I tried to blur a face in iOS 27. My iPhone gave a new one instead.


Apple added the Clean Up feature with the iOS 18.1 update. While the main purpose of this feature was to remove unwanted objects from your shots, it could also be used to hide faces in photos. You just circled a face in the photo, and it would automatically blur it. Apple called it Identity protection.

With the iOS 27 update, Apple has improved the Clean Up feature, and now it can clear even more complex scenes. However, with this improvement comes a caveat. In the first beta, the hide faces feature is not working. Instead, it’s doing something which is both funny and alarming. 

What happens when you blur a face in iOS 27?

I only found this by accident. I was cleaning up a photo before posting it and went to blur out a face. I opened a photo, selected the Clean Up tool, and circled a face just like I always had. On the first few attempts, it outright lied to me. 

It tells me that the identity protection has been applied. But as you can see in the screenshot, the face is clearly visible. So I tried to force its hand. Instead of circling the face, I painted over it with my finger. That’s when a strange thing happened. 

Instead of blurring the face or removing it, it created a brand new face. Yes, it gave the person in the photo a new face, and it did such a convincing job that if I shared the photo with anyone, they wouldn’t be able to tell that the original face had been replaced with an AI-generated one.

Just to make sure that I am not hallucinating or it’s a freak event, I tried to replicate this with multiple photos of different people, and the same thing happened every time. If I circle a face, it would lie to me that the face has been blurred, and if I paint over it, it would generate a completely new face. 

I know this is the first developer beta, so bugs are expected, but this is not a bug, but a case of AI hallucination. I think since Apple is using Gemini models to train its Apple Foundation Models, it’s also getting the bad parts of it. 

We all know most AI models, including Google Gemini, have a history of hallucinations, and that’s what might be happening here. 

What should you do for now?

The good news is this is the first developer beta, so there’s a real chance Apple catches this before the public beta lands in July. If you rely on this feature to blur faces, my advice is to hold off on the beta and stick with iOS 26 for now, where the blur still works the way you expect.

If you’re already on iOS 27 and need to hide a face today, your safest bet is to use the old trick of using an emoji to hide faces in photos. I’ve sent feedback to Apple through the Feedback app, and I’d encourage you to do the same if you run into this. 

The more reports Apple gets early, the better the odds this gets fixed before release. A tool meant to protect people’s privacy shouldn’t be inventing new people instead, and I hope this is one hallucination Apple irons out fast.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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