Press freedom hits 25-year low as RSF names tech platforms alongside authoritarian governments as causes


TL;DR

The 2026 RSF World Press Freedom Index records the lowest level of press freedom in 25 years. For the first time, more than half of all countries are rated “difficult” or “very serious,” and less than one per cent of the world’s population lives in a country rated “good.” The US dropped to 64th, its historic low. The report names technology platforms, specifically Meta’s abolition of fact-checking and Musk’s near-daily attacks on the media, as structural causes alongside authoritarian governments and the criminalisation of journalism in 110 countries.

For the first time in the 25-year history of the World Press Freedom Index, more than half of the world’s countries now fall into the “difficult” or “very serious” categories for press freedom. The share is 52.2 per cent, up from 13.7 per cent when Reporters Without Borders first published the index in 2002. The proportion of the world’s population living in a country where press freedom is rated “good” has collapsed from 20 per cent to less than one per cent. Only seven countries, all in northern Europe and led by Norway for the tenth consecutive year, still qualify. The average score across all 180 countries and territories has never been lower. The report, published on 30 April, identifies the usual suspects: authoritarian governments, emergency legislation repurposed to silence journalists, and the physical violence that has killed more than 220 media workers in Gaza since October 2023. But it also names a cause that the technology industry would prefer not to discuss: the platforms themselves. “Authoritarian states, complicit or incompetent political powers, predatory economic actors and under-regulated online platforms” are collectively responsible for the decline, said Anne Bocande, RSF’s editorial director. The technology industry appears in every category except the first.

Press-freedom-index-2026-world-map

Press freedom index 2026 World map, source: Reporters Without Borders

The numbers

Press freedom has deteriorated in 100 out of 180 countries in the 2026 index. More than 60 per cent of countries, 110 out of 180, have criminalised media workers through mechanisms that include anti-terrorism statutes, national security laws, and vaguely worded disinformation legislation. The legal environment showed the fastest rate of deterioration of any indicator, with declines recorded in over 60 per cent of countries. Russia, ranked 172nd, holds 48 journalists behind bars. China is 178th. India is 157th. Hong Kong has dropped 122 places to 140th since Beijing tightened control over the territory. El Salvador has fallen 105 places since 2014. Georgia has dropped 75 places as its government has intensified its crackdown on the press. Eritrea is last for the third consecutive year. The one significant improvement belongs to Syria, which climbed 36 places following the fall of the Assad regime, the largest single-year gain in the index’s history.

The United States dropped seven places to 64th, its lowest ranking ever. RSF attributed the decline to the Trump administration’s “systematic” attacks on press freedom, including the detention and deportation of Salvadoran journalist Mario Guevara, who had been reporting on the arrests of migrants, the “drastic reduction” in funding for US international broadcasting, efforts to dismantle public broadcasters, and the use of government agencies and lawsuits to punish media outlets critical of the administration. “Trump and his administration have carried out a coordinated war on press freedom since the day he took office, and we will live with the consequences for years to come,” said Clayton Weimers, executive director of RSF’s North America section. The Varieties of Democracy Institute’s 2026 Democracy Report found that US freedom of expression had declined to World War II levels. The country that historically positioned itself as the global guarantor of press freedom is now ranked below Burkina Faso.

Press freedom in the Americas

Press freedom in the Americas , source: Reporters Without Borders 

The platforms

The 💜 of EU tech

The latest rumblings from the EU tech scene, a story from our wise ol’ founder Boris, and some questionable AI art. It’s free, every week, in your inbox. Sign up now!

The 2026 index devotes more space to technology companies than any previous edition, and the language is not diplomatic. RSF describes how “the growing dominance of major technology companies, and the consequences of their shifting policies and practices, have created fertile ground for hate speech and disinformation to spread online.” The report names specific mechanisms: platform algorithms that favour disinformation over verified reporting, the facilitation of Russian disinformation campaigns through platform infrastructure, and the abolition of platform-integrated fact-checking.

The last point refers to Meta’s decision to dismantle its fact-checking programme and replace it with a system modelled on X’s Community Notes. RSF calls this the “Muskification” of Meta’s platforms, a process in which “private sector interests prevail over the need for a public conversation based on facts.” Elon Musk himself features prominently in the report. Between September 2024 and September 2025, RSF documented more than 1,000 pieces of content hostile to the media posted by Musk on X, an average of nearly three attacks per day. RSF has filed a legal complaint against X in France, alleging that the platform’s policies systematically enable disinformation to flourish. The technology industry’s two most powerful social media platforms are now, in RSF’s assessment, actively hostile to the journalism they were once expected to support.

The economics

The RSF report addresses the structural threats to press freedom but does not dwell on the economic ones, which are arguably more consequential. The advertising revenue that once funded newsrooms globally has been captured by the same technology platforms whose algorithms now favour disinformation over journalism. Google was fined €250 million by the French competition authority for using news content to train its AI models without permission or payment, a ruling that illustrates the asymmetry: the platforms extract the value of journalism, using it to train models and populate search results, while the institutions that produce it lose the revenue they need to operate. Publishers have begun suing AI companies for scraping their content, but the economic damage has already been done. The business model that sustained independent journalism for a century, advertising sold against an audience that had no alternative source of information, ceased to exist the moment that audience moved to platforms controlled by companies with no institutional commitment to press freedom.

The convergence of AI and disinformation compounds the problem. AI-generated deepfakes, voice clones, and synthetic media have made it cheaper and faster to produce false information than to verify true information. The cost asymmetry is structural: a deepfake can be generated in seconds; a fact-check requires hours of human labour. The risks of AI are most visible in the information environment, where the technology’s capacity to generate plausible content at scale intersects with platform incentive structures that reward engagement over accuracy. The 2026 index records the result: a world in which the infrastructure for distributing false information is more sophisticated, more accessible, and better funded than the infrastructure for producing true information.

The war zones

Gaza remains the deadliest place in the world for journalists. More than 220 media workers have been killed since October 2023, including at least 70 who were slain while carrying out their work. The Israeli army is, by RSF’s count, the single largest killer of journalists in the world. Twenty Palestinian journalists remain in Israeli detention, 16 of whom were arrested in Gaza and the West Bank over the past two years. The Committee to Protect Journalists, in a February report based on testimonies from 59 imprisoned Palestinian journalists, documented systematic abuse including torture, severe beatings, sexual violence, starvation, and medical neglect. Israel has imposed repeated communications blackouts across Gaza and continues to ban foreign press access to the territory entirely. Israel’s own ranking fell four places in the 2026 index.

Eastern Europe and the Middle East are the two most dangerous regions for journalists overall. Russia’s war in Ukraine continues to produce casualties among media workers, and Moscow’s use of anti-terrorism and anti-extremism legislation to imprison journalists has become a model that other authoritarian governments have adopted. India, ranked 157th, has used sedition laws, the Unlawful Activities Prevention Act, and foreign contribution regulations to criminalise reporting that the government considers hostile. The pattern across all of these countries is the same: laws designed for other purposes, national security, counter-terrorism, public order, are repurposed to criminalise journalism, and the platforms through which journalism is distributed either amplify the disinformation that displaces it or, in the case of communications blackouts, are shut down entirely.

The trajectory

The 2026 RSF index does not offer optimism, and there is no reason to supply any. The trajectory is clear: press freedom has declined in every year of the index’s existence, and the rate of decline is accelerating. The political alignment between governments and technology platforms is tightening rather than loosening. Trump’s AI policy explicitly prioritises minimal regulation of the companies whose platforms are degrading the information environment. Musk’s political activities, which span government advisory roles, platform ownership, and personal attacks on journalists, represent a new category of threat that the RSF index was not originally designed to measure: the technology oligarch who is simultaneously a political actor, a platform owner, and an antagonist of the press. Zuckerberg’s abandonment of fact-checking in favour of a system that outsources content moderation to the crowd follows the same logic. The platforms are not neutral infrastructure. They are editorial systems that have chosen, for commercial and political reasons, to deprioritise the accuracy of the information they distribute.

Europe and Central Asia (EECA)

Europe and Central Asia (EECA), source: Reporters Without Borders

The seven countries where press freedom is still rated “good,” Norway, the Netherlands, Estonia, and four other small northern European democracies, are now statistical outliers, representing less than one per cent of the global population. The other 99 per cent live in countries where the state of press freedom is, at best, “satisfactory” and, at worst, a direct threat to the safety of anyone who attempts to practise journalism. The RSF index measures conditions as they are. What it cannot measure is the cumulative effect of 25 years of decline on the quality of the information that the public receives, the decisions that are made on the basis of that information, and the accountability of the institutions, including technology companies, that are never held to account because the people whose job it is to hold them to account are in prison, in exile, or dead.



Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews


Disney+ is embracing the Dark Side, as Star Wars: Maul – Shadow Lord is about to emerge on the service. Before The Mandalorian brought Star Wars into live-action television, the franchise was thriving in animated form, thanks to the initial success of Star Wars: The Clone Wars. Among the many new twists that the series introduced, one of the most notable developments was the return of Darth Maul after his apparent death in Star Wars: The Phantom Menace.

Now, after several series that have developed the character from a terrifying figure to a tragic Sisyphean antagonist, Maul – Shadow Lord will throw the character into a fight against the tyranny of the Empire, leading to tense chases and surprise alliances:

What is Star Wars: Maul – Shadow Lord?

The former Sith Lord returns

Star Wars: Maul – Shadow Lord is set on the newly introduced world of Janix, a planet on the Mid Rim of the galaxy far, far away that has been unbothered by the still young Galactic Empire in the wake of the Clone Wars. While the planet’s Tactical Defense Force keeps the population in check, the planet has become host to individuals looking to avoid Imperial interests, either out of fear for their lives or to rebuild in the shadows.

Following his usurping of Mandalore and escape from Republic custody in The Clone Wars season 7, Maul is attempting to rebuild the Shadow Collective crime syndicate with what remains of his forces, including fellow Dathomirian Zabraks and Mandalorian supercommandos. As Maul’s operations become too much for the TDF to handle, the Empire establishes a foothold on Janix. While grappling with Stormtroopers and Inquisitors, Maul must make an uneasy alliance with a young Jedi on the run if he wants to initiate his plan for revenge.

Who is in Star Wars: Maul – Shadow Lord?

An Oscar nominee joins the cast

Star Wars: Maul – Shadow Lord sees Sam Witwer reprise the role of the former Sith Lord-turned-crime lord from his appearances across Star Wars: The Clone Wars and Star Wars: Rebels. Fellow Rebels stars Vanessa Marshall and Steve Blum join him as the Mandalorian Rook Kast and Zabrak fighter Icarus. Meanwhile, Gideon Adlon takes on the role of the young Twilek Padawan Devon Izara, while Dennis Haysbert’s Master Eeko-Dio Daki hopes to guide her in the Dark Times.

Meanwhile, Oscar-nominee Wagner Moura will provide the voice of TDF captain Brander Lawson, with Richard Ayoade voicing his partner Two-Boots, and Charlie Bushnell voicing his son, Rylee. Chris Diamantopoulos and Stephen Stanton will voice crime lords Looti Vario and Marg Krim, David W. Collins will voice Spybot, and A.J. LoCascio will voice Marrok, the Inquisitor first introduced in Ahsoka.

Subscription with ads

Yes, the Disney Basic plan

Simultaneous streams

Up to 4


When does Star Wars: Maul – Shadow Lord take place?

Stuck between two familiar events

Devon is imprisoned in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord is set during the Dark Times, the period of the Star Wars franchise between Revenge of the Sith and A New Hope where the Empire was expanding its power over the galaxy, with those who opposed them choosing to lurk in the shadow. This period has been explored in The Bad Batch, Star Wars Rebels, Obi-Wan Kenobi, Andor, and the Star Wars: Jedi video game franchise, as well as briefly explored in select episodes of the Tales of the Jedi, Tales of the Empire, and Tales of the Underworld anthology series.

Some TV show characters with the Andor logo in the background.


Finished Andor? Stream These Star Wars Shows and Movies Next

The Star Wars universe has plenty to watch to keep the Force flowing now that Andor’s finished.

In the trailer itself, Maul and Devon are seen facing Stormtroopers wearing TK armor, an early version of Stormtrooper armor that was introduced in The Bad Batch season 1. This means that the Empire is still in a time of transition from the Galactic Republic to the forces that we see closer to the Star Wars Original Trilogy. As such, Maul – Shadow Lord events are likely happening concurrently with the events of The Bad Batch’s later two seasons.

Maul – Shadow Lord can finally explain the final years of the Sith Lord’s life

Time to explore new horizons

Maul ignites half of his lightsaber in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

While The Clone Wars successfully resurrected Maul and Rebels would give him a fitting end, there is still a large portion of his story left unexplored. While it is unclear whether the series will receive multiple seasons, the show will explore how he rearranged his forces from the Shadow Collective into Crimson Dawn, the faction first introduced in Solo: A Star Wars Story. Paul Bettany’s Dryden Vos did feature as a cameo in The Clone Wars’s final season, but the arc largely focused on Maul’s Mandalorian forces over his other agents. As such, Maul – Shadow Lord can complete his turn from a man well-aware of Smith’s schemes into his own fully-fledged criminal mastermind.

Furthermore, the presence of Devon in Maul’s story is allowing Lucasfilm to dust off long-scrapped plans. Prior to the Disney acquisition, a Darth Maul-focused game was in development that saw Maul paired with Darth Talon, another red-skinned Twilek, at the behest of George Lucas himself, as the pair took on the galaxy. While Devon may not be a direct adaptation of Talon in the existing canon, Witwer has teased that the series will finally adapt several unused concepts for Maul to screen, and Devon’s visual similarities to Talon could suggest that the series will fulfill one of Lucas’s final ideas for the franchise.

When will Star Wars: Maul – Shadow Lord stream?

Two-episode premiere coming soon

Maul in hiding in in Star Wars_ Maul - Shadow Lord. Credit: Lucasfilm

Star Wars: Maul – Shadow Lord will arrive on Disney+ on April 6th with a two-episode premiere. The series will then release two new episodes every Monday, culminating in the finale on May 4. While one of the shorter Star Wars series, Maul’s long-awaited 10-part story will finally give fans a glimpse into the mind of one of the Dark Side’s most terrifying warriors.



Source link