The search for dark matter has blown wide open


The hope is that someday, a bit of dark matter called a weakly interacting massive particle (a WIMP, for short) will collide with a xenon atom, creating a burst of light and electric charge. After running for years, these experiments have recently begun seeing infrequent blips from a particle that glides ethereally through ordinary matter until it crashes into the detectors. Unfortunately, the new signal is not produced by dark matter. Instead, the detectors are picking up on something similarly insubstantial but much more mundane: neutrinos, the featherweight subatomic particles that the sun and other stars produce in massive quantities.

Physicists’ failure to find dark matter where they thought it was has led to a cornucopia of proposals for new ways to search: quantum sensors, liquid-helium-based detectors, searches in Jupiter’s atmosphere, and more.

Physicists have known for decades that this neutrino background was there; they were just hoping to discover WIMP dark matter first. Now the chance is looking slim. Some of today’s WIMP detectors are simply so large and sensitive that they are entering the so-called “neutrino fog,” in which the ordinary particles are likely to drown out any signal from the main target. There is no shielding these detectors from neutrinos, which easily slip through the Earth itself. That means the next experiment to use this long-standing approach for seeking WIMP dark matter may be the last. 

Hitting the neutrino fog does not, however, mean an end to the search for dark matter. Researchers just have to shift the focus of their hunt. “We haven’t seen WIMP dark matter,” says Kathryn Zurek, a theoretical particle physicist at the California Institute of Technology. Nor, she says, have scientists found new particles in the Large Hadron Collider (LHC), the powerful proton-smashing facility that straddles the border between France and Switzerland. “And so people naturally broaden their scope,” Zurek says. As they do, there are plenty more candidates waiting in the wings

In other words, the hunt is transforming from a narrow probe into a kind of free-for-all. It’s a big shift. Today, particle physicists are less sure about dark matter’s identity than when they began looking for it. They’ll freely admit that they cannot presume the basics—for example, if the stuff that makes up dark matter is heavier than the Earth or lighter than a radio wave, or if dark matter is one kind of particle or a dozen. 

The uncertainty can be frustrating, even humbling. “The potential range where the candidates could be is so enormous that the odds of any one small experiment finding it are very, very small,” says Hugh Lippincott, a dark matter experimentalist at the University of California, Santa Barbara. 

But physicists’ failure to find dark matter where they thought it was has also led to a cornucopia of proposals for new ways to search: quantum sensors, liquid-helium-based detectors, searches in Jupiter’s atmosphere, and more. “Now there’s a great deal of excitement. And finally, there’s technology there,” says Gray Rybka, a University of Washington physicist who co-leads an experiment looking for axions, an ultra-lightweight dark matter candidate. 

Still, with so many places to look, where does it make sense for physicists to begin again? 

Astronomical ignorance

For starters: the birth of the universe. Dark matter has been with us since the beginning, and there’s much to learn from those early eons. Maps of the cosmic microwave background—the first light from the universe’s early years—are full of fluctuations caused by the clumpiness of under­lying matter. Reading these cosmic dregs, researchers can tell that only 17% of the matter in the universe is made of ordinary particles like protons and neutrons. The remaining 83% is dark matter, which has little to no interaction with light or ordinary matter other than through gravity.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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