Italy targets iCloud interoperability for DMA investigation


Apple’s troubles with the EU’s Digital Markets Act are continuing, with Italy now investigating iCloud and the cloud storage market.

The Digital Markets Act has been a thorn in Apple’s side, with it giving regulators more reasons to examine its business practices in Europe. In the latest salvo, Italy’s Competition Authority is now going after the company.

In a statement released on Tuesday, the Autorita Garante Della Concorrenza E Del Mercato said it had launched an investigation into Apple Inc, Apple Distribution International Ltd, and Apple Italia. It is looking into whether Apple complies with the DMA’s interoperability requirements, specifically for cloud storage.

Under Article 6(7) of the DMA, the regulator says that Apple must ensure that third-party providers of cloud services to consumers have “free and effective interoperability” with iOS and iPadOS. The third parties must also have access under equal conditions to the same hardware and software features that iCloud has.

The regulator believes that third-party cloud services are not under the same equal footing as iCloud, due to a lack of access to the same features. As an example, the regulator says that Apple doesn’t let users perform full backups of their device data to third-party cloud storage sites in a similar way to current iCloud backups.

This is the first probe of its kind for the Italian regulator using the DMA. It adds that the investigation is launched in “close cooperation” with the European Commission, and its findings will be shared once they have been adjudicated.

Apple has yet to comment on the existence of the new probe.

A continued DMA problem

The DMA has been a persistent problem for Apple in the two years after it came into effect. It is a regulation that Apple opposed long before its introduction, and continues to do so.

The DMA has led to many concessions by Apple affecting the continent, including the opening of alternative app storefronts to the App Store, store fee changes, and even things like removing Wi-Fi network syncing on the Apple Watch.

The just-announced Apple Intelligence and Siri AI changes are also not going to be available in the EU, as Apple prominently pointed out in its WWDC keynote. Rather than try to comply with the interoperability rules for its AI, Apple simply won’t implement it.

Apple believes that the rules work directly against its efforts to preserve privacy and security. The EU regulators “extreme interpretation” of the DMA would require Apple hands over deep system-wide access to any AI provider.

It’s a major stalemate in an ongoing regulatory argument over what should be accessible to third parties and what should be kept separate. With Italy’s new probe joining the fray, there won’t be a solution anytime soon.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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