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This weekend’s watchlist has two psychological thrillers that will mess with your head in completely different ways, and one animated series that has no business being this good.

Whether you are in the mood for small-town dread, generational trauma wrapped in Southern Gothic atmosphere, or a Big Pharma conspiracy told through some of the most distinctive animation on television right now, there is something here for you. All three are on HBO Max, criminally underrated, and at least one of them will stick with you long after the credits roll.

We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best free movies, and the best movies on Amazon Prime Video.

Sharp Objects (2018)

Based on Gillian Flynn’s debut novel, this is eight episodes of psychological tension that never lets up. Amy Adams plays a troubled journalist who returns to her suffocating hometown to cover the murders of two young girls, only to find herself unraveling alongside the investigation.

What makes Sharp Objects special is that it is less of a murder mystery and more a study of inherited trauma, toxic motherhood, and the damage small towns do to the people who grow up in them. Patricia Clarkson is quietly terrifying as Adora. The ending hit me like a freight train. Stick through the final credits of the last episode, seriously!

You can watch Sharp Objects on HBO Max.

The Outsider (2020)

It looks like a crime drama on the surface, but The Outsider has a much stranger agenda. A young boy is found murdered in a small Georgia town, and the evidence overwhelmingly points to one man. However, that same man has an airtight alibi and that central impossibility becomes the hook that drives the whole show.

The character, Ralph Anderson, played by Ben Mendelsohn, is excellent as the detective unwilling to accept what he is seeing. But it is Cynthia Erivo as investigator Holly Gibney who completely steals the show. She walks in around episode 3, and the whole series changes gear. Fair warning, the pace is deliberate and the finale is divisive. But if you enjoy atmospheric slow burns with great performances, this one is worth your time.

You can watch The Outsider on HBO Max.

Common Side Effects (2025)

It is an animated TV series, and a lot of people have slept on it, but I highly recommend it. Two former high school friends discover a mushroom that can cure every known disease, and immediately find themselves hunted by Big Pharma, the DEA, and international corporations determined to bury it.

I know it sounds absurd, and it kind of is, but the show handles its conspiracy thriller premise with real wit and surprising emotional depth. Co-created by the team behind Scavengers Reign and produced by Greg Daniels of The Office fame, it holds a perfect 100% on Rotten Tomatoes. The animation style is distinctive and takes an episode to get used to, but once it clicks, you will not want to stop.

You can watch Common Side Effects on HBO Max.



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If you’re a Paramount+ subscriber swiping through its library of movies for something good to watch this week, then you’re in luck. Every week, I do a bunch of that scrolling for you to try and pull some of the best films from its roster of critical darlings, blockbusters, and hidden gems.

This week’s trio of movies includes one of the most beloved SNL-character-based movie spinoffs ever, a gritty and dusty Western classic for those seeking old Hollywood charm, and an epic Trek flick.

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Wayne’s World

Exsqueeze me? Baking powder? Excellent.

To this day, I can’t listen to Bohemian Rhapsody in a car without banging my head at that epic climax part—don’t pretend you don’t know it. And because of Wayne’s World, “Exsqueeze me? Baking powder?” is still a part of my regular vocabulary. Born out of Mike Myers’ and Dana Carvey’s wildly popular recurring sketch on Saturday Night Live in the ’90s, Wayne’s World, the movie, was a box office juggernaut and remains one of the best SNL-to-big-screen adaptations ever.

Wayne Campbell (Myers) and Garth Algar (Carvey) are just two metalhead slackers from Aurora, Illinois, who broadcast a weekly cable-access show from their basement, where they crack jokes, play guitar, and are generally stupid. When sleazy TV executive Benjamin Oliver (Rob Lowe) commercializes the show and brings it to big-time TV, Wayne and Garth rail against the sell-out corporate gloss the studio puts on it, and take it back.

Wayne’s World is beautifully nostalgic time well spent, and is full of endlessly quotable one-liners, signature fourth-wall breaks, a hilarious triple-ending (the Scooby-Doo ending is my favorite), and Tia Carrere. Need I say more?

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The Sons of Katie Elder

A classic Western revenge epic starring the legendary John Wayne

If you’re looking for a dusty classic, then 1965’s The Sons of Katie Elder still holds up as one of the best gritty, Western revenge stories ever, and stars the epitome of the genre, John Wayne, who made his big comeback with this film after losing a lung to cancer. It’s a beacon of old-school Hollywood filmmaking that still holds up today.

The premise is beautiful in its simplicity: The good-for-nothing Elder brothers—John, an infamous gunslinger (Wayne), Tom, a washed-up gambler (Rat Pack member Dean Martin), hardware merchant Matt (Earl Holliman), and youngest son Bud (Michael Anderson, Jr.)—return after years to their hometown of Clearwater, Texas, to attend their mother’s funeral. But the boys find that the town has turned hostile, and the family ranch has been swindled in a dodgy card game by ambitious entrepreneur Morgan Hastings (James Gregory), after which their father was suspiciously murdered.

The Elder boys are out for vengeance, setting the stage for some classic six-shooter payback. The Sons of Katie Elder is widely considered one of the genre-defining movies of the genre, with some of the best on-screen chemistry (between Wayne and Martin) you’ll ever see. It’s no wonder the classic has a 100% rating on Rotten Tomatoes.

Resistance is futile

We’re big fans of Star Trek: The Next Generation at How-To Geek. The epic, 18-time Emmy-winning series following the adventures of Captain Jean-Luc Picard (Patrick Stewart) and the crew of the USS Enterprise ran for seven seasons and redefined Gene Roddenberry’s franchise forever.

When the series ended in 1994, it made the transition to the big screen with 1994’s Star Trek Generations, which was a bit of a flop critically. Luckily, things took a turn for the better two years later with Star Trek: First Contact, a movie that picked up on one of the darkest and most compelling of TNG‘s storylines, “The Best of Both Worlds,” in which Picard was assimilated by the hive-minded cyborg Borg collective. First Contact picks up years after those events, as Picard still struggles psychologically with the ordeal. The Borg returns and has traveled back in time to Earth to stop humanity from making their pivotal first contact with alien life, which leaps us forward to the stars. Picard and crew must follow them back to stop them. Resistance is futile.

It’s one of those perfect Trek time-travel premises that the show and past motion pictures did so well, and features an all-star cast of TNG‘s regulars. Directed by Jonathan Frakes, First Contact has a 93% rating on Rotten Tomatoes.


Paramount+ is the home of a ton of great TV series and movies from Paramount, CBS, Showtime, and more, including all things Star Trek—from Discovery to Strange New Worlds to the original series and all the movies—as well as Taylor Sheridan’s impressive roster of shows like Yellowstone and the newcomers like The Madison and Marshalls.

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If you enjoy CBS offerings, you’ll want to subscribe to Paramount+. You get access to hit shows like Star Trek and Yellowstone, as well as a variety of SHOWTIME content.




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