France’s sovereign messenger Tchap hit by account breach


France built its own encrypted messenger so civil servants would not have to trust WhatsApp or Telegram. Now that messenger has been breached, and the government and the attacker cannot agree on how much was taken.

France’s National Cybersecurity Agency, ANSSI, detected a compromise of Tchap on 7 June, and the Digital Affairs Directorate (DINUM), which runs the platform, published an incident notice and moved to block the account involved. Crucially, this was not a crack in the encryption or the infrastructure.

Officials say the attacker got in by hijacking a legitimate user account, a compromise of credentials rather than of the system itself.

The government’s account of the damage is narrow. Tchap, which is built on the open Matrix protocol, carries both public and private conversations, and the private ones are end-to-end encrypted. DINUM says that even when an account is impersonated, the history of those private encrypted conversations stays inaccessible, and that only the unencrypted public chat rooms, which any authenticated user can find and join, may have been viewed.

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Investigators are still working through the logs to establish exactly which conversations were reached and whether any data was taken. DINUM has notified the data-protection regulator CNIL, since personal information may have been exposed in the content the attacker could see, and reminded users that public rooms are not the place for sensitive material.

The attacker tells a far bigger story. A threat actor using the handle ‘Misère’ claims to have accessed data tied to roughly 73,000 state agents, 643,000 messages, almost 60,000 files totalling some 13.5 gigabytes, hundreds of chat rooms, and around 90 items referencing ‘Diffusion Restreinte’, a French restricted-distribution marking, spanning June 2023 to June 2026.

The attacker says entry came through social-engineering an account on Tchap’s education environment, and that a directory-search function allowed user enumeration across the service.

Those figures, relayed by dark-web intelligence channels and repeated across French security outlets, have not been verified by ANSSI or DINUM, whose statements make no mention of restricted documents, directory exposure, or any of the volumes cited.

Several French infosec analysts have explicitly kept the numbers out of their breach trackers for lack of independent confirmation. They remain an attacker’s claim, not an established fact.

There is a technical nuance that complicates the government’s reassurance.

End-to-end encryption protects messages in transit and at rest, so the server cannot hand over old private chats. But security researchers note that fully hijacking someone’s logged-in client is different: an attacker acting as that user can, in principle, see whatever the account sees in the moment, including private rooms it opens. The encryption holds; the impersonation is the hole.

What makes this sting is what Tchap represents. DINUM and ANSSI built it as a state-run, French-hosted alternative to WhatsApp, Telegram, and Slack, launched in 2019 precisely so government communications would not sit on foreign-controlled services.

Since 2025 it has been pushed across ministries to hundreds of thousands of public agents, and it lands in the middle of a broader French drive for technological independence that has seen Paris order ministries off Windows and onto Linux and Europe more widely treat its reliance on foreign tech as a political risk.

The gap between ‘a few public rooms’ and ‘73,000 accounts and restricted-document references’ will be closed by the log analysis, not the press releases. For a service whose entire pitch is that the state can be trusted to run its own secure communications, even a contained breach is an awkward dent.

A loud, unverified hacker claim on top of it is exactly the kind of story that sovereignty sceptics, and France’s rivals, will be happy to amplify.



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Recent Reviews


When Encanto was released, it was something of a cultural phenomenon. You couldn’t escape the song “We Don’t Talk About Bruno,” and the soundtrack went to the top of the charts. If you loved Encanto, there’s another overlooked Lin-Manuel Miranda animated musical on Netflix that’s better in many ways.

Vivo is another Lin-Manuel Miranda musical

He’s also the voice of the lead character

Vivo the kinkajou from the movie Vivo. Credit: Sony Pictures Animation

Vivo is a 2021 animated musical comedy from Sony Pictures Animation, the same studio behind smash-hit movies such as Spider-Man: Into the Spider-Verse and KPop Demon Hunters. Directed by Kirk DeMicco, who co-wrote it with Quiara Alegría Hudes, it features original songs written by Lin-Manuel Miranda, the musical genius who shot to superstardom on the back of Hamilton.

Miranda also plays the title character of Vivo, a kinkajou (a small, nocturnal mammal) whose days are spent earning money by playing music in the plaza with his aging owner, Andrés. When Andrés dies, Vivo makes it his mission to deliver a song that Andrés wrote to his old friend Marta Sandoval, a famous singer played by Gloria Estefan. The song reveals Andrés’ true feelings for Marta, but he could never bring himself to give it to her.

Vivo is helped on his quest by Gabi, a young misfit and the daughter of Andrés’ niece. The movie follows their journey through the Florida Everglades to reach Miami and deliver the song.

Why Vivo flew under the radar

The big theatrical release never happened

Gabi and Vivo on a raft in the movie Vivo. Credit: Sony Pictures Animation

Vivo is an animated musical from a major animation studio, with a cast of big names including Miranda, Gloria Estefan, and Zoe Saldaña. It features music from one of the most in-demand songwriters in the world, who also stars in it. Why isn’t it more well-known?

Perhaps the biggest reason is that Vivo never got its expected theatrical release. After the global pandemic disrupted Sony’s plans for a wide theatrical release, the rights were sold to Netflix. Instead of a major theatrical run, it joined the huge catalog of Netflix, where shows and movies all too often get buried by the churn of new content.

It meant that, unlike Encanto, Vivo never really got the chance to enter the zeitgeist or become a TikTok staple. Its fairly quiet release on a streaming service meant that it never got the attention that it deserved.

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Vivo’s music hits different

Gloria Estefan still has it

When Encanto came out, people raved about the music. The song “We Don’t Talk About Bruno” went viral, with an endless stream of TikTok videos. To my mind, however, the music in Vivo is just so much better.

I never really got the hype about “We Don’t Talk About Bruno.” It’s not bad, but it’s not even the best song in Encanto. While the music in Encanto is good, none of the songs really stand out as being classics. I listen to a lot of Disney movie soundtracks with my kids, and Encanto very rarely makes the playlist, while Moana, which also includes songs written by Lin-Manuel Miranda, gets played far more often.​​​​​​​


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What gets played a lot is the Vivo soundtrack because it’s genuinely brilliant. There’s something for everyone, too; there are four of us in the family, and each of us has a different favorite song from the soundtrack. That’s how good it is.

“One of a Kind” is the song that introduces us to Vivo and Andrés, and it’s a great mix of classic Cuban mambo and clave rhythms combined with Lin-Manuel Miranda’s trademark hip-hop flow. “My Own Drum” is an absolute banger sung by Gabi featuring possibly the greatest recorder solo of all time. My personal favorite, “Keep The Beat,” is a gorgeous song about keeping going when things start to change.

The most beautiful song in the movie is “Inside Your Heart,” performed by the legendary Gloria Estefan. This is the song that Andrés wrote for Marta, expressing his feelings for her. It’s a stunning song, and Estefan’s voice still sounds incredible. For me, it lands far harder than anything in Encanto.

What Vivo offers that Encanto doesn’t

There’s more than just the awesome music

2D animation of a young Andres and Marta dancing from the movie Vivo. Credit: Sony Pictures Animation

While both movies have music written by Lin-Manuel Miranda, only one of them features the songwriter in the main cast. Some of the fast-paced rhymes in Vivo are so distinctive that you can’t imagine anyone else doing them justice, as Dwayne Johnson proved in Moana.

Vivo also has a more dynamic story, with the action involving a race from Cuba to Miami rather than being set entirely within one location like Encanto. It also includes some interesting stylized 2D sequences that mix up the look of the movie. The emotional stakes are also much higher in Vivo, with a story that touches on death, regret, lost love, and finding your place in the world.

That’s not to say it’s a perfect movie. The plot does dip a little in the middle, but the stunning music and bittersweet ending make up for the flaws.


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Check out Vivo if you haven’t already

If you loved Encanto and you haven’t watched Vivo, you should definitely check it out. It’s a movie that really deserves more attention than it gets. I guarantee it will be the best kinkajou-based animated musical you’ll ever see.



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