AI integration needs accountability, not just innovation


Artificial intelligence has already embedded itself into the rhythms of modern life, shaping decisions in ways that often go unnoticed. Amy Trahey, founder of Great Lakes Engineering Group, believes that integration is exactly what makes it powerful and, in many cases, risky. From her perspective in engineering, she sees AI as something that directly influences outcomes tied to public safety, funding, and long-term trust. 

Her understanding of AI began outside formal systems. It revealed itself through daily interactions with technology, from predictive recommendations to voice-enabled tools that respond almost instinctively, which paved the way for a sudden epiphany.

Amy Trahey, P.E.

Amy Trahey, P.E.

She says, “I realized how AI is integrated into everything. Whether I watch something on streaming platforms, whether I’m talking on the phone, and suddenly I’m seeing ads for what I spoke about, it’s already part of how we live, and it’s moving faster than any of us can keep up with.” That speed, in her view, creates a leadership gap. Organizations are adopting AI at scale, and Trahey believes many leaders underestimate how quickly their teams are already relying on it. 

She points to studies showing that nearly three out of four companies now use AI in some capacity, interpreting that as proof that passive oversight is no longer viable. “You have to realize your team is going to use it. It’s not a question anymore. So if that’s the case, then it becomes your responsibility to understand it and make sure it’s being used the right way,” Trahey explains. 

Education became her first step toward that responsibility. She enrolled in a five-week intensive program focused on AI prompting, approaching it with the same discipline she applies to engineering work. What she found reshaped her perspective. “It truly is transformational technology. This is on the level of the World Wide Web, but it’s evolving even faster,” Trahey shares. “It has great power to make positive changes, and naturally, it has the potential to be used the wrong way. It all comes down to intent and whether you’re doing things with integrity.

At Great Lakes Engineering Group, Trahey finds it imperative to establish that duality to ensure that efficiency gains are measurable. She highlights using AI to translate complex engineering briefs and updates into concise and coherent communication for clients, to generate structured meeting documentation in minutes instead of hours. The value, she posits, lies in augmenting human capability, not replacing it. 

Oversight, however, remains fundamental to her process. She insists that no AI-generated output should move forward without human review, particularly in high-stakes environments. Within her work, which revolves around overseeing bridge and transportation infrastructure projects, due diligence finds greater relevance. 

It acts as an assistant for me, and sometimes as an advisor,” Trahey explains. “But everything still comes back to me. I review it before it goes anywhere. It’s known to hallucinate, and it can try to please you by giving you what it thinks you want to hear. That’s where human responsibility comes in. You cannot take your hands off the wheel.

Responsibility extends into organizational culture as well, as Trahey recognized early that AI adoption within her team required structure, not restriction. Observing younger engineers already integrating these tools into their workflows prompted her to formalize guidelines. “We do bridge design. We’re working on things that are technically complex and tied to safety,” she says. “If people are using AI, then I need to understand it so I can create policies around what’s acceptable and what’s not. That’s part of leadership. You don’t ignore it. You define how it’s used.”

Her framework draws a clear line between ethical efficiency and misuse. Automating administrative tasks or organizing large datasets represents what she considers appropriate use. In her view, misrepresenting AI-generated work or exploiting time savings for financial gain reflects a breakdown in professional integrity. She speaks directly to that risk.

 “There are people who will use it and then bill five hours for something that took five minutes. That’s not innovation. That’s a lack of integrity. And when you’re dealing with taxpayer money or public safety, that matters.

Her concerns also extend to societal implications. Trahey believes the accessibility of AI introduces new risks that require coordinated oversight. “When something this powerful is accessible to every human being across the globe, there has to be some level of legislative involvement. We need guidelines and accountability. This isn’t just for technically savvy people anymore. This is for everybody,” Trahey shares. 

Personal experience adds another layer to her perspective. Watching her son Quinn interact with AI as someone with autism has highlighted its potential and its complexity. She sees value in its ability to support communication, especially for individuals who struggle to express themselves. At the same time, she remains attentive to how that interaction is framed. “He sees it as something he can talk to, and there’s a benefit in that,” she explains. “But it’s my job to help him understand what it is and what it isn’t. It’s a tool, not a person. That distinction matters.”

Trahey’s approach to AI reflects a consistent principle. Innovation should be pursued with intention, supported by education, and governed by clear standards. She believes organizations that engage with AI thoughtfully will be better positioned to harness its benefits without compromising trust, and as the world accelerates into the new era of technological collaboration, that distinction, she says, makes all the difference.



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Recent Reviews


As someone who finds multi-leveled amusement in things that are taboo and inappropriate, I love a good dark comedy. Through sharp, cynical wit, they highlight and critique the absurdities of life while also serving as bridges between comedies and tragedies, with intentional goals of provoking thought from discomfort while simultaneously providing a cathartic release.

As we slide into this special mid-April weekend, we’re doing so with three darkly hilarious shows on Amazon Prime Video—our top pick being a newly released series inspired by true events.

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Weeds

Illegal suburban activity with biting humor

The two-time Emmy Award-winning show Weeds is a darkly hilarious, must-see suburban satire that took a simple comedic premise to an unexpected place. Its complex narrative revolves around an upper-middle-class mother who turns to selling marijuana to support her family in the wake of her husband’s death. The Institute’s Mary-Louise Parker stars alongside Jeffrey Dean Morgan, Bob Odenkirk, Jennifer Jason Leigh, the late Kevin Nealon, and more.

When her husband dies, housewife Nancy Botwin (Parker) is buried under a mound of debt, with a family to support and an expensive lifestyle in an elite Southern California neighborhood. Needing money fast, she starts slinging weed on the DL with her brother-in-law’s friend, Conrad (The 40-Year-Old Virgin‘s Romany Malco), and his family. As the story unfolds, audiences get a fascinating look at how the maven of Mary Jane and her family engage with and push against the status quo and societal expectations of the time. It also explores immigration, privilege, body-shaming, religion, sexuality, and the war in Iraq.

Though the eight-part show is genuinely laugh-out-loud funny, contains an easy-to-root-for protagonist, and is riddled with the kinds of dramatic twists you’d see in a soap opera, we’re still unpacking all the ugly societal truths its narrative calls out, including the ways in which the suburbs push conformity on the middle class. You’ll love the biting satirical humor, dysfunctional family dynamics, and all the questionable moral decisions.

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The Horror of Dolores Roach

A comedic descent into becoming a serial killer

A dark comedy-horror series acting as a modern-day Sweeney Todd tale, The Horror of Dolores Roach is set in gentrified Washington Heights in New York City and is an urban legend created by Aaron Mark, who also developed the story into a one-woman off-Broadway play as well as a popular Spotify podcast. Fans of shows like Dexter and Hannibal will love it.

After 16 years in prison, former marijuana dealer Dolores (Justina Machado) seeks a new life upon her release, only to find everything about the life she knew destroyed. With nowhere to go, she lives and works as an unlicensed masseuse in the basement of a friend’s empanada shop. When her stability is threatened and her desperation for revenge and survival awakens, Dolores experiences outbursts of murderous rage. To help keep her safe, her friend Luis (New Amsterdam‘s Alejandro Hernandez) chops up her victims’ bodies and uses them as a secret ingredient in his empanada fillings.

These modern Sweeney Todd-like episodes are fast-paced with a 30-minute runtime and a campy, entertaining tone, so the one-season show makes for a quick, easy binge in its satirical take on gentrification and its thematic explorations of wrongful conviction and survival.

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Population: 11

Comedy meets thriller meets true crime

A very newly released comedy-crime series, Population: 11 is an Australian-based story about a man searching for his estranged, now-missing father in an extremely tiny Outback town with a population of 12 people. Though the premise is quirky, it is loosely inspired by true events and heavily influenced by the 2017 vanishing of a man and his dog without a trace from a small Australian Outback town with 11 residents, where local feuds made everyone a suspect.

American Andy Pruden (Superstore‘s Ben Feldman) travels to the remote, desolate Outback town to visit his estranged father. Upon his arrival, he learns his father has vanished into thin air. None of the town’s 11 residents, who all seem to harbor secrets and what Andy calls “murderer energy,” know his whereabouts. After meeting local podcaster Cassie (Gold Diggers’ Perry Mooney), the two decide, along with a “motley crew” of locals, to investigate what’s really going on.

The show does an excellent job of balancing tension with well-timed wit, and its peculiar blend of, at times, violent, dark comedy is rooted in an underlying foundation of oddball sweetness that keeps you engaged from start to finish. If you like peppy, quirky, fast-paced mysteries chock-full of cleverness and suspense, you’ll enjoy Population: 11, especially if you are a fan of shows like The Tourist. With just 12 half-hour episodes, you can binge this engaging series in one afternoon.


Though Prime Video recently increased its fees, don’t let that deter you from keeping your subscription, as there are variably priced options. Plus, with all the new content set to come our way soon, you don’t want to be left out on all the fun!

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