YouTube’s auto-dubbing is missing one crucial feature: an off switch



I have been watching MKBHD for years. Long enough that Marques’ voice is part of the experience. So when a recent upload started playing on my TV and he was suddenly speaking Japanese, it took me a moment to process what was actually happening.

This was not something I had turned on. YouTube had somehow decided, apparently due to the Japanese text on his T-shirt (but probably because I watch a lot of anime with English subtitles), that I should be hearing a dubbed version in a language I did not understand. It did not matter that the video was recorded in English or that I had watched hundreds of his videos in English without issue. There was no warning, no prompt, and no clear instructions to switch back. Just a different voice coming out of a familiar face.

That experience is what auto-dubbing looks like for many viewers. And the frustrating part is not that the feature exists. It is that viewers have almost no say over when it applies to them.

Creators got a switch. Viewers did not.

YouTube has, to its credit, given creators meaningful control. A creator who does not want their videos auto-dubbed can disable it in YouTube Studio. That is a sensible approach. It acknowledges that a creator’s voice is their identity, and that replacing it requires consent. But that logic doesn’t extend to viewers. On the viewer’s side, the only option is to manually switch the audio track on each video, one at a time, every single time. There’s no global setting. There’s no “always play original audio.” There’s no memory of what you chose five minutes ago.

Hey there! To clarify, creators are the ones who can turn off automatic dubbing for their channels: https://t.co/NnWpNGnybb Right now, you can continue to switch the content you’re watching to the original audio using the audio toggle option (Settings > Audio Track) in the…

— TeamYouTube (@TeamYouTube) May 3, 2026

This asymmetry is strange. YouTube has somehow concluded that creators deserve a persistent, channel-level preference about their own content, but that viewers do not deserve the same courtesy about their watching experience. The platform that remembers your watch history to the minute, that knows which videos you rewatched and which you abandoned at the three-second mark, cannot remember that you switched a dubbed track off yesterday.

Auto-dubbing doesn’t affect all viewers equally. Multilingual users are often served auto-dubbed videos even when they understand the original language. Language learners studying through immersive content have the actual foreign audio swapped out for a translation, precisely the opposite of why they opened the video. Expats maintaining fluency in a language they no longer live around face the same problem. In each case, YouTube’s system sees a language setting and applies a rule without nuance.

When users start fishing for workarounds, something is wrong

The workarounds people have resorted to tell the real story. Browser extensions that force original audio. Modified third-party apps that bypass auto-dubbing. Guides on Reddit walking users through the steps to disable the feature using the “Preferred languages” option (though comments on that very thread report the setting does not always hold, with the platform quietly reverting to dubbed audio for some videos). Some are doing this on principle, frustrated by the lack of control. Others have a simpler reason: the dubbed voices are flat, robotic, and lack personality.

YouTube heard that last complaint, at least. Earlier this year, it rolled out an Expressive Speech update that uses Gemini to replicate the creator’s tone, pitch, and emotional delivery. The idea was that dubs would finally stop sounding like a waiting-room announcement, but the results have been mixed.

While the quality of the dubs may improve as the technology matures, the lack of an off switch will remain a pain point for many viewers. When a significant portion of your user base is engineering their way around a feature you shipped as an improvement, the feature has a problem, and the problem is not the technology.

One toggle. That’s all it takes.

Auto-dubbing is not a bad idea. There are genuine use cases: a viewer who cannot read subtitles, someone watching in a second language who wants a crutch, a casual viewer who simply prefers their native tongue and has no strong attachment to the creator’s original voice. For those people, auto-dubbing is a meaningful improvement, and the platform should absolutely offer it.

But offering a feature and silently defaulting to it are different things. YouTube has built the machinery to translate the world’s content and forgotten to ask whether each individual viewer wanted to be translated to. The assumption that everyone watching in a given language wants the audio in that language sounds reasonable in a product meeting. In practice, it is frustrating enough that you’ll find related threads across every forum where YouTube users gather.

The fix is not complicated. A single toggle in the account settings that lets users disable the feature. One that applies to every video on the platform, including Shorts. Creators already have their version of this. Viewers should have theirs.

Until they do, auto-dubbing will feel less like accessibility and more like a service that is very confident it knows what you want, and very uninterested in being corrected.



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Disney+ is embracing the Dark Side, as Star Wars: Maul – Shadow Lord is about to emerge on the service. Before The Mandalorian brought Star Wars into live-action television, the franchise was thriving in animated form, thanks to the initial success of Star Wars: The Clone Wars. Among the many new twists that the series introduced, one of the most notable developments was the return of Darth Maul after his apparent death in Star Wars: The Phantom Menace.

Now, after several series that have developed the character from a terrifying figure to a tragic Sisyphean antagonist, Maul – Shadow Lord will throw the character into a fight against the tyranny of the Empire, leading to tense chases and surprise alliances:

What is Star Wars: Maul – Shadow Lord?

The former Sith Lord returns

Star Wars: Maul – Shadow Lord is set on the newly introduced world of Janix, a planet on the Mid Rim of the galaxy far, far away that has been unbothered by the still young Galactic Empire in the wake of the Clone Wars. While the planet’s Tactical Defense Force keeps the population in check, the planet has become host to individuals looking to avoid Imperial interests, either out of fear for their lives or to rebuild in the shadows.

Following his usurping of Mandalore and escape from Republic custody in The Clone Wars season 7, Maul is attempting to rebuild the Shadow Collective crime syndicate with what remains of his forces, including fellow Dathomirian Zabraks and Mandalorian supercommandos. As Maul’s operations become too much for the TDF to handle, the Empire establishes a foothold on Janix. While grappling with Stormtroopers and Inquisitors, Maul must make an uneasy alliance with a young Jedi on the run if he wants to initiate his plan for revenge.

Who is in Star Wars: Maul – Shadow Lord?

An Oscar nominee joins the cast

Star Wars: Maul – Shadow Lord sees Sam Witwer reprise the role of the former Sith Lord-turned-crime lord from his appearances across Star Wars: The Clone Wars and Star Wars: Rebels. Fellow Rebels stars Vanessa Marshall and Steve Blum join him as the Mandalorian Rook Kast and Zabrak fighter Icarus. Meanwhile, Gideon Adlon takes on the role of the young Twilek Padawan Devon Izara, while Dennis Haysbert’s Master Eeko-Dio Daki hopes to guide her in the Dark Times.

Meanwhile, Oscar-nominee Wagner Moura will provide the voice of TDF captain Brander Lawson, with Richard Ayoade voicing his partner Two-Boots, and Charlie Bushnell voicing his son, Rylee. Chris Diamantopoulos and Stephen Stanton will voice crime lords Looti Vario and Marg Krim, David W. Collins will voice Spybot, and A.J. LoCascio will voice Marrok, the Inquisitor first introduced in Ahsoka.

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When does Star Wars: Maul – Shadow Lord take place?

Stuck between two familiar events

Devon is imprisoned in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord is set during the Dark Times, the period of the Star Wars franchise between Revenge of the Sith and A New Hope where the Empire was expanding its power over the galaxy, with those who opposed them choosing to lurk in the shadow. This period has been explored in The Bad Batch, Star Wars Rebels, Obi-Wan Kenobi, Andor, and the Star Wars: Jedi video game franchise, as well as briefly explored in select episodes of the Tales of the Jedi, Tales of the Empire, and Tales of the Underworld anthology series.

Some TV show characters with the Andor logo in the background.


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In the trailer itself, Maul and Devon are seen facing Stormtroopers wearing TK armor, an early version of Stormtrooper armor that was introduced in The Bad Batch season 1. This means that the Empire is still in a time of transition from the Galactic Republic to the forces that we see closer to the Star Wars Original Trilogy. As such, Maul – Shadow Lord events are likely happening concurrently with the events of The Bad Batch’s later two seasons.

Maul – Shadow Lord can finally explain the final years of the Sith Lord’s life

Time to explore new horizons

Maul ignites half of his lightsaber in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

While The Clone Wars successfully resurrected Maul and Rebels would give him a fitting end, there is still a large portion of his story left unexplored. While it is unclear whether the series will receive multiple seasons, the show will explore how he rearranged his forces from the Shadow Collective into Crimson Dawn, the faction first introduced in Solo: A Star Wars Story. Paul Bettany’s Dryden Vos did feature as a cameo in The Clone Wars’s final season, but the arc largely focused on Maul’s Mandalorian forces over his other agents. As such, Maul – Shadow Lord can complete his turn from a man well-aware of Smith’s schemes into his own fully-fledged criminal mastermind.

Furthermore, the presence of Devon in Maul’s story is allowing Lucasfilm to dust off long-scrapped plans. Prior to the Disney acquisition, a Darth Maul-focused game was in development that saw Maul paired with Darth Talon, another red-skinned Twilek, at the behest of George Lucas himself, as the pair took on the galaxy. While Devon may not be a direct adaptation of Talon in the existing canon, Witwer has teased that the series will finally adapt several unused concepts for Maul to screen, and Devon’s visual similarities to Talon could suggest that the series will fulfill one of Lucas’s final ideas for the franchise.

When will Star Wars: Maul – Shadow Lord stream?

Two-episode premiere coming soon

Maul in hiding in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord will arrive on Disney+ on April 6th with a two-episode premiere. The series will then release two new episodes every Monday, culminating in the finale on May 4. While one of the shorter Star Wars series, Maul’s long-awaited 10-part story will finally give fans a glimpse into the mind of one of the Dark Side’s most terrifying warriors.



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