Grassroots groups blocked 75 data center projects worth $130 billion in Q1 2026


TL;DR

Anti-data center groups doubled to 833 across 49 US states and disrupted 75 projects worth $130bn in Q1 2026, matching all of 2025 in three months.

Grassroots opposition to data center construction in the United States has reached a scale that is starting to reshape where and whether the AI industry can build. A new report from Data Center Watch, a tracker maintained by AI research firm 10a Labs, found that activists blocked or delayed at least 75 projects worth a combined $130 billion in the first quarter of 2026. According to NBC News, that is the most disruptions recorded in a three-month period since the group began tracking in 2023.

The pace represents a structural shift, not a spike. The total number and value of projects disrupted in Q1 roughly matched the full-year total for 2025, according to the report. The number of active anti-data center groups more than doubled from 396 at the end of 2025 to 833 by March, spread across 49 states, with Maryland, Ohio, and Texas hosting the most.

The opposition is bipartisan and locally driven. Communities are organising around electricity costs, water consumption, and noise, the same concerns that have already forced Denmark to pause all new grid connections for data centres and prompted the EU to ask households to cut peak electricity use because AI data centres are straining the grid.

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Legislative momentum is building alongside the grassroots resistance. Data Center Watch counted 14 statewide measures introduced in Q1 2026, and a separate analysis by MultiState identified moratorium bills across 11 states with proposed pauses ranging from three months to four years. More than 300 data-center-related bills were introduced in statehouses in just the first six weeks of the year.

None of the statewide moratoriums have passed yet, but they are getting close. Maine’s legislature passed one in April that would have paused permitting for facilities drawing 20 megawatts or more, the first of its kind in the country. Governor Janet Mills vetoed it but said she would have signed it if the bill had exempted a specific project in Jay, Maine that had strong local support, and she separately signed a law barring data centers from state tax incentives.

A Heatmap Pro poll found that a majority of Americans would “strongly” oppose a data center being built near their home, a shift from a survey nine months earlier that showed the public roughly evenly divided. Gallup data puts the figure at 70% opposed. The speed of the opinion shift suggests the issue is crossing from local planning disputes into broader political territory.

The industry is spending as though the opposition will not hold. US utilities plan to spend $1.4 trillion by 2030 on grid infrastructure driven largely by data centre demand, and hyperscaler capital expenditure is projected to exceed $690 billion in 2026 alone. The gap between what the industry wants to build and what communities are willing to accept is widening faster than either side expected.

In some cases, opposition is now mobilising before any project is officially filed. The mere rumour of a data center has been enough to trigger organised resistance, according to the report. That pre-emptive organising makes siting decisions harder even in states without formal moratoriums, because local permitting bodies face political pressure before a single application lands on their desk.

The Atlantic published a contrarian essay on Friday arguing that the backlash is overblown and that data centers can bring real economic benefits to host communities. The piece acknowledged that opposing data centers is good politics but argued it is not always good policy. Whether that argument gains traction will depend on whether the industry can demonstrate tangible local benefits beyond tax revenue, something most communities have not yet seen.

The report paints a picture of an industry that assumed it could build its way through local opposition with money and speed, and a country that is deciding otherwise, one zoning board at a time.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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