Anthropic is spending $150M to embed 1,000 AI fellows inside nonprofits. No degree required.



TL;DR

Anthropic launched Claude Corps: $150M to place 1,000 AI fellows at 400+ nonprofits. $85K salary, no degree needed. First 100 start October. Apps close July 17.

Anthropic is donating $150 million to place 1,000 AI fellows inside nonprofit organisations across the United States. The programme, called Claude Corps, will pay early-career workers $85,000 plus benefits for a year-long placement where they help nonprofits use Claude more effectively. Applications opened Wednesday and close on July 17.

No college degree is required. Applicants must be 18 or older, hold US work authorisation, and have no more than two years of full-time work experience. The first cohort of 100 fellows starts in October 2026. Subsequent cohorts begin in January and August 2027.

Each of the 400+ host organisations will receive a $10,000 grant and free Claude credits. Anthropic partnered with CodePath, a San Francisco nonprofit that helps first-generation and low-income students enter the tech workforce, to manage recruitment and training.

We hope this program will expand and become a pillar of our strategy to help humankind realize the benefits of AI while also managing its risks,” said Anthropic President Daniela Amodei.

The programme is modelled loosely on service corps like AmeriCorps and Teach For America, but with a corporate sponsor and a product at its centre. Fellows are trained specifically on Claude. The organisations they serve will build their workflows around Claude. When the fellowship ends, the nonprofits are left with AI infrastructure tied to Anthropic’s ecosystem.

That dual purpose has drawn criticism. Fortune noted the “fox guarding the henhouse” dynamic: a $965 billion AI company is training the nonprofit sector to depend on its own product, funded by a donation that represents less than 0.02% of its valuation. Anthropic frames it as philanthropy. Sceptics see distribution strategy wrapped in a public benefit narrative.

Regardless of the framing, the programme addresses a real gap. Most nonprofits lack the staff, budget, and technical knowledge to adopt AI tools, even when those tools could meaningfully improve operations. Anthropic’s $100M Claude Partner Network, launched earlier, targets enterprises. Claude Corps targets the organisations that cannot afford enterprise partnerships.

The timing is deliberate. Anthropic is preparing for an IPO and positioning itself as the responsible AI company in a field dominated by OpenAI’s commercial aggression and Google’s scale. A $150 million nonprofit fellowship is a narrative play as much as a product play. Whether 1,000 fellows can make a meaningful difference across 400 organisations depends on whether the programme outlasts its PR value. Anthropic’s policy framework, published this week, calls for AI’s benefits to be “broadly shared.” Claude Corps is its first concrete attempt to deliver on that promise.



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Pixar is the champion of animation, but not all of their movies have had the chance to shine. For 40 years, the studio has brought families together across 30 movies. Certain movies never enter the discussion of being among the studios’ best — they were overshadowed by other films, or they went direct-to-streaming on Disney+.

In honor of the 40th anniversary, here are four Pixar movies that are worth reevaluating in 2026.

Toy Story 4

A surprisingly strong sequel

In 2010, Toy Story 3 brought Pixar’s debut franchise to an emotional close, as Woody (Tom Hanks), Buzz (Tim Allen), and the gang said farewell to Andy, preparing for a new life with Bonnie (Madeleine McGraw). After bringing their genre-defining animated trilogy to a fitting conclusion, I was doubtful that any follow-up could ever live up to the trilogy’s legacy. However, I was pleasantly surprised when I finally found the time to watch Toy Story 4.

As the gang of toys and Bonnie embark on a trip, Woody sets out to help the handcrafted toy Forky (Tony Hale) while also reuniting with Bo Peep (Annie Potts), who has become a rescuer of stray toys. As expected, Pixar’s animation remains ever-impressive, but Toy Story 4 manages to recapture the charm of the original 3 movies and offer a surprisingly fitting epilogue to Woody’s story in particular. Even with a new installment on the horizon, the emotion behind Toy Story 4‘s major status quo change for the gang ensures that the movie will be able to stand on its own merits for many years to come.

Turning Red

A stylistic reinvention

2022’s Turning Red saw Pixar take another crack at a coming-of-age story. The young Mei (Rosalie Chiang) clashes with her mother, Ming Lee (Sandra Oh), leading to her learning that she inherited the power to turn into a gigantic red panda in moments of heightened emotion. With her favorite boy band in town, Mei and her friends plan to use these gifts to attend the concert. As the concert draws nearer, however, Mei continues to clash with her mother, building to a generational showdown to heal her family’s curse.

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When compared to what came before, Turning Red is a drastic stylistic departure from Pixar’s filmography. Mei’s story is told in a more informal manner when compared to other features, as Mei breaks the fourth wall and is incredibly expressive when compared to how past features tiptoed the line between cartoon and realism. However, this stylistic decision gives Turning Red a unique charm while making its story feel all the more personal and emotional, as we are given a clearer insight into Mei’s state than any other Pixar protagonist that has come before.​​​​​​​

Monsters University

Expanding a universe

While Toy Story had proven that Pixar could create successful sequels, expanding on a movie was still a rare move for the studio in the early 2010s, with said franchise and Cars being an exception. As such, Monsters University had a lot of pressure placed upon its shoulders when it released. Set several years before the events of Monsters Inc, the prequel explores how Mike (Billy Crystal) and Sully (John Goodman) went from fierce rivals to the firmest of friends during their time at the titular scaring school.

Blending the setting and cast of Monsters Inc. with a teen college movie was an ideal choice to expand the world of this Pixar movie, as most of the charm found in Monstropolis comes from how it drastically imagined elements of our own world in its monstrous lens. Furthermore, it is interesting to see that Sully and Mike began as rivals, and Mike’s arc focusing on his struggle to be a scarer does add layers to where his journey ends in the original movie. As such, Monsters University is a worthy prologue to one of Pixar’s most enduring franchises.​​​​​​​

Soul

A deeper tale with age

Pixar is unafraid to tackle deeper and more mature subjects. However, I feel Soul stands as one of their most ambitious explorations yet. On the verge of fulfilling his dream, Joe (Jamie Foxx) is caught in a near-death experience, leading to him becoming a disembodied soul in the “Great Before.” When his soul is tasked to guide the reluctant 22 (Tina Fey) into finding the passion that will drive her during her time on Earth, Joe is taken on a journey to not only return to his body but also reconsider what drives him and what is important in life.

For a studio that has prided itself on packaging deeper themes into a family-friendly package, Soul easily stands as a movie that feels targeted for its older viewers. Children may be inspired to take joy in everything life can offer through 22’s journey, but Joe’s story is particularly relatable to those who have had to grapple with their passions being lost or an unpredictable turn in life putting a stop to a dream, and watching him regain that through his experiences with 22 is incredibly emotional. While it may not have had a chance to shine at the box office, Soul will stand as a fondly remembered Pixar classic. Hopefully, new viewers and young fans can begin to see the movie through different perspectives as they face their own trials.​​​​​​​


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