DeepSeek has spent eighteen months as the most talked-about AI lab that almost nobody could invest in. That is about to change. The Chinese startup is slated to raise roughly 50 billion yuan, about $7bn, in its first external funding round, according to people familiar with the matter, in a deal that would value it at between $52bn and $59bn.


The composition of the round is as telling as the size. Founder Liang Wenfeng is committing 20 billion yuan of his own money, a controlling share of the raise that keeps him firmly in charge of a company he has run with unusual independence.

Tencent is weighing about 10 billion yuan and battery giant CATL around 5 billion yuan, which would make them the largest outside backers. Hong Kong’s IDG Capital and Monolith Capital are also among the prospective investors. The round is expected to close within weeks.

That a founder is funding a quarter of his own mega-round is not how Silicon Valley does things, and it is rather the point. DeepSeek emerged from High-Flyer, the quantitative hedge fund Liang built, and has been bankrolled largely from that base.

Taking outside capital changes the company’s character. It formalises DeepSeek as a commercial entity with investors to answer to, after a period in which it behaved more like a research project that happened to ship.

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DeepSeek became China’s national AI champion early last year, when its V3 and R1 models drew genuine admiration in Silicon Valley and forced an uncomfortable recalibration of how far ahead American labs actually were.

The models were cheap to train, strong on reasoning, and openly released, a combination that unsettled the assumption that frontier AI required frontier-sized budgets and closed weights.

What the company has not had, until now, is a revenue engine to match the reputation. The reporting around this round makes clear that commercialisation is the agenda. DeepSeek is plotting revenue efforts, and a $7bn war chest buys the compute, the talent and the runway to build products rather than just publish papers.

The investor list points at the constraint everyone in Chinese AI is working around. CATL is a battery company, not an obvious AI backer, but it is also a national industrial champion with capital and an interest in the energy demands of large-scale compute. Tencent brings distribution and cloud.

Domestic strategic money, rather than the global venture capital that funds American labs, is doing the heavy lifting, partly by necessity given US export controls on advanced chips and the political friction around foreign investment in Chinese AI.

A valuation approaching $59bn would still leave DeepSeek a fraction of the size of OpenAI or Anthropic on paper, both of which have been valued in the hundreds of billions. But the comparison flatters the Americans in dollar terms while understating what DeepSeek has achieved on a fraction of the spend. The company’s whole reputation rests on doing more with less.

The question the round raises is whether outside money changes that discipline. Investors expecting a return tend to push for the kind of spending, and the kind of secrecy, that DeepSeek has so far avoided.

The company built its name on cheap, open models. The next chapter, written with $7bn and a board, will test whether that identity survives contact with commercial expectations. The cheques are nearly signed. What they buy is still being decided.



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Another week has passed, and Apex is still the top thriller on Netflix and the No. 1 movie in the streamer’s current top 10. Audiences are loving the cat-and-mouse battle between Charlize Theron’s rock climber and Taron Egerton’s serial killer. It will be interesting to see what movie inevitably knocks it down to second place.

If you’re searching for more thrillers, then you’ve come to the right place. Our top recommendation is the fifth entry into one of Hollywood’s iconic horror series. The other movies on this list include a little-seen survival thriller with an A-plus cast and a feature film adaptation of a post-apocalyptic novel. Stream all three of these movies on Netflix in the U.S.

3

Eden

Survival on the island

What the heck happened to Eden? The survival thriller premiered at the 2024 Toronto International Film Festival and entered limbo immediately after due to its lack of distribution. Nearly a year passed before Vertical finally released Eden in theaters on August 22, 2025. You would think that this movie had an easy sell—recognizable actors stuck on an island, with chaos ensuing. I’m still baffled as to why a major studio didn’t pick it up in the United States.

Eden is inspired by true events surrounding the residents of Floreana Island in the 1930s. Dr. Friedrich Ritter (Jude Law) leaves Germany and moves to Floreana Island with Dore Strauch (Vanessa Kirby). They are eventually joined by Margret Wittmer (Sydney Sweeny), Heinz Wittmer (Daniel Brühl), and Eloise Bosquet de Wagner Wehrhorn (Ana de Armas). Tensions rise as the competing families vie for control of the island, resulting in fatal decisions that lead to multiple tragedies. Eden certainly has some Lord of the Flies elements in its story.

Again, I’m shocked this movie was dumped in August instead of receiving a traditional rollout from a popular studio. Admittedly, Eden has its flaws and heavily leans into melodrama much to its detriment. Still, it’s an entertaining thriller supported by a stacked cast that is much better than it’s given credit for.​​​​​​​

2

Leave the World Behind

Technology becomes the villain

What would happen if the collapse of technology led to the end of the world? That’s part of the premise of Leave the World Behind, Sam Esmail’s 2023 psychological thriller for Netflix. The movie is based on Rumaan Alam’s novel of the same name. Right when an oil tanker crashes on the shore, something is not right in Leave the World Behind.

Amanda Sandford (Julia Roberts) is on vacation with her husband Clay (Ethan Hawke) and two children when inexplicable occurrences, like the oil tanker crash, begin happening. The root of the issue is a nationwide blackout that has caused widespread panic. Amanda and Clay are forced to grapple with their trust issues after the arrival of the vacation home’s owner, George H. “G.H.” Scott (Mahershala Ali), and his daughter, Ruth (Myha’la).

Some may view Leave the World Behind as a warning to humanity, which feels ill-equipped to handle a devastating cyberattack. Others might watch strictly for its entertainment purposes. I fell somewhere in the middle. There are some relevant messages about the apocalypse, social inequality, and societal standards. It’s also a great cast of talented performers who elevate the source material. I don’t think the film depicts what actually would happen in a disaster, but it’s certainly fun (and scary) to predict the future. ​​​​​​​

1

Scream

I would like to play another game

To clarify, I’m referring to 2022’s Scream, informally known as Scream V. It’s a nightmare scenario for anyone like myself, who has to write an article about the fifth Scream installment. For bookkeeping purposes, I’m calling it Scream V. Part of the reason for the similar title to the first movie is because Scream V restarted the franchise after an 11-year hiatus. It’s not a reboot or a remake, but a continuation of the series.

The film opens with a similar sequence to 1996’s Scream, where an unsuspecting high school student, Tara Carpenter (Jenna Ortega), is attacked by a new Ghostface killer in Woodsboro. Tara’s half-sister, Sam (Melissa Barrera), returns to town and learns that Tara’s friend group is now being targeted by Ghostface. If you’re dealing with Ghostface, there’s only one person to call for help: Sidney Prescott (Neve Campbell), who has survived the killer’s multiple attempts at her life.

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I was surprisingly impressed with Radio Silence’s take on Scream. These reboots are typically cash grabs and a way for studios to exploit the IP of a popular entity. Scream V plays the hits—close calls, gory kills, and a propensity for dark humor. For me, it works as one of the franchise’s best entries. I thought Scream was done following Scream 4. Now, you’re probably going to get Scream VIII in a few years.


​​​​​​​More Netflix movies to watch

Two new Netflix movies, My Dearest Assassin and Remarkably Bright Creatures, arrive at week’s end just in time for the weekend. You can also stream classic Oscar-winning movies, including Roma and Glory. No matter what you choose, chances are you’ll be occupied for the foreseeable future with Netflix content.

Subscription with ads

Yes, $8/month

Simultaneous streams

Two or four




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