it for as long as the conversation continues. The first time, the relief is real. The hundredth time, the structural shift has happened.

There is a harder edge to this trend, and it is no longer hypothetical. Adam Raine, a 16-year-old in California, died by suicide in April 2025 after months of conversations with ChatGPT. According to his parents’ lawsuit and the legal filings since, the chatbot had, in his final weeks, become his most consistent confidant.

The Washington Post’s reconstruction of his last conversations described how the system, by being available, had displaced the relationships in his life that, by being human, would have been less consistently present but more capable of intervention. The case is now in court. Other suicide-linked cases involving Character.AI and similar systems are already in the docket.

It is worth noting what the chatbot industry’s earlier history with emotional engagement looks like. We wrote in 2023 on the Replika user community when the company removed romantic features, the resulting wave of user grief was genuine, and clinically interesting.

Since then, every major AI lab has invested heavily in voice modes, persistent memory, and persona continuity, precisely the design choices that make the systems feel more like companions and less like tools. The labs have argued that engagement is a proxy for usefulness.

In adult productivity contexts that argument is defensible. In the context of an 11-to-25-year-old population in which 28 per cent shows signs of generalised anxiety disorder, it is closer to a public-health choice with a marketing department.

So why is this happening?

Three forces, layered on top of each other. The first is access: European public mental-health systems are operating well below the demand they face, and the gap has fallen disproportionately on the young.

The second is design: AI labs have spent two years deliberately building systems that feel like good listeners, optimising the exact qualities that make a person hard to leave.

The third, and the one nobody likes to say out loud, is community erosion. The friends, family, and casual relationships that used to absorb late-night anxieties are themselves under pressure, working longer hours, distributed across cities, exhausted by their own crises.

Into the space where those three forces meet, the chatbot has arrived, and it has arrived for free.

The wrong response to the survey is to ban or shame young people for using the tools.

They are using them because the alternatives have, in many cases, withdrawn. We covered the regulatory backlash building around AI’s effects on minors, and that backlash is, on its own merits, useful. Age verification, default-off engagement features for under-18s, and required pathways from emotional-distress conversations to human professionals are all reasonable design constraints.

None of them, however, will fix what is causing this trend. What is causing this trend is that fifty-one per cent of young Europeans have decided it is easier to talk to a machine than to the human professionals who are supposed to be their first line of help, and they are not wrong about the relative ease.

There is a moment, when you have spoken to enough young people about this, where the appeal of the chatbot stops sounding pathological and starts sounding rational. The therapist costs €100 an hour, when you can find one. The friend is asleep. The parent is worried, or angry, or unreachable.

The chatbot is in your pocket, and it has read more about your particular shape of distress than the local GP ever will. It is, on the consumer-experience metrics that matter to a person at 2 a.m., the better product.

The discomfort is in what that sentence implies about the rest of the system. A generation has done the maths and concluded that what the support infrastructure offers, in time, in cost, in patience, is worse than what a Silicon Valley product can deliver overnight. They are, on Tuesday’s evidence, voting with their thumbs.

What we owe them, as adults who built the systems they are routing around, is not a panic about the tools. It is a serious conversation about why so many of them feel they have no one else to call.



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Disney+ is embracing the Dark Side, as Star Wars: Maul – Shadow Lord is about to emerge on the service. Before The Mandalorian brought Star Wars into live-action television, the franchise was thriving in animated form, thanks to the initial success of Star Wars: The Clone Wars. Among the many new twists that the series introduced, one of the most notable developments was the return of Darth Maul after his apparent death in Star Wars: The Phantom Menace.

Now, after several series that have developed the character from a terrifying figure to a tragic Sisyphean antagonist, Maul – Shadow Lord will throw the character into a fight against the tyranny of the Empire, leading to tense chases and surprise alliances:

What is Star Wars: Maul – Shadow Lord?

The former Sith Lord returns

Star Wars: Maul – Shadow Lord is set on the newly introduced world of Janix, a planet on the Mid Rim of the galaxy far, far away that has been unbothered by the still young Galactic Empire in the wake of the Clone Wars. While the planet’s Tactical Defense Force keeps the population in check, the planet has become host to individuals looking to avoid Imperial interests, either out of fear for their lives or to rebuild in the shadows.

Following his usurping of Mandalore and escape from Republic custody in The Clone Wars season 7, Maul is attempting to rebuild the Shadow Collective crime syndicate with what remains of his forces, including fellow Dathomirian Zabraks and Mandalorian supercommandos. As Maul’s operations become too much for the TDF to handle, the Empire establishes a foothold on Janix. While grappling with Stormtroopers and Inquisitors, Maul must make an uneasy alliance with a young Jedi on the run if he wants to initiate his plan for revenge.

Who is in Star Wars: Maul – Shadow Lord?

An Oscar nominee joins the cast

Star Wars: Maul – Shadow Lord sees Sam Witwer reprise the role of the former Sith Lord-turned-crime lord from his appearances across Star Wars: The Clone Wars and Star Wars: Rebels. Fellow Rebels stars Vanessa Marshall and Steve Blum join him as the Mandalorian Rook Kast and Zabrak fighter Icarus. Meanwhile, Gideon Adlon takes on the role of the young Twilek Padawan Devon Izara, while Dennis Haysbert’s Master Eeko-Dio Daki hopes to guide her in the Dark Times.

Meanwhile, Oscar-nominee Wagner Moura will provide the voice of TDF captain Brander Lawson, with Richard Ayoade voicing his partner Two-Boots, and Charlie Bushnell voicing his son, Rylee. Chris Diamantopoulos and Stephen Stanton will voice crime lords Looti Vario and Marg Krim, David W. Collins will voice Spybot, and A.J. LoCascio will voice Marrok, the Inquisitor first introduced in Ahsoka.

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When does Star Wars: Maul – Shadow Lord take place?

Stuck between two familiar events

Devon is imprisoned in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord is set during the Dark Times, the period of the Star Wars franchise between Revenge of the Sith and A New Hope where the Empire was expanding its power over the galaxy, with those who opposed them choosing to lurk in the shadow. This period has been explored in The Bad Batch, Star Wars Rebels, Obi-Wan Kenobi, Andor, and the Star Wars: Jedi video game franchise, as well as briefly explored in select episodes of the Tales of the Jedi, Tales of the Empire, and Tales of the Underworld anthology series.

Some TV show characters with the Andor logo in the background.


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In the trailer itself, Maul and Devon are seen facing Stormtroopers wearing TK armor, an early version of Stormtrooper armor that was introduced in The Bad Batch season 1. This means that the Empire is still in a time of transition from the Galactic Republic to the forces that we see closer to the Star Wars Original Trilogy. As such, Maul – Shadow Lord events are likely happening concurrently with the events of The Bad Batch’s later two seasons.

Maul – Shadow Lord can finally explain the final years of the Sith Lord’s life

Time to explore new horizons

Maul ignites half of his lightsaber in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

While The Clone Wars successfully resurrected Maul and Rebels would give him a fitting end, there is still a large portion of his story left unexplored. While it is unclear whether the series will receive multiple seasons, the show will explore how he rearranged his forces from the Shadow Collective into Crimson Dawn, the faction first introduced in Solo: A Star Wars Story. Paul Bettany’s Dryden Vos did feature as a cameo in The Clone Wars’s final season, but the arc largely focused on Maul’s Mandalorian forces over his other agents. As such, Maul – Shadow Lord can complete his turn from a man well-aware of Smith’s schemes into his own fully-fledged criminal mastermind.

Furthermore, the presence of Devon in Maul’s story is allowing Lucasfilm to dust off long-scrapped plans. Prior to the Disney acquisition, a Darth Maul-focused game was in development that saw Maul paired with Darth Talon, another red-skinned Twilek, at the behest of George Lucas himself, as the pair took on the galaxy. While Devon may not be a direct adaptation of Talon in the existing canon, Witwer has teased that the series will finally adapt several unused concepts for Maul to screen, and Devon’s visual similarities to Talon could suggest that the series will fulfill one of Lucas’s final ideas for the franchise.

When will Star Wars: Maul – Shadow Lord stream?

Two-episode premiere coming soon

Maul in hiding in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord will arrive on Disney+ on April 6th with a two-episode premiere. The series will then release two new episodes every Monday, culminating in the finale on May 4. While one of the shorter Star Wars series, Maul’s long-awaited 10-part story will finally give fans a glimpse into the mind of one of the Dark Side’s most terrifying warriors.



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